Style And Function

What is the function of style today? If the 1970s were defined by Postmodernism and the 1980s by Deconstruction, how do we characterize the architecture of the 1990s to the present? Some built forms transmit affects of curvilinearity, others of crystallinity; some transmit multiplicity, others unity; some transmit cellularity, others openness; some transmit dematerialization, others weight. Does this immense diversity reflect a lack of common purpose? In this book, acclaimed architect and theorist Farshid Moussavi argues that this diversity should not be mistaken for an eclecticism that is driven by external forces. The Function of Style presents the architectural landscape as an intricate web in which individual buildings are the product of ideas which have been appropriated from other buildings designed for the different activities of everyday life, ideas which are varied to produce singular buildings that are related to one another but also different. This network of connections is illustrated on the cover of this book (and in more detail inside). Moussavi argues that, by embracing everyday life as a raw material, architects can change the conventions of how buildings are assembled, to ground style, and the aesthetic experience of buildings, in the micro-politics of the everyday. The third volume in Moussavi’s ‘Function’ series, The Function of Style provides an updated approach to style which can be used as an invaluable and highly productive tool by architects today. Assistant Editors: Marco Ciancarella, Jonathan A. Scelsa, Mary Crettier, Kate Kilalea

The topics of style and function within evolutionary archaeology have been the subject of great debate in the field of archaeology in general over the past two decades. Evolutionary archaeologists have a unique perspective on these concepts-one that has sometimes been misunderstood by archaeologists working within other theoretical perspectives. The dichotomy between style and function was first formulated in the late 1970s by Robert Dunnell and remains axiomatic within the theoretical perspective of evolutionary archaeology. The original definitions of style and function were grounded in biological evolutionary concepts regarding neutral variation versus variation that is subject to natural selection. Several chapters expand upon these concepts, and explore how Darwinian evolutionary theory may be used to understand the archaeological record. Other chapters demonstrate this application through empirical case studies. Dunnell provides a foreword introducing and re-examining his original thesis. This volume is the only text devoted to the topic of style and function within the literature of evolutionary archaeology. It provides not only theoretical discussions and augmentation, but also significant historical background regarding the development of the style/function distinction within archaeology. Moreover, it presents several case studies that provide examples of how evolutionary style and function may be applied to the prehistoric record.

Promote a better understanding of how bowing technique (function) merges with musical interpretation (style) to produce optimum results. This text addresses the elements of sound production, bowing technique, terminology, and musical interpretation—all with integrated teaching suggestions. The correlated workbook contains exercises, etudes, and excerpts for applied study. Appropriate for school ensembles thru college method classes.

This important book puts forward a new interpretation of Roman decorative art, focusing on the function of decoration in the social context. It examines the three principal areas of social display and conspicuous consumption in the Roman world: social space, entertainment, and dress, and discusses the significance of the decoration of objects and interiors within these contexts, drawing examples from both Rome and its environs, and the Western provinces, from the early Imperial period to Late Antiquity. Focusing on specific examples, including mosaics and other interior décor, silver plate, glass and pottery vessels, and jewellery and other dress accessories, Swift demonstrates the importance of decoration in creating and maintaining social networks and identities and fostering appropriate social behaviour, and its role in perpetuating social convention and social norms. It is argued that our understanding of stylistic change and the relationship between this and the wider social context in the art of the Roman period is greatly enhanced by an initial focus on the particular social relationships fostered by decorated objects and spaces. The book demonstrates that an examination of so-called 'minor art' is fundamental in any understanding of the relationship between art and its social context, and aims to reinvigorate debate on the value of decoration and ornament in the Roman period and beyond.

Be as in love with your jeans, sweatpants, or flannels as you want, it’s hard to refute the sumptuous feel of a finely tailored suit—as well as the statement of power that comes with it. For over a century the suit has dominated wardrobes, its simple form making it the go-to attire for boardrooms, churches, or cocktail bars—anywhere one wants to make an impression. But this ubiquity has allowed us to take the suit’s history for granted, and its complex construction, symbolic power, and many shifting meanings have been lost to all but the most devout sartorialists. In The Suit, Christopher Breward unstitches the story of our most familiar garment. He shows how its emergence at the end of the seventeenth century reflects important political rivalries and the rise of modern democratic society. He follows the development of technologies in the textile industry and shows how they converge on the suit as an ideal template of modern fashion, which he follows across the globe—to South and East Asia especially—where the suit became an icon of Western civilization. The quintessential emblem of conformity and the status quo, the suit ironically became, as Breward unveils, the perfect vehicle for artists, musicians, and social revolutionaries to symbolically undermine hegemonic culture, twisting and tearing the suit into political statements. Looking at the suit’s adoption by women, Breward goes on to discuss the ways it signals and engages gender. He closes by looking at the suit’s apparent decline—woe the tyranny of business casual!—and questioning its survival in the twenty-first century. Beautifully illustrated and written with the authority a Zegna or Armani itself commands, The Suit offers new perspectives on this familiar—yet special—garment.

An Essential Reference for Intermediate and Advanced R Programmers Advanced R presents useful tools and techniques for attacking many types of R programming problems, helping you avoid mistakes and dead ends. With more than ten years of experience programming in R, the author illustrates the elegance, beauty, and flexibility at the heart of R. The book develops the necessary skills to produce quality code that can be used in a variety of circumstances. You will learn: The fundamentals of R, including standard data types and functions Functional programming as a useful framework for solving wide classes of problems The positives and negatives of metaprogramming How to write fast, memory-efficient code This book not only helps current R users become R programmers but also shows existing programmers what’s special about R. Intermediate R programmers can dive deeper into R and learn new strategies for solving diverse problems while programmers from other languages can learn the details of R and understand why R works the way it does.

Just over 20 years ago the publication of two books indicated the reemergence of Darwinian ideas on the public stage. E. O. Wilson's Sociobiology: The New Synthesis and Richard Dawkins' The Selfish Gene, spelt out and developed the implications of ideas that had been quietly revolutionizing biology for some time. Most controversial of all, needless to say, was the suggestion that such ideas had implications for human behavior in general and social behavior in particular. Nowhere was the outcry greater than in the field of anthropology, for anthropologists saw themselves as the witnesses and defenders of human di versity and plasticity in the face of what they regarded as a biological determin ism supporting a right-wing racist and sexist political agenda. Indeed, how could a discipline inheriting the social and cultural determinisms of Boas, Whorf, and Durkheim do anything else? Life for those who ventured to chal lenge this orthodoxy was not always easy. In the mid-l990s such views are still widely held and these two strands of anthropology have tended to go their own way, happily not talking to one another. Nevertheless, in the intervening years Darwinian ideas have gradually begun to encroach on the cultural landscape in variety of ways, and topics that had not been linked together since the mid-19th century have once again come to be seen as connected. Modern genetics turns out to be of great sig nificance in understanding the history of humanity.