Studies In Iconology
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Studies in Iconology
Author | : Erwin Panofsky |
Publsiher | : Unknown |
Total Pages | : 424 |
Release | : 1967 |
Genre | : Art, Renaissance |
ISBN | : STANFORD:36105002631633 |
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Studies In Iconology
Author | : Erwin Panofsky |
Publsiher | : Routledge |
Total Pages | : 356 |
Release | : 2018-05-04 |
Genre | : Art |
ISBN | : 9780429976698 |
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In Studies in Iconology, the themes and concepts of Renaissance art are analysed and related to both classical and medieval tendencies.
STUDIES IN ICONOLOGY
Author | : Erwin Panofsky |
Publsiher | : Unknown |
Total Pages | : 305 |
Release | : 1962 |
Genre | : Electronic Book |
ISBN | : OCLC:1074012266 |
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Painting in Florence and Siena After the Black Death
Author | : Millard Meiss |
Publsiher | : Princeton University Press |
Total Pages | : 300 |
Release | : 1978 |
Genre | : Art |
ISBN | : 0691003122 |
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The first extended study of the painting of Florence and Siena in the later 14th century, this book presents a rich interweaving of considerations of connoisseurship, style, iconography, cultural and social background, and historical events.
Studies in Iconology
Author | : Erwin Panofsky |
Publsiher | : Unknown |
Total Pages | : 262 |
Release | : 1993 |
Genre | : Electronic Book |
ISBN | : OCLC:258149174 |
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Iconology Neoplatonism and the Arts in the Renaissance
Author | : Berthold Hub,Sergius Kodera |
Publsiher | : Routledge |
Total Pages | : 404 |
Release | : 2020-09-23 |
Genre | : Art |
ISBN | : 9781000179118 |
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The mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic. The Neoplatonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for its lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians concerned with the history of their own discipline – and also those whose research is on the art and culture of the Italian Renaissance itself – with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology. The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.
Iconology
Author | : W. J. T. Mitchell |
Publsiher | : University of Chicago Press |
Total Pages | : 237 |
Release | : 2013-05-03 |
Genre | : Art |
ISBN | : 9780226148052 |
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"[Mitchell] undertakes to explore the nature of images by comparing them with words, or, more precisely, by looking at them from the viewpoint of verbal language. . . . The most lucid exposition of the subject I have ever read."—Rudolf Arnheim, Times Literary Supplement
The Locus of Meaning in Medieval Art
Author | : Lena Liepe |
Publsiher | : Medieval Institute Publications |
Total Pages | : 240 |
Release | : 2018 |
Genre | : Art |
ISBN | : 1580443435 |
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This book addresses the status and relevance of iconography and iconology in the contemporary scholarly study of medieval art. There is a widespread tendency among art historians today to regard the study of iconography and iconology in the tradition of Erwin Panofsky as an outmoded and trivial pursuit. Nonetheless, Panofsky's three-level interpretative model sits firmly in the methodological toolkit of art history and remains a common point of reference among adherents and adversaries alike. Iconography and iconology demand to be taken seriously as a feature of continued praxis in the discipline. The book contains a collection of essays on the validity of various approaches toward the interpretation of meaning in medieval art today. These essays either demonstrate the continued usefulness of iconography and iconology as analytical strategies, or propose alternative approaches to the investigation of meaning in the art of the Middle Ages.