Stray Poems

COMING SOON! San Francisco's first Latino poet laureate offers new poems written in the native tongue of contemporary America: English-and-Spanish.ALERT ME WHEN THE BOOK BECOMES AVAILABLE

Apparently the first original publication from the New York Review imprint (exclusively a reprint house until now), this collection makes an ideally readable introduction to this sometimes forbidding, internationally admired, poetic group. Fin-de-siecle concerns of love in cafés, of sun and song, flirtation and regret, give way to darker worries as the Russian Revolution runs its course: Blok and Boris Pasternak sound particularly effective in Schmidt's libretto-like, clarified versions, while Akhmatova--grown older, immersed in sorrow--proposes a toast to the terrible world we inhabit/ And to God, who never replied. Editor Catherine Ciepela offers a long and useful introduction, along with capsule biographies of Schmidt's eight poets; poet and biographer Honor Moore adds an epilogue. --Publishers Weekly.

Stray Truths is a stirring introduction to the poetry of Euphrase Kezilahabi, one of Africa’s major living authors, published here for the first time in English. Born in 1944 on Ukerewe Island in Tanzania (then the Territory of Tanganyika), Kezilahabi came of age in the newly independent nation. His poetry confronts the task of postcolonial nation building and its conundrums, and explores personal loss in parallel with nationwide disappointments. Kezilahabi sparked controversy when he published his first poetry collection in 1974, introducing free verse into Swahili. His next two volumes of poetry (published in 1988 and 2008) confirmed his status as a pioneering and modernizing literary force. Stray Truths draws on each of those landmark collections, allowing readers to encounter the myriad forms and themes significant to this poet over a span of more than three decades. Even as these poems jettison the constraints of traditional Swahili forms, their use of metaphor connects them to traditional Swahili poetics, and their representational strategies link them to indigenous African arts more broadly. To date, translations of Swahili poetry have been focused on scholarly interpretations. This literary translation, in contrast, invites a wide audience of readers to appreciate the verbal art of this seminal modernist writer.

This is a collection of 61 traditional poems.

Winner of the Vassar Miller Prize in Poetry 2009 With poems that combine the self-scrutiny of Philip Larkin with the measure of Elizabeth Bishop, Amy M. Clark burnishes her first collection, Stray Home, with exquisite understatement and formal control. Sweeter than Larkin and more intimate than Bishop, these poems address the suppressed pain and shame of living as a childless woman in a world of mothers, the dissociation attendant on depression and fraught family relationships, and the search for a sense of belonging in the face of dislocation. Stray Home cuts deeply to discover the buried emotions and insights universal to all suffering and compassionate human beings. "Clark is able to imbue our small, usually overlooked moments with unexpected grandeur. A quiet humor is employed in service of her twin gifts, imagination and metaphor. This is an accomplished, deft, and important debut."-Beth Ann Fennelly, author of Tender Hooks and judge AMY M. CLARK grew up in San Luis Obispo, California. She is a graduate of Carleton College, and holds degrees from the University of Nevada, Reno, and Spalding University's MFA Program. She works as an editor and divides her time between Concord, Massachusetts, and San Diego, California. Her poems have been published in The Cincinnati Review, Cream City Review, and 32 Poems. Number Seventeen: Vassar Miller Prize in Poetry

Poetry. Taking as his subject a series of historically significant inventions--from ancient mythologies to modern scientific wonders--Anthony Etherin explores the structure of language, combining various forms of verse with the most severe literary restrictions. Many of Anthony's poems experiment with palindromes and anagrams: Palindromic sonnets; triolets and sonnets composed of anagrammed lines; and, at the extremes of combinatorial constraint, palindromic poems that are perfect anagrams of each other. This book also introduces Anthony's "aelindromes"--an anagram-palindrome hybrid, in which letters are parsed and reordered according to premeditated numerical sequences. Complemented throughout with experiments in visual poetry, STRAY ARTS (AND OTHER INVENTIONS) presents a complex poetic formalism of previously untested intricacy. "I've seen people able to do perfect bottom deals at casino poker tables for 100 thousand dollar stakes, under heat. I've seen people able to do bottom deals at illegal mob games where everyone was carrying. This poetry is only a bit safer but way, way harder. And impresses me more. I love it."--Penn Jillette "Anthony Etherin renders all my own virtuoso ventures obsolete. I truly covet this book."--Christian B�k "Anthony Etherin is a hard taskmaster with language, making it jump through hoops, run long distances backwards, and then turn in on itself, in a strenuous series of contortions that leave it gleaming with word-sweat--but all this exercise is more than worth it, because the poems Anthony produces are dictionaries of possibilities, maps of linguistic futures that are well worth exploring if you want to find joy and delight and jaw-dropping skill."--Ian McMillan