Straight Up Rapping

Daryle Dirty Ryse grew up in East Oakland, California where growing up in the Hood yielded few illustrious outcomes. One indiscretion of the rapper's youth, an afternoon robbery, would come back to haunt the rapper and his cohort Richard Clean Washington, at the same time Dirty signed a muti-million dollar record deal with Sony. Handsome, smart, a straight A student, the victim's mad son never forgot what the young teen did to his mother on that fateful summer of 2007. Years afterwards while Dirty rose up to mass superstardom, revenge was the order of the day for the victim's son, Frederick. While the rapper of the century's hit tune "Dirty Ass Bitch," (DAB), became a worldwide smash, the killer stayed on his heels. He stopped at nothing to avenge his mother's early death.

Straight-Up Talk On Hip-Hop Culture

His lyrics are a lesson in history. His songs are a movement in groove theory. His book is a light out of the dark that will change the way you think about America and the world as a whole. From Rap to Hip-Hop, Gangsta to Trip-Hop, Chuck D, his Bomb Squad, and his monumental band, Public Enemy, have been a sonic, singular, and transcendental force in modern music. As a poet and philosopher, Chuck D has been the hard rhymer, rolling anthems off his tongue in an era of apathy, tapping into the youth culture of the world for more than a decade. Fight the Power, his first book, part memoir, part treatise, part State of the Union Address, is a testament to his nearly twenty years in the music business and his experiences around the world. Here is a history of one of the most important and controversial musical movements of our century, its impact on modern culture, and the heroes and victims it has created in its wake. Chuck D has never been just a rapper. He's an artist, a rock 'n' roll star who's shared the spotlight with everyone from U2 to Anthrax. He's fought to bridge the gap between musical genres and cultural differences. He is truly the voice of a generation. Startling, gripping, and uncompromising, Fight the Power is most of all the story of one man's struggle to bring about change in this difficult world at all costs. It is certain to take its place among the classics of African American experience.

The Cultural Territories of Race makes an important contribution to current policy debates by amplifying muted voices that have too often been ignored by other social scientists.

In this fun, edgy, and essential guide, the editors of today's hottest music magazine give you the ultimate, all-access pass to the exciting world of hip-hop and contemporary R&B. From the megaselling songs to the biggest stars to the most outrageous scandals, Rap-Up gives you a comprehensive behind-the-scenes look at the revolutionary music that's transforming pop culture. Discover: HISTORY LESSON How it all started, from rappers armed with toy keyboards and ambition...to breakout groups like Run-D.M.C. and Public Enemy who brought the 'hood to the suburbs and changed music forever. THE NEW NEW SCHOOL One-of-a-kind profiles of Jay-Z, Beyoncé, 50 Cent, Usher, Ciara, and all the hottest artists. And a look at the moguls and producers who shape the hits, including urban-flow stylist Jermaine Dupri, off-center innovators The Neptunes, and techno-beat genius Timbaland. WHERE'S THE BEEF? The inside story on rap's most notorious battles, from the legendary Juice Crew vs. Boogie Down Productions duel over hip-hop bragging rights, to the Jay-Z vs. Nas battle-of-the-giants, to the 50 Cent vs. The Game take-no-prisoners faceoff. FROM HOLLIS TO HOLLYWOOD A comprehensive list of hip-hop on the silver screen-the good, the bad, and the performers (Will Smith, Jamie Foxx, Queen Latifah) who achieved box office gold and Oscar fame. Complete with takes on must-own CDs and tracks, pop quizzes, career highlights, and artist road maps, this unique, definitive book is all you need to get down with everything hip-hop and R&B.

Ego Trip's Book of Rap Lists is more popular than racism! Hip hop is huge, and it's time someone wrote it all down. And got it all right. With over 25 aggregate years of interviews, and virtually every hip hop single, remix and album ever recorded at their disposal, the highly respected Ego Trip staff are the ones to do it. The Book of Rap Lists runs the gamut of hip hop information. This is an exhaustive, indispensable and completely irreverent bible of true hip hip knowledge.

HIP-HOP (AND OTHER THINGS) is about, as it were, rap, but also some other things. It's a smart, fun, funny, insightful book that spends the entirety of its time celebrating what has become the most dominant form of music these past two and a half decades. Tupac is in there. Jay Z is in there. Missy Elliott is in there. Drake is in there. Pretty much all of the big names are in there, as are a bunch of the smaller names, too. There's art from acclaimed illustrator Arturo Torres, there are infographics and footnotes; there's all kinds of stuff in there. Some of the chapters are serious, and some of the chapters are silly, and some of the chapters are a combination of both things. All of them, though, are treated with the care and respect that they deserve. HIP-HOP (AND OTHER THINGS) is the third book in the (And Other Things) series. The first two—Basketball (And Other Things) and Movies (And Other Things)—were both #1 New York Times bestsellers.

In the Mississippi Delta, creativity, community, and a rich expressive culture persist despite widespread poverty. Over five years of extensive work in the region, author Ali Colleen Neff collected a wealth of materials that demonstrate a vibrant musical scene. Let the World Listen Right draws from classic studies of the blues as well as extensive ethnographic work to document the changing same of Delta music making. From the neighborhood juke joints of the contemporary Delta to the international hip-hop stage, this study traces the musical networks that join the region's African American communities to both traditional forms and new global styles. The book features the words and describes performances of contemporary artists, including blues musicians, gospel singers, radio and club DJs, barroom toast-tellers, preachers, poets, and a spectrum of Delta hip-hop artists. Contemporary Delta hip-hop artists Jerome TopNotch the Villain Williams, Kimyata Yata Dear, and DA F.A.M. have contributed freestyle poetry, extensive interview materials, and their own commentaries. The book focuses particularly on the biography of TopNotch, whose hip-hop poetics emerge from a lifetime of schoolyard dozens and training in the gospel church.