Strange Tales From The Strand

Containing twenty-nine stories of the weird and uncanny, all originally published in the Strand, this collection is an enthralling mix of horror and the supernatural, unnatural disasters, madness, and revenge. We read of a germ that turned the world blind in Edgar Wallace's "The Black Grippe." In "A Sense of the Future," the world supply of oil gives out, cars become obsolete, and after three months we have returned to the days of horse-drawn carriages. In other tales, a camera takes pictures of the future, and a 1971 newspaper is pushed through a mail slot forty years earlier. With spine-tingling stories from the likes of Sapper, Graham Greene, D.H. Lawrence, and Arthur Conan Doyle, and a comic fantasy by H.G. Wells, as well as two tales from the children's writer E. Nesbit, Strange Tales from the Strand provides a rich collection for all lovers of the macabre.

The Strand Magazine, launched in January 1891, was one of the most successful and influential popular magazines of all time. Making its mark immediately with the publication of the first Sherlock Holmes stories, the magazine continued to publish high-quality detective fiction for half a million readers until 1950. Now, in the centenary of its launch, this collection offers twenty-five classic stories of mystery and detection, all first published in the Strand. It features tales of some of the most celebrated detectives of all time--Agatha Christie's Poirot, G.K. Chesterton's Father Brown, and E.C. Bentley's Philip Trent--as well as stories from Sapper, Edgar Wallace, Somerset Maugham, Aldous Huxley, and A.E.W. Mason. And, of course, this volume would not be complete without Sherlock Holmes, who makes his appearance in three classic cases. With little-known stories by famous authors, and ingenious works by almost-forgotten writers, Detective Stories from the Strand is a treasure trove of remarkable ingenuity, guaranteed to delight all enthusiasts of crime fiction.

Sherlock's Sisters: The British Female Detective, 1864-1913 examines the fictional female detective in Victorian and Edwardian literature. This character, originating in the 1860s, configures a new representation of women in narratives of the nineteenth and twentieth centuries. This analysis explores female empowerment through professional unofficial or official detection, especially as this surveillance illuminates legal, moral, gendered, institutional, criminal, punitive, judicial, political, and familial practices. This book considers a range of literary texts by both female and male writers which concentrate on detection by women, particularly those which followed the creation of Sherlock Holmes by Arthur Conan Doyle in 1887. Cultural movements, such as the emergence of the New Woman, property law or suffragism, are stressed in the exploits of these resourceful investigators. These daring women deal with a range of crimes, including murder, blackmail, terrorism, forgery, theft, sexual harassment, embezzlement, fraud, impersonation and domestic violence. Privileging the exercise of reason rather than intuition, these women detectives are proto-feminist in their demonstration of women's independence. Instead of being under the law, these women transform it. Their investigations are given particular edge because many of the perpetrators of these crimes are women. Sherlock's Sisters probes many texts which, because of their rarity, have been under-researched. Writers such as Beatrice Heron-Maxwell, Emmuska Orczy, L.T. Meade, Catherine Pirkis, Fergus Hume, Grant Allen, Leonard Merrick, Marie Belloc Lowndes, George Sims, McDonnell Bodkin and Richard Marsh are here incorporated into the canon of Victorian and Edwardian literature, many for the first time. A writer such as Mary Elizabeth Braddon is reassessed through a neglected novel. The book includes works by Irish and Australian writers to present an inclusive array of British texts. Sherlock's Sisters enlarges the perception of emerging female empowerment during the nineteenth century, filling an important gap in the fields of Gender Studies, Law/Literature and Popular Culture.

A comprehensive reference to short fiction from Great Britain, Ireland, and the British Commonwealth. With approximately 450 entries, this A-to-Z guide explores the literary contributions of such writers as Joseph Conrad, James Joyce, D H Lawrence, Rudyard Kipling, Oscar Wilde, Katherine Mansfield, Martin Amis, and others.

The only annotated edition of M. R. James’s writings currently available Count Magnus and Other Ghost Stories contains the entire first two volumes of James’s ghost stories, Ghost Stories of an Antiquary and More Ghost Stories of an Antiquary. These volumes are both the culmination of the nineteenth-century ghost story tradition and the inspiration for much of the best twentieth-century work in this genre. Included in this collection are such landmark tales as “Count Magnus,” set in the wilds of Sweden; “Number 13,” a distinctive tale about a haunted hotel room; “Casting the Runes,” a richly complex tale of sorcery that served as the basis for the classic horror film Curse of the Demon; and “Oh, Whistle, and I’ll Come to You, My Lad,” one of the most frightening tales in literature. The appendix includes several rare texts, including “A Night in King’s College Chapel,” James’s first known ghost story. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A comprehensive bibliography of books and short fiction published in the English language.

Sigmund Freud’s essay 'The Uncanny' is celebrating a century since publication. It is arguably his greatest and most fruitful contribution to the study of culture and the environment. Environmental Humanities and the Uncanny brings into the open neglected aspects of the uncanny in this famous essay in its centenary year and in the work of those before and after him, such as Friedrich Schelling, Walter Benjamin, E. T. A. Hoffmann and Bram Stoker. This book does so by focussing on religion, especially at a time and for a world in which some sectors of the monotheisms are in aggressive, and sometimes violent, contention against those of other monotheisms, and even against other sectors within their own monotheism. The chapter on Schelling’s uncanny argues that monotheisms come out of polytheism and makes the plea for polytheism central to the whole book. It enables rethinking the relationships between mythology and monotheistic and polytheistic religions in a culturally and politically liberatory and progressive way. Succeeding chapters consider the uncanny cyborg, the uncanny and the fictional, and the uncanny and the Commonwealth, concluding with a chapter on Taoism as a polytheistic religion. Building on the author’s previous work in Environmental Humanities and Theologies in bringing together theories of religion and the environment, this book will be of great interest to students and scholars of the environmental humanities, ecocultural studies and religion.