Strange Mitcham

Ghost stories, legends and other odd tales from the town of Mitcham in Surrey / south London, including: the haunted house opposite Three Kings Pond, Mitcham Common's spectral cyclist, Spring-Heeled Jack, the story behind the Cricket Green obelisk, a long-lost tunnel beneath Cranmer Green, a tale of buried treasure in the parish churchyard, the curse of Merton Priory, ghostly lights in Bramcote Avenue, and much more. Read this book and you will never look at Mitcham the same way again. You can visit the author's website at www.james-clark.co.uk.

After bitter debate, South Africa, a dominion of the British Empire at the time, declared war on Germany five days after the invasion of Poland in September 1939. Thrust by the British into the campaign against Erwin Rommel’s German Afrika Korps in North Africa, the South Africans fought a see-saw war of defeats followed by successes, culminating in the Battle of El Alamein, where South African soldiers made a significant contribution to halting the Desert Fox’s advance into Egypt. This is the story of an army committed somewhat reluctantly to a war it didn’t fully support, ill-prepared for the battles it was tasked with fighting, and sent into action on the orders of its senior alliance partner. At its heart, however, this is the story of men at war.

How long has a corpse been staring out at passengers on the tube? Was London Bridge really shipped abroad by an American thinking he’d bought Tower Bridge? Did the Queen really mix with the crowds as a princess on VE Day? And did Hitler actually want to live in Balham? Urban legends are the funny, frightening and fierce folklore people share. Just like the early folk tales that came before them, these tales are formed from reactions to spectacular events in the world, and reflect our current values. From royal rumours to subterranean legends, Scott Wood has researched and written about them with a sense of wonder, humour and a keen eye. He finds the truth, the myth and the lies amongst these tales.

The book expresses the conviction that the art of creating tools – Greek techne – changes its character together with the change of civilization epochs and co-determines such changes. This does not mean that tools typical for a civilization epoch determine it completely, but they change our way of perceiving and interpreting the world. There might have been many such epochs in the history of human civilization (much more than the three waves of agricultural, industrial and information civilization). This is expressed by the title Technen of the book, where n denotes a subsequent civilization epoch. During last fifty years we observed a decomposition of the old episteme (understood as a way of creating and interpreting knowledge characteristic for a given civilization epoch) of modernism, which was an episteme typical for industrial civilization. Today, the world is differently understood by the representatives of three different cultural spheres: of strict and natural sciences; of human and social sciences (especially by their part inclined towards postmodernism) and technical sciences that have a different episteme than even that of strict and natural sciences. Thus, we observe today not two cultures, but three different episteme. The book consists of four parts. First contains basic epistemological observations, second is devoted to selected elements of recent history of information technologies, third contains more detailed epistemological and general discussions, fourth specifies conclusions. The book is written from the cognitive perspective of technical sciences, with a full awareness – and discussion – of its differences from the cognitive perspective of strict sciences or human and social sciences. The main thesis of the book is that informational revolution will probably lead to a formation of a new episteme. The book includes discussions of many issues related to such general perspective, such as what is technology proper; what is intuition from a perspective of technology and of evolutionary naturalism; what are the reasons for and how large are the delays between a fundamental invention and its broad social utilization; what is the fundamental logical error (using paradoxes that are not real, only apparent) of the tradition of sceptical philosophy; what are rational foundations and examples of emergence of order out of chaos; whether civilization development based on two positive feedbacks between science, technology and the market might lead inevitably to a self-destruction of human civilization; etc.

In which part of North London were wild beasts once thought to roam the sewers? Why did 1920s working-class Londoners wear necklaces of blue beads? Who was the original inspiration for the 'pearly king' costume? And did Spring-heeled Jack, scourge of Victorian London, ever really exist? Exploring everything from local superstitions and ghost stories to annual customs, this is an enchanting guide to the ancient legends and deep-rooted beliefs that can be found the length and breadth of the city.

“Hayes leaves resonance cleaving the air.” —NPR In these works based on his Bagley Wright lectures on the poet Etheridge Knight, Terrance Hayes offers not quite a biography but a compilation “as speculative, motley, and adrift as Knight himself.” Personal yet investigative, poetic yet scholarly, this multi-genre collection of writings and drawings enacts one poet’s search for another and in doing so constellates a powerful vision of black literature and art in America. The future Etheridge Knight biographer will simultaneously write an autobiography. Fathers who go missing and fathers who are distant will become the bones of the stories. There will be a fable about a giant who grew too tall to be kissed by his father. My father must have kissed me when I was boy. I can’t really say. . . . By the time I was eleven or even ten years old I was as tall as him. I was six inches taller than him by the time I was fifteen. My biography about Knight would be about intimacy, heartache. Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry; Lighthead, which won the 2010 National Book Award for poetry; and three other award-winning poetry collections. He is the poetry editor at the New York Times Magazine and also teaches at the University y of Pittsburgh. American Sonnets for My Past and Future Assassin will also be forthcoming in 2018.

Slocum's about to learn that sometimes, the best man for the job is a boy. If there’s anything worse than a dirty snake, it’s a cheap dirty snake. And Jack Mitcham is as cheap as they come. So when young Joshua Quaid and his brothers stood up to him in a bar one fateful day, Mitcham took Quaid’s two eldest brothers out with just one bullet. Saving on ammo, as Mitcham would say. The young Quaid isn’t the only one out to find Mitcham, though. The con man is also on Slocum’s hit list—exceptin’ he’s listed under one of a dozen aliases. And both Slocum and the boy are looking forward to a hefty reward, should they find him dead or alive. So, after a right impolite howdy-do—including bullets and some blood—the pair realize that two heads are better than one. But first, there are a few things Slocum needs to teach his greenhorn sidekick, like how to hold his liquor, woo a woman into bed—and find footprints in the snow…