Suite Francaise

By the early 1940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity. Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

Suite Française, an extraordinary novel about village life in France just as it was plunged into chaos with the German invasion of 1940, was a publishing sensation ten years ago; Irène Némirovsky completed the two-volume book, part of a planned larger series, in the early 1940s before she was arrested in France and eventually sent to Auschwitz, where she died. The notebook containing the novels was preserved by her daughters but not examined until 1998; it was finally published in France in 2004 and became a huge international bestseller, including in the US, where it has sold over one million copies. This dramatic and stirring graphic novel, translated from the French and faithful to the spirit of Némirovsky's story, focuses on Book 1, entitled "Storm in June," in which a disparate group of Paris citizens flees the city ahead of the advancing German troops. However, their orderly plans to escape are eclipsed by the chaos spreading across the country, and their sense of civility and well-being is replaced by a raw desire to survive. A feature film version of Suite Française, starring Michelle Williams, Kristen Scott Thomas, and Margot Robbie, was recently released. Emmanuel Moynot is a graphic artist and the author of more than forty graphic novels published in France.

From the celebrated author of the international bestseller Suite Française, a newly discovered novel, a story of passion and long-kept secrets, set against the background of a rural French village in the years before World War II.Written in 1941, Fire in the Blood – only now assembled in its entirety – teems with the intertwined lives of an insular French village in the years before the war, when "peace" was less important as a political state than as a coveted personal condition: the untroubled pinnacle of happiness. At the center of the novel is Silvio, who has returned to this small town after years away. As his narration unfolds, we are given an intimate picture of the loves and infidelities, the scandals, the youthful ardor and regrets of age that tie Silvio to the long-guarded secrets of the past.

(Meredith Music Resource). New from Robert Garofalo, an instructional unit on Milhaud's original classic work for band, Suite Francaise. This incredible teaching tool contains Interpretive Analysis, Folk Song Sources, Teacher's Lesson Plan and Student Learning Guide. Written for any band or orchestra conductor planning to perform this work. An outstanding teaching tool that applies the MENC "Standards" to the podium. A "MUST HAVE" for the serious wind band conductor!

The prequel to the bestselling Suite Française Paris 1918, Bernard Jacquelain returns from the trenches a changed man. The city is a whirl of decadence and corruption and he embarks on a life of parties and shady business dealings, as well as an illicit affair. But as another war threatens, everything around him starts to crumble, and the future for him and for France suddenly looks dangerously uncertain.

In 1929, 26-year-old Irène Némirovsky shot to fame in France with the publication of her first novel David Golder. At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul. Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joy, spend his money at their villa in Biarritz. But Golder’s security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism? Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.

Kershaw analyses Irene Némirovsky’s literary production in its relationship to the literary and cultural context of the inter-war period in France, exploring the cultural exchange between France and Russia and the political implications of Némirovsky’s fiction--particularly the enthusiastic reception of her work in far-right anti-Semitic journals.

In haunting ways, this gorgeous novel prefigures Irène Némirovsky’s masterpiece Suite Française. Set in France between 1910 and 1940 and first published in France in 1947, five years after the author’s death, All Our Worldly Goods is a gripping story of war, family life and star-crossed lovers. Pierre and Agnes marry for love against the wishes of his parents and his grandfather, the tyrannical family patriarch. Their marriage provokes a family feud that cascades down the generations. This brilliant novel is full of drama, heartbreak, and the telling observations that have made Némirovsky’s work so beloved and admired.