Studio Furniture Of The Renwick Gallery

Take a tour of the Renwick Gallery, the craft division of the Smithsonian, and enjoy an in-depth look at the artists and the work of this unparalleled collection of handmade contemporary furniture. This absorbing volume features profiles and interviews of 64 artists and reveals their artistic influences and interpretations along with 112 stunning photos of iconic work.

Boxes, cabinets, chests, cupboards, desks, and sideboards--this volume showcases one-of-a-kind and limited-edition pieces designed and constructed by today's emerging and established furniture makers and artists. This exhibition catalog illustrates the many ways in which thirty-seven contemporary artists approach case furniture, a traditional form that is being constantly defined and redefined. This simultaneously utilitarian and aesthetic art form permits artists, from traditional to avant-garde, to express their own visions. Essayists and guest curators for the exhibition, Thomas Loeser and Virginia T. Boyd, present the artist's and scholar's perspectives on contemporary decorative arts and discuss the themes underlying the exhibition. An overview of the development of studio furniture over the past decade by decorative arts scholar Glenn Adamson provides a recent historical context for the pieces in the exhibition. Distributed for the Chazen Museum of Art, University of Wisconsin-Madison

Essays by Edward S. Cooke, Jr. and Gerald W.R. Ward.

Furniture Studio explores the origins, methods, results, and influence of the unique and highly successful furniture design and fabrication studios offered by the University of Washington Department of Architecture. The furniture program, initiated by Andris Vanags, is an immersion into the role of materials, design, and making in architectural education. Students directly engage the physical properties of materials, and the knowledge gained through this engagement enriches the design and fabrication process. The experiences of its graduates reveal that the studio fosters creative thinking that truly integrates design and making. Ochsner presents historical background to shop-based courses, including furniture studio; traces the careers of four representative graduates of the program; and suggests implications from this program for architectural education and individual achievement beyond the University of Washington. Eleven students and the projects they created in the winter 2009 studio are profiled, and the book contains a fully illustrated catalogue of exemplary student projects from 1989 to the present. Illustrations and descriptions throughout the book showcase the heirloom-quality projects created by the students, many of which won awards in competitions. "Jeffrey Ochsner has written a book that will be invaluable to furniture historians, furniture makers, architects, and design educators. The book's great strength is its telling of a local, personal story within a broader context of architectural pedagogy and philosophy." -Edward Cooke, author of Making Furniture in Pre-Industrial America Jeffrey Karl Ochsner is professor of architecture and associate dean for academic affairs, College of Built Environments, University of Washington. He is the author of Lionel H. Pries, Architect, Artist, Educator and coauthor of Distant Corner: Seattle Architects and the Legacy of H. H. Richardson.

Featuring some of today's best woodworkers and artisans-such as Michael Hosaluk, Steven Kennard, Richard Raffin, Jacques Vesery, Bonnie Klein, and Hans Weissflog-this craftsmen's companion celebrates these modern masters and others who have taken box-making to a higher level of aesthetic form. The artist profiles include full-color, studio-quality photographs of their work along with essays that illustrate their design ideas and objectives. In addition, this collection also offers an in-depth introduction detailing the recent history of the wooden box in woodworking and its place in contemporary crafts and instrumental pieces, such as jewelry boxes, desk boxes, reliquaries, and keepsakes.

The imitable style, elegance, and character of historic American architecture are beautifully presented in this guided tour to the magnificent millwork of the Winterthur Museum and Country Estate. The former residence of Henry Francis du Pont, Winterthur features more than 175 period rooms spanning in time from 1640 to 1840. Each room showcases not only the finest American antique furniture, but also the extensive range of historic millwork from this particularly stunning era. Moving chronologically through the Georgian and Federal periods, the various millwork styles featured in 20 of the Winterthur' s most representative rooms are explored through a unique blend of photographs, history, and technical drawings. Each room' s discussion features a color photograph, breakdown of the architectural details, commentary on each element, and glossary of pertinent architectural terms.

Written directly from transcribed audiotapes recorded during a week-long interview with the master woodworker, this tribute to Bob Stocksdale reveals his life experiences, philosophies, and often replicated turning methods, all in his own words. A private artist who lived quietly and was not widely written about, Stocksdale's lifelong quest for the perfect bowl is chronicled, while select step-by-step, how-to tips for fellow craftsmen are detailed. Featuring a gallery of beautiful, never-before-seen photographs sure to inspire artists, this unique biography provides the master's advice on tools-including lathes, band saws, and jointers-sharpening devices, and wood selection, as well as his business tips for pricing, selling, and shipping finished pieces. A portrait of a beloved and respected artisan, this guide offers the first in-depth look at the man behind the perfect wooden bowl. Ron Roszkiewicz is the author of The Woodturner's Art and Woodturner's Companion. He lives in Encinitas, California.

This authoritative text explains the evolution of four centuries of American furniture from 1650 to the 21st century. It is the complete story covering the cultural and historical context of pieces and advice on how to authenticate furniture and preserve it for posterity. It is fully illustrated with over 800 photos and a 24 page color signature.