Storytelling From Boyhood And Beyond

Storytelling from Boyhood and Beyond By: Jim Slater Storytelling from Boyhood and Beyond is a collection of stories relating to multiple generations of family: “a first trip from home,” “high school graduation,” “a letter from home when in Korea,” “engagement, marriage, and a lethal pancreatic cancer departure after fifty years.” Readers find themselves woven into a time they themselves lived through – or a time they were told about. Some stories invoke a chuckle or laughter – and yes, even tears.

This volume highlights the wealth of medieval storytelling and the fundamental unity of the medieval Mediterranean by combining in a comprehensive overview popular eastern tales along with their Greek adaptations and examining Byzantine love tales, both learned and vernacular, alongside their Persian counterparts and the later adaptations of Western romances.

I do not intend to carry my story one month beyond the hour when I saw that my boyhood was gone and my youth arrived; a period determined to some by the first tail-coat, to me by a different sign. My reason for wishing to tell this first portion of my history is, that when I look back upon it, it seems to me not only so pleasant, but so full of meaning, that, if I can only tell it right, it must prove rather pleasant and not quite unmeaning to those who will read it. It will prove a very poor story to such as care only for stirring adventures, and like them all the better for a pretty strong infusion of the impossible; but those to whom their own history is interesting-to whom, young as they may be, it is a pleasant thing to be in the world-will not, I think, find the experience of a boy born in a very different position from that of most of them, yet as much a boy as any of them, wearisome because ordinary.

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In a neighborhood jammed with look-alike clapboard houses in a South Carolina Cotton mill village, author William Hale grew up as an inquisitive boy who climbed trees, played sandlot baseball, and learned his greatest life lessons from unexpected places. Amid the darkness of the Great Depression, Hale was never without food, love, or a little bit of sparkle from Azzie, a washwoman with a broad smile, big voice, and never-ending encouragement for little Hale. With humor, sensitivity, and candor, Hale delves deeply into the delicate fabric of life as he details experiences derived from a distinctive coming-of-age journey full of fun, challenges, and timeless messages. As he learned to love “winnie” soup, whiled away the hours on the porch swing, and discovered that time is the greatest healer of all, Hale details how he grew from boy into man and realized the impact of his choices that eventually led him in a different direction. The Village and Beyond offers one man’s poignant reflections on life as he revels in the powerful world of the human spirit and discovers that he will never be without questions.

An Alabama boy’s innocence is shaken by murder and madness in the 1960s South in this novel by the New York Times–bestselling author of Swan Song. It’s 1964 in idyllic Zephyr, Alabama. People either work for the paper mill up the Tecumseh River, or for the local dairy. It’s a simple life, but it stirs the impressionable imagination of twelve-year-old aspiring writer Cory Mackenson. He’s certain he’s sensed spirits whispering in the churchyard. He’s heard of the weird bootleggers who lurk in the dark outside of town. He’s seen a flood leave Main Street crawling with snakes. Cory thrills to all of it as only a young boy can. Then one morning, while accompanying his father on his milk route, he sees a car careen off the road and slowly sink into fathomless Saxon’s Lake. His father dives into the icy water to rescue the driver, and finds a beaten corpse, naked and handcuffed to the steering wheel—a copper wire tightened around the stranger’s neck. In time, the townsfolk seem to forget all about the unsolved murder. But Cory and his father can’t. Their search for the truth is a journey into a world where innocence and evil collide. What lies before them is the stuff of fear and awe, magic and madness, fantasy and reality. As Cory wades into the deep end of Zephyr and all its mysteries, he’ll discover that while the pleasures of childish things fade away, growing up can be a strange and beautiful ride. “Strongly echoing the childhood-elegies of King and Bradbury, and every bit their equal,” Boy’s Life, a winner of both the Bram Stoker and World Fantasy Awards, represents a brilliant blend of mystery and rich atmosphere, the finest work of one of today’s most accomplished writers (Kirkus Reviews).

A collection of short stories of boyhood and beyond. Wartime evacuation, ghostly encounters, sporting glory, hope in poverty, peace, love, family and combat. Tales of boys who will grow to be men, and men who used to be boys. Tales to make you smile and wonder.

For three years, Ruth E. Ray visited and participated in eight writing groups at six senior centers in inner-city and suburban Detroit, looking for ways in which the elderly fashion their memories through personal narrative. Her innovative book involves the reader in the construction of life stories as a richly rewarding and highly social process that often reveals the types of relationships that dominate the lives of group members, the majority of whom are women. Because Ray wrote and responded herself and shares her anxiety and triumph in presenting her writing to women old enough to be her mother, some of a different race and class, Beyond Nostalgia is an excellent primer for professionals working with diverse groups in a variety of settings. It is also an important contribution to the emerging field of feminist gerontology. Ray's book demonstrates its own thesis that the presentation and negotiation of life stories in writing groups initiates change and personal growth among older people. Drawing on personal observations, the give-and-take of meeting conversations, lengthy interviews, and the life stories themselves, Ray tells a story of adult development through personal narrative. She recreates the group process through which age peers begin to articulate what life means, both individually and collectively. The writing groups of older adults that Ray studied challenged their members to consider not just cultural influences, but generational effects on the evolving content and structure of their life stories. Age, Ray argues, has been largely ignored by feminists and she makes a strong case for the need to learn how women make meaning of their lives across the life span. As an important document and analysis of that process, Beyond Nostalgia should appeal to academics and practitioners in women's studies, composition studies, gerontology, developmental psyschology, sociology, social work, and linguistics, and to anyone who works with older people.