Strange Invaders

With the adults possessed by alien invaders, can Nick, Jessie, and Frasier save their town? Twelve-year-old twins Nick and Jessie are woken up in the middle of the night by a blazing white light followed by a loud explosion. As they rush to the window, rain suddenly begins pouring down, and the water starts to glow. It is the strangest thunderstorm they’ve ever seen, and it stops as quickly as it started. Nick has a feeling it may not have been a storm at all, but visitors from another planet. When he and Jessie decide to investigate a strange sound downstairs, they find their mom and dad digging a hole in the basement. At least, they think it’s their mom and dad. But since when does their mom let them eat all the junk food they want, and why isn’t their dad going to work? Nick and Jessie know something is wrong, and if their hunch is right, their parents’ bodies have been taken over by aliens. It’s up to Nick, Jessie, and their best friend, Frasier, to solve the mystery and protect their town from an extraterrestrial threat.

Seeing a strange glow hovering over Harley Hills, Nick and his twin sister Jessie are shocked when the adults of their hometown begin talking like robots and eating strange foods. Original.

This text attempts to shape definitions of the American science fiction film, studying the connection between the films and social preconceptions. It covers many classic films and discusses their import, seeking to rescue the genre from the neglect of film theorists. The book should appeal to both film buff and fans of science fiction.

Seeing a strange glow hovering in the sky, Nick and his twin sister Jessie are shocked when the adults of the town begin to talk like robots.

Aliens are literally popping out of the ground, but luckily, Jeff and Holly have a few tricks up their sleeves Jeff Ryan and his friends want to play street hockey, but someone has stolen their puck. When the kids try to get it back, they discover the culprit is a giant mole from space. A colony of aliens has tunneled under Grover’s Mill, and they want to take over the town by killing the humans—starting with Jeff’s friends! With the help of a secret government invention, Jeff and Holly race to rescue the captives and defend their turf before the moles attack. But will they be too late to save the day?

First published in 1998, music scored for film has only relatively recently received the critical attention which it merits. Many composers in the twentieth century have written works for films or documentaries, a number feeling that this aspect of their output has been undervalued. This dictionary complements other studies which have appeared in recent years which look at the technical and theoretical issues concerned with film music composition. Arranged alphabetically by composer, the volume comprises over 500 entries covering all nationalities. Each entry includes very brief biographical information on the composer, followed by a list of the films (with dates) for which he or she has composed. Details of recordings are also given. The dictionary’s international coverage ensures that it will become a standard reference work for all those interested in the history of twentieth-century music and the development of film.

The Routledge Companion to Science Fiction is a comprehensive overview of the history and study of science fiction. It outlines major writers, movements, and texts in the genre, established critical approaches and areas for future study. Fifty-six entries by a team of renowned international contributors are divided into four parts which look, in turn, at: history – an integrated chronological narrative of the genre’s development theory – detailed accounts of major theoretical approaches including feminism, Marxism, psychoanalysis, cultural studies, postcolonialism, posthumanism and utopian studies issues and challenges – anticipates future directions for study in areas as diverse as science studies, music, design, environmentalism, ethics and alterity subgenres – a prismatic view of the genre, tracing themes and developments within specific subgenres. Bringing into dialogue the many perspectives on the genre The Routledge Companion to Science Fiction is essential reading for anyone interested in the history and the future of science fiction and the way it is taught and studied.

This whopping big McFarland Classic brings together 43 interviews with horror and science fiction movie writers, producers, directors and the men and women who saved the planet from aliens, behemoths, robots, zombies, and other sinister, stumbling threats--in the movies, at least. The interviewees reminisce about some of their great (and not so great!) films and tell their stories. This classic volume represents the union of two previous volumes: 1994's Attack of the Monster Movie Makers ("anecdotes are frank and revealing"--Video Watchdog); and 1995's They Fought in the Creature Features ("a fun book for all SF film enthusiasts"--Interzone). Together at last, this combined collection of interviews offers a candid and delightful perspective on the movies that still make audiences howl and squeal (though fear has long been replaced with sweet nostalgia).