Straddling The Mungo A Book Of Poems In English And French

This collection makes a forceful case that official bilingualism is not a pipe-dream, but rather a powerful modus operandi with the potential to ease a myriad of socio-political bottlenecks.

This book collates thematic reflections on Cameroon music exalting Manu Dibango, one of the first-generation Cameroonian musicians, who bowed to Covid-19 on 24 March 2020. Granted his enormous contribution to Cameroon, African and world music, one would have expected that scholarly books and encyclopaedia of recognition would be written in his honour prior to his demise. However, that was not the case. Like many other musicians in Cameroon, seemingly nothing substantial has been written about Manu Dibango and his music, with the exception, paradoxically, of his autobiography, Three Kilos of Coffee. What exists on this towering and humble giant of Cameroonian and African superstardom is scanty and mostly in the form of grey literature. We must learn to immortalise our artists and popular intellectuals beyond their entertainment value and the photo opportunities that we have with them in their lifetime. The inspiration for this book was drawn from the conviction that one of the best ways of honouring and valorising Manu Dibango would be by taking the cue from his music and then collecting essays generally on music, its role and impact in Cameroon, Africa and beyond.

This book is a timely addition to debates and explorations on the epistemological relevance of African proverbs, especially with growing calls for the decolonisation of African curricula. The editors and contributors have chosen to reflect on the diverse ways of being and becoming African as a permanent work in progress by drawing inspiration from Chinua Achebe's harnessing of the effectualness of oratory, especially his use of proverbs in his works. The book recognises and celebrates the fact that Achebe's proverbial Igbo imaginations of being and becoming African are compelling because they are instructive about the lives, stories, struggles and aspirations of the rainbow of people that make up Africa as a veritable global arena of productive circulations, entanglements and compositeness of being. The contributions foray into how claims to and practices of being and becoming African are steeped in histories of mobilities and a myriad of encounters shaped by and inspiring of the competing and complementary logics of personhood and power that Africans have sought and seek to capture in their repertoires of proverbs. The task of documenting African proverbs and rendering them accessible in the form of a common hard currency with fascinating epistemological possibilities remains a challenge yearning for financial, scholarly, social and political attention. The book is an important contribution to John Mbiti's clarion call for an active and sustained interest in African proverbs.

Among the material are treaties concluded by Britain with Southern Cameroons coastal Kings and Chiefs; and the boundary treaties of the Southern Cameroons, treaties defining the frontiers with Nigeria to the west and the frontier with Cameroun Republic to the east. The book contains documents that attest to the Southern Cameroons as a fully self-governing country, ready for sovereign statehood. These include debates in the Southern Cameroons House of Assembly; and the various Constitutions of the Southern Cameroons. The book also reproduces British declassified documents on the Southern Cameroons covering the three critical years from 1959 to 1961, documents which speak to the inglorious stewardship of Great Britain in the Southern Cameroons. This book removes lingering doubts in some quarters that the people of the Southern Cameroons were cheated of independence. Its contents are further evidence of their inalienable right and sacred duty to assert their independence.

This book was first published as a two-part essay in 1965 and 1967 in ABBIA Cameroon Cultural Review under the title Idea of Culture. Its main argument is that indigenous Africans cultures must be the foundation on which the modern African cultural structure should be raised; the soil into which the new seed should be sown; the stem into which the new scion should be grafted; the sap that should enliven the entire organism. This culture, the object of imperialist mockery and rejected, needs rehabilitation. However, such rehabilitation of African culture cannot be a mere archaeological enterprise. It will not answer to dig up the past and live it as it was. Not only is African culture not without its imperfections, times change and African culture must adapt itself, at every turn, to the changing times. In restoring African culture, it is imperative to steer clear of two extremes: on the one hand, the imperialist arrogance which declared everything African as only fit for the scrap-heap and the dust-bin, and, on the other hand, the overly enthusiastic and rather naive tendency to laud every aspect of African culture as if it were the quintessence of human achievement.

Wading the Tide is an expression of profound emotions touching on a wide range of issues-personal and political-from the birth of the Cameroon nation, her political meandering, until the state of emergency declared on the North West Province in 1992. Accordingly, Doh complains, ridicules, and pays tribute, even as he instructs and guides on timeless matters of life, all in an effort to draw attention to his country's gradual, downward spiral into anomy.

Laughing Store is just what we need in times of troubles and uncertainties such as these. A book of humour from an acclaimed master of laughter, it lifts our hearts and raises our spirits. Jokes that touch about every domain of existence - from sex to religion, from births to deaths, from politics to the beer parlour, from the courtroom to the hospital. And most important of all, conceived in the supremely original Cameroonian flavour of jokes.

The Bad Samaritan is set in a kleptomaniac and highly corrupt imaginary African country called Ewawa. Due to mismanagement, financial institutions collapse. Salaries are slashed and there is unprecedented unemployment leading to country exodus. Professor Esole and his wife are not only aggrieved by the salary slashes, but also by the dubious closure of the Post Office Savings Bank with their savings. Desperate for money, they resort to borrowing from private sources at exorbitant interest rates. Esole toddles into politics with the aim of righting things. Will his nave approach to politics make or mar?