Stories Dreams And Allegories

Originally published in 1922, "Stories, Dreams and Allegories" is a posthumous collection of writings by Schreiner inspired by dreams and her experiences living on a South African farm. Contents include: 'The Buddhist Priest's Wife', 'On the Banks of a Full River', 'Two Visions', and many more. Olive Schreiner (1855–1920) was a South African anti-war campaigner, intellectual, and author most famous for her highly-acclaimed novel “The Story of an African Farm” (1883), which deals with such issues as existential independence, agnosticism, individualism, and the empowerment of women. Other notable works by this author include: “Closer Union: a Letter on South African Union and the Principles of Government” (1909), and “Woman and Labour” (1911). Read & Co. Classics is proudly republishing this classic work now in a new edition complete with a specially-commissioned new biography of the author.

This volume brings together for the first time the entire range of the shorter pieces of imaginative writing that she continued to produce throughout her life, together with her final account of the vision informing her life's work. It rescues Schreiner from the charge of having exhausted a slim talent in one semi autobiographical novel and provides a context in which to situate a woman writer whose idealist concerns recognised no simple geographical boundaries. To picture her as first and foremost a colonial writer or, alternatively, primarily as a member of the finde-siecle British avant garde, does little justice to the links she made in her own writing and to the complex situation she occupied, for Olive Emilie Albertina Schreiner's life (1855-1920) straddled two centuries and two continents, while her travels between the land of her birth, South Africa, and her family's European homeland embroiled her in the political ferment of two wars: the Boer War (1899-1902) and the first World War (1914-1918).

Olive Schreiner (1855-1920) was the best-known feminist theorist and writer of her time. Her writings spanned a number of conventionally separate genres (including the novel, short story, allegory, political essay, polemic and theoretical treatise), which she crafted to produce a highly distinctive feminist and analytical 'voice'. A feminist who was contemporaneously an internationally-renowned social commentator, Schreiner's developing political analysis was - and still is - highly original. She developed a materially-based socialist and feminist analysis of 'labour' which led her to theorise social and economic change, divisions of labour in society and between women and men, capitalism and imperialism, around innovative ideas about how -- and by whom -- economic and social value was produced. She combined with this a keen attention to inter-personal relations, between women as literally or politically sisters, between 'respectable' and sexually outcast women, between feminist women and the 'New Men', and within the family. Distinctively, Schreiner's writings on economic and political life in South Africa criticised the policies and practice of Rhodes in the Cape Colony and British imperialism in southern Africa more widely. She opposed the South African War of 1899-1902, promoted federation rather than union as the form the South African state should take and insisted on equal political rights for all. Schreiner steadfastly opposed the development of apartheid segregationist policies and provided a radical analysis of the relationship between 'race' and capital. Imperialism, Labour and the New Woman is based on primary archive research, making particular use of Schreiner's unpublished letters and other major manuscript sources to provide a major reconceptualisation of the scope and importance of her writings and innovative and experimental ideas about genre and form. It offers a major rethinking of Schreiner's political writings on South Africa, and it emphasises the distinctiveness of Schreiner's contribution as the major feminist theorist of her age and that which followed. The book will appeal particularly to readers interested in the development of social theory, in influential feminist ideas and writing of the fin de sicle period, in the contemporary critique of capitalism and imperialism, and in 'the age of imperialism' in Southern Africa, as well as to Women's Studies scholars across the academic disciplines.

In Allegories of the Anthropocene Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers—including poets Kamau Brathwaite and Kathy Jetñil-Kijiner, Dominican installation artist Tony Capellán, and authors Keri Hulme and Erna Brodber—whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of allegorical art and literature in understanding our global environmental crisis.

"Chrisman's book demonstrates how South Africa played an important if now overlooked role in British imperial culture, and shows the impact of capitalism itself in the making of racial, gender and national identities. This book makes an original contribution to studies of Victorian literature of empire; South African literary history; African studies; black nationalism; and the literature of resistance."--BOOK JACKET.

Originally published in 1924, “Dreams” is a collection of short stories written by South African writer Olive Schreiner. Her second book, “Dreams” contains eleven short stories inspired by Schreiner's dreams and her experiences living on a South African farm. Olive Schreiner (1855–1920) was a South African anti-war campaigner, intellectual, and author most famous for her highly-acclaimed novel “The Story of an African Farm” (1883), which deals with such issues as existential independence, agnosticism, individualism, and the empowerment of women. Other notable works by this author include: “Closer Union: a Letter on South African Union and the Principles of Government” (1909), and “Woman and Labour” (1911). Read & Co. Classics is proudly republishing these classic short stories now in a new edition complete with a specially-commissioned new biography of the author.

This anthology introduces stories written by British and American Women from 1877 to 1910. The collection and the detailed, authoritative, introduction and notes, will enable the twenty-first-century reader to explore the themes and techniques these women developed as the Victorian was superseded by a new, Modernist, sensibility. Authors covered include Edith Wharton, Charlotte Perkins Gilman and Kate Chopin.

First Published in 1990. Routledge is an imprint of Taylor & Francis, an informa company.