Sugar Ray

These five fly guys are part of today's hottest band! Hailing from Southern California, Sugar Ray--including hunky frontman Mark McGrath, guitarist Rodney Sheppard, bassist Murphy Karges, DJ Craig Bullock and drummer Stan Frazier--shot to the top of the charts with their sophomore album, Floored, featuring their irresistibly upbeat single "Fly." Today they're one of the hottest bands around, producing hit after hit and charming audiences with their cover-boy good-looks and infectious sense of fun. Find out what goes on off the record and behind the scenes, as author Anna Louise Golden reveals all the awesome answers and fabulous facts about your favorite band! WITH EIGHT PAGES OF FLY PHOTOS! FUN FACTS ABOUT SUGAR RAY... * Mark sports a tattoo of the Cadillac logo on his right butt cheek * Rodney played Chaka on "Land of the Lost" for six episodes * Murphy was studying to be an orthodontist before joining the band * In his spare time, Stan likes to cook * Mark has the hots for Winona Ryder * Before they were Sugar Ray, the band called themselves the Shrinky Dinx * Mark's favorite sports are basketball and hockey

Sugar Ray Robinson (1921–1989) was hailed as the finest boxer to ever enter a ring. Muhammad Ali once called him "the king, my master, my idol"—and indeed, he was the idol of everyone who had anything to do with boxing. But for African Americans, he was more than a great boxer. In an era when blacks were supposed to be humble and grateful for favors received, he was a man whose every move in and out of the ring showed what black pride and power meant.Sugar Ray grew up during the Depression in the ghettos of Detroit and New York, rose through the amateur boxing ranks, became Golden Gloves champion at the featherweight at the age of eighteen, and become world welterweight champion in 1946 and middleweight in 1951. Robinson had it all, but later lost it all; and in this classic autobiography he tells it all with remarkable candor. Here is Sugar Ray: the dazzlingly handsome champion with a craving for fast cars and fast living; the kid who was terrified of elevators; the young GI who, together with Joe Louis, combated racial discrimination; the honest fighter who refused a million dollars to throw a fight against Rocky Graziano; the boxer who dreamed he would kill his opponent in the ring, and did so the following night.This Da Capo edition is supplemented with a new foreword and afterword by Dave Anderson about Sugar Ray's last years in Los Angeles and the legacy he left behind, and with eight new pages of stunning photographs.

Sugar Ray Robinson was one of the most iconic figures in sports and possibly the greatest boxer of all time. His legendary career spanned nearly 26 years, including his titles as the middleweight and welterweight champion of the world and close to 200 professional bouts. This illuminating biography grounds the spectacular story of Robinson's rise to greatness within the context of the fighter's life and times. Born Walker Smith Jr. in 1921, Robinson's early childhood was marked by the seething racial tensions and explosive race riots that infected the Midwest throughout the 1920s and 1930s. After his mother moved their family to Harlem, he came of age in the post-Renaissance years. Recounting his local and national fame, this deeply researched and honest account depicts Robinson as an eccentric and glamorous--yet powerful and controversial--celebrity, athlete, and cultural symbol. From Robinson's gruesome six-bout war with Jake "Raging Bull" LaMotta and his lethal meeting with Jimmy Doyle to his Harlem nightclub years and thwarted showbiz dreams, Haygood brings the champion's story to life.

In this unflinching and inspiring autobiography, the boxing legend faces his single greatest competitor: himself. Sugar Ray Leonard's brutally honest and uplifting memoir reveals in intimate detail for the first time the complex man behind the boxer. The Olympic hero, multichampionship winner, and beloved athlete waged his own personal battle with depression, rage, addiction, and greed. Coming from a tumultuous, impoverished household and a dangerous neighborhood on the outskirts of Washington, D.C., in the 1970s, Sugar Ray Leonard rose swiftly and skillfully through the ranks of amateur boxing-and eventually went on to win a gold medal in the 1976 Olympics. With an extremely ill father and no endorsement deals, Leonard decided to go pro. The Big Fight takes readers behind the scenes of a notoriously corrupt sport and chronicles the evolution of a champion, as Leonard prepares for the greatest fights of his life-against Marvin Hagler, Roberto Duran, Tommy Hearns, and Wilfred Benitez. At the same time Leonard fearlessly reveals his own contradictions and compulsions, his infidelity, and alcohol and cocaine abuse. With honesty, humor, and hard-won perspective, Leonard comes to terms with both triumph and struggle-and presents a gripping portrait of remarkable strength, courage, and resilience, both in and out of the ring.

Part history, part biography, this study examines the Black athlete's search to unify what W.E.B. DuBois called the "two unreconciled strivings" of African Americans--the struggle to survive in black society while adapting to white society. Black athletes have served as vanguards of change, challenging the dominant culture, crossing social boundaries and raising political awareness. Champions like Joe Louis, Jackie Robinson, Muhammad Ali, Jim Brown, Wilma Rudolph, Roberto Clemente, Althea Gibson, Arthur Ashe, Serena Williams, Kareem Abdul-Jabbar and LeBron James make a difference, even as many in the Black community question the idea of athletes as role models. The author argues the importance of sports heroes in a panic-plagued era beset with class division and racial privilege.

Many books and movies have been created by telling the story of my brother, Muhammad Ali. However, before I am called home, I want to share some of my life stories and memories with this book so people can learn more about my family, my brother, and me through the eyes of a member of the Clay/Ali family. I was there from the beginning and witnessed first-hand how our family s lives were changed as 'The Greatest of all Time' emerged from being a fun-loving kid on the streets of Louisville, Kentucky, to becoming an icon recognized around the world. The memories I share in this book are ones that I will treasure forever. Living through these experiences helped shape my life and made me the man I am today. I can say for a fact that no other man took as many punches from the champ as I did as a result of the training and sparring sessions that we had over the years together. It is my hope that after reading my story and accounts of key events in my family's life, you will walk away with an even greater appreciation of the Clay/Ali family name, history and legacy. I encourage you to treasure each day and strive for your own personal greatness. Peace be upon you (As-salamu alaykum) Rahaman Ali a.k.a. Rudolph Arnett Clay

Here are 50 of America's greatest sports figures, vividly captured in incisive biographical essays, on-the-scene coverage of their triumphs and defeats, and evocative reminiscences--by the New York Times reporters who covered them. 50 black-and-white photos.

If the sheer diversity of recent hits from Twelve Years a Slave and Moonlight to Get Out, Black Panther, and BlackkKlansman tells us anything, it might be that there's no such thing as "black film" per se. This book is especially timely, then, in expanding our idea of what black films are and, going back to the 1960s, showing us new and interesting ways to understand them. When critics and scholars write about films from the Blaxploitation movement—such as Cotton Comes to Harlem, Shaft, Superfly, and Cleopatra Jones—they emphasize their importance as films made for black audiences. Consequently, Lisa Doris Alexander points out, a film like the highly popular, Oscar-nominated Blazing Saddles—costarring and co-written by Richard Pryor—is generally left out of the discussion because it doesn't fit the profile of what a black film of the period should be. This is the kind of categorical thinking that Alexander seeks to broaden, looking at films from the 60s to the present day in the context of their time. Applying insights from black feminist thought and critical race theory to one film per decade, she analyzes what each can tell us about the status of black people and race relations in the United States at the time of its release. By teasing out the importance of certain films excluded from the black film canon, Alexander hopes to expand that canon to include films typically relegated to the category of popular entertainment—and to show how these offer more nuanced representations of black characters even as they confront, negate, or parody the controlling images that have defined black filmic characters for decades.