Strange Intelligence

Hector C. Bywater was perhaps the British secret service's finest agent operating in Germany before the First World War, tasked with collecting intelligence on naval installations. Recruited by Mansfield Cumming, the first 'C' (or head of what would become MI6), Bywater was given the designation 'H2O' in what was a rather obvious play on his name - and the equivalent of James Bond's '007'. Indeed, the charming, courageous Bywater probably came as close to the popular image of Ian Fleming's most famous character as any British secret agent ever did. Originally written up in 1930 as a series of thrilling articles in the Daily Telegraph, his experiences were soon turned into a book, with the help of Daily Express journalist H. C. Ferraby, collating Bywater's espionage endeavours in one rollicking tale of secret service adventure. Although the identities of the British spies carrying out the missions in Strange Intelligence are disguised, we now know that most of them were in fact Bywater himself. Ahead of a war that was to put the British Navy to its sternest test since Trafalgar, Bywater reveals how he and his fellow agents deceived the enemy to gather vital intelligence on German naval capabilities. His account is a true classic of espionage and derring-do.

Beretning om en RAF-efterretningsofficer vidtspændende arbejde under 2. verdenskrig.

This volume is not an attempt to give a comprehensive treatment of the many facets of intelligence. Rather, the intention is to present multiple approaches to interesting and novel ways of looking at old problems. The focus is on the visual and some of the conceptual intelligences. Vision is man's primary cognitive contact with the world around him, and we are vividly reminded of this by Roman Jakobson's autobiographical note, "The Evasive Initial" with which this volume begins. That we see the world as well as we do is something of a miracle. Looking out through our eyes, our brains give us reliable knowledge about the world around us in all it beauty of form, color and movement. The chapters in the first section look at how this may come about from various perspectives. How from the intensity array which the world casts on the eye's retina does the brain achieve recognition? What may be some of the processes involved in seeing? We see shapes, textures and colors, and subsequently, at the more cognitive levels, recognize them as objects which we can manipulate: we inspect them to discover what to use them for. The objects are tools or food; they are things, beautiful, lovable or frightening. They are things to remember and to talk about to our friends, or to ask someone for. We can ask for many or just a few. They are important to us or trivial.

A dramatic narrative-and reinterpretation-of Germany's six-week campaign that swept the Wehrmacht to Paris in spring 1940. Before the Nazis killed him for his work in the French Resistance, the great historian Marc Bloch wrote a famous short book, Strange Defeat, about the treatment of his nation at the hands of an enemy the French had believed they could easily dispose of. In Strange Victory, the distinguished American historian Ernest R. May asks the opposite question: How was it that Hitler and his generals managed this swift conquest, considering that France and its allies were superior in every measurable dimension and considering the Germans' own skepticism about their chances? Strange Victory is a riveting narrative of those six crucial weeks in the spring of 1940, weaving together the decisions made by the high commands with the welter of confused responses from exhausted and ill-informed, or ill-advised, officers in the field. Why did Hitler want to turn against France at just this moment, and why were his poor judgment and inadequate intelligence about the Allies nonetheless correct? Why didn't France take the offensive when it might have led to victory? What explains France's failure to detect and respond to Germany's attack plan? It is May's contention that in the future, nations might suffer strange defeats of their own if they do not learn from their predecessors' mistakes in judgment.

DigiCat Publishing presents to you this special edition of "A Strange Manuscript Found in a Copper Cylinder" by James De Mille. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A scientist and scholar by trade, Grant Allen was a prodigious writer who dabbled in many different genres over the course of his career, playing a significant role in the development of both detective fiction and science fiction. This collection of short stories runs the gamut in terms of theme and subject matter, but all of the tales highlight Allen's fascination with the weird, mysterious and uncanny.

The biggest collection of supernatural, macabre, eerie, and gothic tales is here! Grab your copy and get ready for the chills down your spine: Edgar Allan Poe: The Tell-Tale Heart The Cask of Amontillado The Black Cat... Henry James: The Turn of the Screw The Ghostly Rental... H. P. Lovecraft: The Dunwich Horror The Shunned House... Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye... John William Polidori: The Vampyre Bram Stoker: Dracula The Jewel of Seven Stars The Lair of the White Worm... Algernon Blackwood: The Willows A Haunted Island A Case of Eavesdropping Ancient Sorceries... Gaston Leroux: The Phantom of the Opera Marjorie Bowen: Black Magic Charles Dickens: The Mystery of Edwin Drood Oscar Wilde: The Picture of Dorian Gray Washington Irving: The Legend of Sleepy Hollow Théophile Gautier: Clarimonde The Mummy's Foot Richard Marsh: The Beetle Arthur Conan Doyle: The Hound of the Baskervilles The Silver Hatchet... Joseph Sheridan Le Fanu: Carmilla Uncle Silas... M. R. James: Ghost Stories of an Antiquary A Thin Ghost and Others Wilkie Collins: The Woman in White The Haunted Hotel The Devil's Spectacles E. F. Benson: The Room in the Tower The Terror by Night... Nathaniel Hawthorne: The Birth Mark The House of the Seven Gables... Ambrose Bierce: Can Such Things Be? Present at a Hanging and Other Ghost Stories Arthur Machen: The Great God Pan The Terror... William Hope Hodgson: The House on the Borderland The Night Land M. P. Shiel: Shapes in the Fire Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Dr. Greatrex's Engagement... Horace Walpole: The Castle of Otranto William Thomas Beckford: Vathek Matthew Gregory Lewis: The Monk Ann Radcliffe: The Mysteries of Udolpho Jane Austen: Northanger Abbey Charlotte Brontë: Jane Eyre Emily Brontë: Wuthering Heights Rudyard Kipling: The Phantom Rickshaw Guy de Maupassant: The Horla Jerome K. Jerome: Told After Supper...