Sublime Cosmos In Graeco Roman Literature And Its Reception

The essays collected in this volume examine manifestations of our sublime cosmos in ancient literature and its reception. Individual themes include religious mystery; calendrical and cyclical thinking as ordering principles of human experience; divine birth and the manifold nature of divinity (both awesome and terrifying); contemplation of the sky and meteorological (ir)regularity; fears associated with overpowering natural and anthropogenic events; and the aspirations and limitations of human expression. In texts ranging from Homer to Keats, the volume's chapters apply diverse critical methods and approaches that engage with sublimity in various aesthetic, agential and metaphysical aspects. The ancient texts – epic, dramatic, historiographic and lyric – treated here are rooted in a remote world where, within a framework of (perceived) celestial order, literature, myth and science still communicated profoundly, a tradition that continued in literary receptions of these ancient works. This volume honours the intellectual legacy of Thomas D. Worthen, a scholar whose expertise and insights cut across multiple disciplines, and who influenced and inspired students and colleagues at the University of Arizona, USA, for over three decades. Beyond clarifying temporally and culturally distant contemplations of the human universe, these essays aim to inform the continuing sense of wonder and horror at the sublime heights and depths of our ever-changing cosmos.

"The essays collected in this volume examine manifestations of our sublime cosmos in ancient literature and its reception. Individual themes include religious mystery; calendrical and cyclical thinking as ordering principles of human experience; divine birth and the manifold nature of divinity (both awesome and terrifying); contemplation of the sky and meteorological (ir)regularity; fears associated with overpowering natural and anthropogenic events; and the aspirations and limitations of human expression. In texts ranging from Homer to Keats, the volume's chapters apply diverse critical methods and approaches that engage with sublimity in various aesthetic, agential and metaphysical aspects"--

Detailed new account of the historical emergence and conceptual reach of the sublime both before and after Longinus.

This is the 1907 second edition of W. Rhys Roberts' Longinus on the Sublime. The volume contains the Greek text edited after the Paris manuscript, an extensive introduction, and a thorough and accessible translation of the main text. Roberts' introduction is divided into two parts: the authorship of the Treatise, and its content and character. Roberts is careful to place On the Sublime in its critical context, challenging both the inscription and description of this classical text. The author is thought to be an unknown teacher, and not the historical Longinus, whilst the 'sublime' in this instance is not 'the sublime' as we would commonly understand it. On the Sublime is a text which dissects the problems of literary criticism and the aesthetics of Greek literature. The lively and intelligent style of the text will ensure that Roberts' edition is enjoyed by Greek scholars and general readers alike.

Treatise commonly attributed to Longinus but probably the work of an unknown writer of the 1st century A.D.

On the Sublime is both a treatise on aesthetics and a work of literary criticism. It is written in an epistolary form and the final part, possibly dealing with public speaking, has been lost.The treatise is dedicated to Posthumius Terentianus, a cultured Roman and public figure, though little else is known of him. On the Sublime is a compendium of literary exemplars, with about 50 authors spanning 1,000 years mentioned or quoted.[5] Along with the expected examples from Homer and other figures of Greek culture, Longinus refers to a passage from Genesis, which is quite unusual for the 1st century

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Celebrated for its own clarity and sublime style, this classic work of literary theory draws on the writings of Demosthenes, Plato, Sappho, Thucydides, Euripides, and Aeschylus, among others, to examine and delineate the essentials of a noble style. The complete translation, from the Greek of A. O. Prickard's Oxford text, features an introduction by Grube, establishing the historical and critical context of the work, and a biographical index.