Studies In The Making Of The Early Hebrew Book

Further Studies in the Making of the Early Hebrew Book addresses a variety of aspects of the early Hebrew book often treated in a cursory manner. The essays encompass book arts, printing-places and printers, and unusual book varia.

Studies in the Making of the Early Hebrew Book is a collection of twenty-four essays on various aspects of Hebrew book production in the 16th-18th centuries. The subject matter encompasses little known printing-presses, makers of Hebrew books, book arts, and related subjects.

Articles on early Hebrew printing encompassing title-page motifs and entitling books; authors and places of publication including books opposed to gambling, on philology, and the massacres of tah-ve-tat (1648-48); small diverse places of printing; and on Christian-Hebraism.

Further Essays addresses aspects of early Hebrew book publication, among them book arts, little known authors, places of publication, and miscellaneous subjects. Book arts addresses pressmarks representing publishers motifs, several unusual, and the varied usage of biblical verses to entitle books. The second section focusses on the works of rabbis and scholars, once prominent but not well remembered today, noting their achievements and their varied books, encompassing such topics as biblical commentaries, Talmudic novellae, philosophy, and poetry. Several locations once important, also not well remembered today are addressed; Further Essays concludes with articles on other unrelated book topics.

The rise of printing had major effects on culture and society in the early modern period, and the presence of this new technology—and the relatively rapid embrace of it among early modern Jews—certainly had an effect on many aspects of Jewish culture. One major change that print seems to have brought to the Jewish communities of Christian Europe, particularly in Italy, was greater interaction between Jews and Christians in the production and dissemination of books. Starting in the early sixteenth century, the locus of production for Jewish books in many places in Italy was in Christian-owned print shops, with Jews and Christians collaborating on the editorial and technical processes of book production. As this Jewish-Christian collaboration often took place under conditions of control by Christians (for example, the involvement of Christian typesetters and printers, expurgation and censorship of Hebrew texts, and state control of Hebrew printing), its study opens up an important set of questions about the role that Christians played in shaping Jewish culture. Presenting new research by an international group of scholars, this book represents a step toward a fuller understanding of Jewish book history. Individual essays focus on a range of issues related to the production and dissemination of Hebrew books as well as their audiences. Topics include the activities of scribes and printers, the creation of new types of literature and the transformation of canonical works in the era of print, the external and internal censorship of Hebrew books, and the reading interests of Jews. An introduction summarizes the state of scholarship in the field and offers an overview of the transition from manuscript to print in this period.

Further Studies in the Making of the Early Hebrew Book addresses a variety of aspects of the early Hebrew book often treated in a cursory manner. The essays encompass book arts, printing-places and printers, and unusual book varia.

We think of the Hebrew Bible as the Book--and yet it was produced by a largely nonliterate culture in which writing, editing, copying, interpretation, and public reading were the work of a professional elite. The scribes of ancient Israel are indeed the main figures behind the Hebrew Bible, and in this book Karel van der Toorn tells their story for the first time. His book considers the Bible in very specific historical terms, as the output of the scribal workshop of the Second Temple active in the period 500-200 BCE. Drawing comparisons with the scribal practices of ancient Egypt and Mesopotamia, van der Toorn clearly details the methods, the assumptions, and the material means of production that gave rise to biblical texts; then he brings his observations to bear on two important texts, Deuteronomy and Jeremiah. Traditionally seen as the copycats of antiquity, the scribes emerge here as the literate elite who held the key to the production as well as the transmission of texts. Van der Toorn's account of scribal culture opens a new perspective on the origins of the Hebrew Bible, revealing how the individual books of the Bible and the authors associated with them were products of the social and intellectual world of the scribes. By taking us inside that world, this book yields a new and arresting appreciation of the Hebrew Scriptures.