Suburban Dreams

Suburban Dreams: Imagining and Building the Good Life explores how the suburban imaginary, composed of the built environment and imaginative texts, functions as a resource for living out the "good life."

Compton, California, is often associated in the public mind with urban America's toughest problems, including economic disinvestment, gang violence, and failing public schools. Before it became synonymous with inner-city decay, however, Compton's affordability, proximity to manufacturing jobs, and location ten miles outside downtown Los Angeles made it attractive to aspiring suburbanites seeking single-family homes and quality schools. As Compton faced challenges in the twentieth century, and as the majority population shifted from white to African American and then to Latino, the battle for control over the school district became symbolic of Compton's economic, social, and political crises. Death of a Suburban Dream explores the history of Compton from its founding in the late nineteenth century to the present, taking on three critical issues—the history of race and educational equity, the relationship between schools and place, and the complicated intersection of schooling and municipal economies—as they shaped a Los Angeles suburb experiencing economic and demographic transformation. Emily E. Straus carefully traces the roots of antagonism between two historically disenfranchised populations, blacks and Latinos, as these groups resisted municipal power sharing within a context of scarcity. Using archival research and oral histories, this complex narrative reveals how increasingly racialized poverty and violence made Compton, like other inner-ring suburbs, resemble a troubled urban center. Ultimately, the book argues that Compton's school crisis is not, at heart, a crisis of education; it is a long-term crisis of development. Avoiding simplistic dichotomies between urban and suburban, Death of a Suburban Dream broadens our understanding of the dynamics connecting residents and institutions of the suburbs, as well as the changing ethnic and political landscape in metropolitan America.

Introduction: The new suburban history / Kevin M. Kruse and Thomas J. Sugrue -- Marketing the free market : state intervention and the politics of prosperity in metropolitan America / David M.P. Freund -- Less than plessy : the inner city, suburbs, and state-sanctioned residential segregation in the age of Brown / Arnold R. Hirsch -- Uncovering the city in the suburb : Cold War politics, scientific elites, and high-tech spaces / Margaret Pugh O'Mara -- How hell moved from the city to the suburbs : urban scholars and changing perceptions of authentic community / Becky Nicolaides -- "The house I live in" : race, class, and African American suburban dreams in the postwar United States / Andrew Wiese -- "Socioeconomic integration" in the suburbs : from reactionary populism to class fairness in metropolitan Charlotte / Matthew D. Lassiter -- Prelude to the tax revolt : the politics of the "tax dollar" in postwar California / Robert O. Self -- Suburban growth and its discontents : the logic and limits of reform on the postwar Northeast corridor / Peter Siskind -- Reshaping the American dream : immigrants, ethnic minorities, and the politics of the new suburbs / Michael Jones-Correa -- The legal technology of exclusion in metropolitan America / Gerald Frug.

The suburban landscape is inseparable from American culture. Suburbia does not only relate to the geographical concept, but also describes a cultural space incorporating people’s hopes for a safe and prosperous life. Suburbia marks a dynamic ideological space constantly influenced and recreated by both the events of everyday life and artistic discourse. Fictional texts do not merely represent suburbia, but also have a decisive role in the shaping of suburban spaces. The widely held idealized image of suburbia evolved in the 1950s. Today, reality deviates from the concept of suburbs projected back then, due to e.g. high divorce rates and an increase of crime. Nevertheless, the nostalgic view of the suburbs as the “Promised Land" has survived. Postwar critics object to this perception, considering the suburbs rather as depressing landscapes of mass-consumption, conformity and alienation. This book exemplifies the dualistic representation of suburbs in contemporary American cinema by analyzing Pleasantville, The Truman Show and American Beauty. It examines how utopian concepts of suburbia are created culturally and psychologically in the films, and how the underlying anxieties of the suburban experience, visualized by the dystopian narratives, challenge this ideal.

Since 1997, photographer Beth Yarnelle Edwards has been documenting idyllic suburban middle-class settings in America and Europe. The series begins in California's Silicon Valley - the artist's home - before moving to Germany, France, Spain, Iceland and the Netherlands. Edwards approaches everyday scenes with a mixture of documentary interest and cinematographic staging. She combines real-life settings with philosophical truths, conveying images of loneliness, media exposure and escapism.

While avant-garde modernism disrupted the art salons, architecture schools, and design studios of the world's more sophisticated urban centres in the 20th century, Calgary slept through the cultural upheavals as a provincial backwater. Calgary's initiation to modernism might be dated to February 13, 1947, when Imperial Oil blew in its famous well at Leduc. Or the 1948 football season, when Tom Brooks and Les Lear wrapped the Calgary Stampeders football team around an innovative and modernist-looking T-formation backfield to win the Grey Cup. Calgarians embraced the modern age after the Second World War, taking modernism into the streets and into the suburbs. They went beyond art, architecture, and design, and redefined modernism to include homes, furniture, appliances, and cars. In the process, Calgarians democratized, feminized, and suburbanized modernism. Suburban Modern examines controversies over "coloured" margarine and "mixed" drinking in post-war Calgary. It shows how new petro office buildings transformed the downtown skyline during the 1950s and 1960s, and how new bus lines, roads, and bridges changed the city's transportation network. As the city sprawled horizontally to engulf its ever-expanding suburbs, shoppers deserted downtown for suburban malls. The book follows young couples into their post-war dream homes with modern furnishings and barbecue-appointed patios. Suburban Modern argues that the suburbs rather than the downtown defined Calgary's approach to modernism.

Exploringfiction, film and art from across the USA, South America, Asia, Europe and Australia, New Suburban Stories brings together new research from leadinginternational scholars to examine cultural representations of the suburbs, hometo a rapidly increasing proportion of the world's population. Focussing inparticular on works that challenge conventional attitudes to suburbia, the bookconsiders how suburban communities have taken control of their ownrepresentationto tell their own storiesin contemporary novels, poetry, autobiography, cinema, social media and publicart tell the story of how suburban.

Investment has flooded back to cities because dense, walkable, mixed-use urban environments offer choices that support diverse dreams. Auto-oriented, single-use suburbs have a hard time competing. Suburban Remix brings together experts in planning, urban design, real estate development, and urban policy to demonstrate how suburbs can use growing demand for urban living to renew their appeal as places to live, work, play, and invest. The case studies and analysis show how compact new urban places are being created in suburbs to produce health, economic, and environmental benefits, and contribute to solving a growing equity crisis.