Studies In Byzantine And Medieval Western Art

This volume bring together John Beckwith's papers on medieval and Byzantine art. They focus on those subjects which the author made his own, Coptic and Byzantine "textiles, Western European and Constantinopolitan ivory carving, and Byzantine metalwork. A final section includes a number of studies on cultural diffusion, from Islam and Byzantium to Western Europe, in the early Middle Ages.

The two volumes consist of thirty-eight articles previously published by the author from 1938 to 1995.

The twenty-five papers in this volume cover diverse aspects of the material culture of the late Roman, Byzantine and Medieval periods, with particular emphasis on the metalwork and enamel of these times. Individual papers include major reinterpretations of objects in the British Museum's Byzantine collections as well as essays devoted to the Museum's recent acquisitions in this field. The volume celebrates the retirement of David Buckton, for over twenty years the curator of the British Museum's Early Christian and Byzantine collections and the National Icon Collection.

This, the second of two volumes containing all of Professor Kitzinger's essays on late antique and medieval art, painting and mosaics, is accompanied by a new preface and a comprehensive index.

Per Jonas Nordhagen's work on the frescoes of S. Maria Antiqua in Rome is of fundamental importance to the study of early medieval art in Italy. This volume brings together for the first time Professor Nordhagen's work on medieval Roman mosaics and fresco painting. The book begins with a section on Mosaics and Techniques, covering the mosaic techniques in use during this period in Rome. The subsequent section, on S. Maria Antiqua, includes the author's papers on the fresco decoration of this church, one of the most important monuments of early medieval art in Italy. There follows a selection of papers on iconography, derived from a study of the subjects treated in the mosaic and fresco cycles of this period. Four subsequent articles deal with various themes involved in studying the art of the early medieval period in Rome, and its links with the art of the British Isles. The author has added supplementary notes to correct mistakes in the earlier articles, and to draw attention to subsequent research on the monuments.

This is the first of two volumes that contains all of Professor Kitzinger's major essays on the art of Late Antiquity, accompanied by a new preface and a comprehensive index.