Studies In Jaina Art And Iconography And Allied Subjects In Honour Of Dr U P Shah

The Present Volume Is Published By The Oriental Institute, M.S. University Of Baroda In Sacred Memory Of Late Dr. U.P. Shah, Ex-Deputy Director And General Editor, Ramayana Deptt. Of The Institute. It Contains Research Articles Specially Written By Scholar-Friends Of Dr. Shah From The World Over, Ranging From Jaina Philosophy, Jaina Iconography, Art-History To Indian Literature In General, As His Interest Too Ranged To All The Afore-Mentioned Subjects. As Will Be Evident From The Life-Sketch And The Bibliography Of His Works, Dr. Shah Made An Impact In The Field Of Jaina Iconography And Art-History, Though He Handled, With Equal Felicity, Subjects Related To Oriental Studies. Some Of The Articles Appearing In This Volume Break New Ice Regarding Certain Knotty Points Of Jaina Philosophical Thought And Religious Practices. It Would Be Helpful To View The Contents Of This Volume From The Standpoint Of Long, Mutual Affinity And Correlatedness Of The Ancient Vedic And Jaina Traditions That Flourished Coevally Over A Great Stretch Of Time In This Country Of Uncommon Tolerance And Understanding Of Opposing Ideas And Ideals, Evincing Brilliant Insights Into The Problems Of Being And Consciousness Ever Probed By Human Mind. The Methodology Of Symbolical Representation Of Transcendental Principles And Perceptions Evolved In Both Jaina And Brahmanical Traditions Of Thought Is Well-Documented In This Volume, Which Will Prove To Be A Treasure For The Students Of Oriental Studies In General And Indology In Particular

Sarasvati assumes different roles, a physical river and a river goddess, then as a goddess of speech and finally that of a goddess of learning, knowledge, arts and music. References to Sarasvati in the Vedas and the Brahmanas, the Mahabharata and the Puranas and her marked presence in other religious orders, such as Buddhism, Jainism and the Japanese religion, form the basis of discussion as regards her various attributes and manifestations. In Jainism, her counter-part is Sutra-devi, in Buddhism it is Manjusri and Prajnaparamita and in the Japanese religion, Benten is the representative goddess. The physical presence of Sarasvati in various iconic forms is seen in Nepal, Tibet and Japan. Tantrism associated with Sarasvati also finds reflection in these religious traditions. Sculptors and art historians take delight in interpreting various symbols her iconic forms represent. The book examines Sarasvati’s origin, the course of her flow and the place of her disappearance in a holistic manner. Based on a close analysis of texts from the early Rig-Veda to the Brahmanas and the Puranas, it discusses different view-points in a balanced perspective and attempts to drive the discussions towards the emergence of a consensus view. The author delineates the various phases of Sarasvati’s evolution to establish her unique status and emphasise her continued relevance in the Hindu tradition. The book argues that the practice of pilgrimage further evolved after its association with the river Sarasvati who was perceived as divinity personified in Hindu tradition. This, in turn, led to the emergence of numerous pilgrimage sites on or near her banks which attracted a large number of pilgrims. A multifaceted and interdisciplinary analysis of a Hindu goddess, this book will be of interest to academics researching South Asian Religion, Hinduism and Indian Philosophy as also the general readers.

Jainism is a tradition which dates back thousands of years, which is unbelievably rich and profound, and which has certain unmistakable signs of identity. Contrary to what some might think, it is not in any sense a poor relation of Buddhism, nor is a strange, atheistic and ascetic sect within Hinduism. Jainism is, above all, the religion of non-violence (ahimsa), an ideal which all other religions of India were subsequently to make theirs and which was made universal by Gandhi in the 20th century. Like Buddhism, Jainism is a religion without God which paradoxically opens to the truly sacred in the deepest reaches of all living beings in the cosmos. And it is also the religion of non-absolutism (anekantavada), a particular form of philosophical pluralism, which seems astonishingly modern.

The JAINA-RUPA-MANDANA Volume I is an authentic work on Jaina iconography from the pen of a well-known authority on the subject, Dr. Umakant P.Shah, an eminent Indologist and art-historian with specialization in Jaina art and literature. Illustrated profusely with over two hundred monochrome plates, the work is a standard textbook and a very useful guide to all students in Indian art and archaeology and to Museum Curators. The work is supplemented with a large number of iconographic tables for images of all important Jaina gods and goddesses. Dr. Shah, the author, has for the first time given solutions to various basis problems of Jaina iconography supported with ample evidence from both archaeology and literature including unpublished original texts still in manuscripts.

Jain is the term used for a person who has faith in the teachings of the Jinas ('Spiritual Victors'). Jinas are human beings who have overcome all passions (kasayas) and have attained enlightenment or omniscience (kevala-jnana), who teach the truths they realized to others, and who attain liberation (moksa) from the cycle of rebirth (samsara). At the core of these teachings is nonviolence (ahimsa), which has remained the guiding principle of Jain ethics and practices to this day. In comparison with other religious traditions of South Asia, Jains are few in number, comprising less than one percent of India's population. The lay and mendicant communities of the Jain, however, have maintained an unbroken presence in India for more than 2,500 years and have influenced its culture throughout this time. The A to Z of Jainism covers the history of Jainism that spans a period of more than 2,500 years. The history, values, concepts, and scriptures; eminent mendicant, lay leaders, and scholars; and places, institutions, social, and cultural factors are covered in over 450 dictionary entries. This comprehensive reference work also includes an introductory essay, explanation of the Jain scriptures, chronology, appendixes, and bibliography. This book provides an excellent introduction and overview to Jainism for scholars, students, and general readers.

The present volume is a continuation of the bibliography and study presented in Panini, A Survey of Research, first published in the Netherlands (The Hague: Mouton & Co., 1976), subsequently published in India (Delhi: Motilal Banarsidass, 1980) and reprinted in 1997. The basic format adopted for the first survey is observed here: a bibliography of major work done since 1975, including materials which came to the author`s knowledge up to December of 1997, is followed by his appraisal of this work with extensive references to primary sources which are the bases of scholarly discussions and notes.

Mahābhārata (including Harivaṃśa) and Rāmāyaṇa, the two great Sanskrit Epics central to the whole of Indian Culture, form the subject of this new work. The book begins by examining the relationship of the epics to the Vedas and the role of the bards who produced them. The core of the work, a study of the linguistic and stylistic features of the epics, precedes the examination of the material culture, the social, economic and political aspects, and the religious aspects. The final chapter presents the wider picture and in conclusion even looks into the future of epic studies. In this long overdue survey work the author synthesizes the results of previous scholarship in the field. Herewith a coherent view is built up of the nature and the significance of these two central epics, both in themselves, and in relation to Indian culture as a whole.