Strange Language

"While eighteenth-century efforts to standardize the English language have long been studied--from Samuel Johnson's 'Dictionary' to grammar and elocution books of the period--less well-known are the era's popular collections of odd slang, criminal argots, provincial dialects, and nautical jargon. 'Strange Vernaculars' delves into how these published works presented the supposed lexicons of the 'common people' and traces the ways that these languages, once shunned and associated with outsiders, became objects of fascination in printed glossaries--from 'The New Canting Dictionary' to Francis Grose's 'Classical Dictionary of the Vulgar Tongue'--and in novels, poems, and songs, including works by Daniel Defoe, John Gay, Samuel Richardson, Robert Burns, and others"--Front jacket flap.

The Aurelius' live a predictable life; they like it that way. Michael is a prison guard for the Roman Empire and Mary is a homemaker wishing for children. For the past two years, Michael has been guarding a strange little man who has caused their comfortable lifestyle to be anything but. Conversations garnered questions for which there seemed to be no answers. Questions about the existence of God, the reaity of a resurrected Savior, the appearance of the supernatural; these were things that brought Michael to the brink of madness. Read this account of a journey from a little prison in Rome to a future prison that no one could predict!

The strange M. Proust - the narrator, the author, and the embodiment of A la Recherche du Temps perdu - is now so canonical a writer that his very strangeness is easily overlooked. His book made of other books, his epic composed of extraordinary miniatures, his orderly structure where every law is subverted, his chronology where time can be undone and his geography where places can superimpose: in these, and many other ways, Proust continues to astonish even readers who have engaged with him for their entire careers. In this book, arising from the Princeton symposium of 2006, major critics come together to offer provocative readings of a work which is at the same time classical and unusual, French and foreign, familiar and strange. The book is dedicated to the memory of Malcolm Bowie (1943-2007), whose keynote address was one of his last major lectures. Other contributors include David Ellison, Anne Simon, Eugene Nicole, Joseph Brami, Raymonde Coudert, Christie McDonald, Michael Wood and Antoine Compagnon.

Introduction -- The truth of narration and the powers of the false -- Accepting complicated legacies by being once removed from the world : Everything is illuminated (Foer 2002) -- "He looked for truth in facts and not in stories" : crimes of historiography and forces of fabulation in Richard Flanagan's Gould's book of fish (2003) -- Making time, undoing race: Richard Powers' The time of our singing (2003) -- Conclusion.

The author, part of the Jewish refugee community in Shanghai, tells of his experiences growing up in the ghetto under Japanese occupation.

In early 1968, desperate entrepreneur Donald Crowhurst was trying to sell a nautical navigation device he had developed when he saw that the Sunday Times would be sponsoring the Golden Globe Race, the first ever solo, round-the-world sailing competition. An avid amateur sailor, Crowhurst sensed a marketing opportunity and shocked the world by entering the competition using an untested trimaran of his own design. Shock soon turned to amazement when he quickly took the lead, checking in by radio message from locations far ahead of his seasoned competitors. But on July 10, 1969, roughly eight months after he had sailed from England--and less than two weeks from his expected triumphant return--his wife was informed that his boat, the Teignmouth Electron, had been discovered drifting quietly, abandoned in the middle of the Atlantic Ocean. Crowhurst was missing, assumed drowned. How did he come to such an end when his race had begun with such incredible promise? In this masterpiece of investigative journalism, Nicholas Tomalin and Ron Hall reconstruct one of the greatest modern stories of one man's descent into self-delusion, public deception, and madness. Based on in-depth interviews with Crowhurst's family and friends, combined with gripping excerpts from his logbooks that revealed (among other things) he had been falsifying his locations all along, Tomalin and Hall paint an unforgettable, haunting portrait of a complex, deeply troubled man and his final fateful journey.

You don’t have to be a skilled poet to see yourself living In a Strange Land. The poets found in this collection, however, not only recognize it, but express their varying experiences in ways that bring us along with them. We see their experiences—whether similar to our own or completely different—and find their poems ringing true in beautiful, painful, amusing, and fascinating ways. None of these ten poets has previously had a full-length poetry collection of their own—yet—but they are certainly all worthy of that honor. Keep an eye out for these poets in literary journals, chapbooks, and new books over the next while. Contributing poets: Ryan Apple, Susan Cowger, Jen Stewart Fueston, Laura Reece Hogan, Burl Horniachek, Miho Nonaka, Debbie Sawczak, Bill Stadick, James Tughan, Mary Willis

Strange Country identifies the origin, the development, and the success of the Irish literary tradition in English as one of the first literature that is both national and colonial.