Summary Of John Gleeson S The Gotti Wars

Please note: This is a companion version & not the original book. Sample Book Insights: #1 Gotti and Castellano had been itching to kill each other for years, but underboss Aniello Dellacroce had kept them from doing so. Gotti and the other captains loyal to Dellacroce deeply resented Castellano, who they felt was sharing in the union income. #2 The mob had a rule against drug trafficking, and it was widely known that Castellano had dealers around him. He tried to get the incriminating Ruggiero tapes from Ruggiero’s attorney, but Ruggiero ordered his lawyer not to give them up. #3 In 1985, Castellano sent a message to Dellacroce: Ruggiero had broken a different rule, which stated that every Mafia member must obey his boss. Dellacroce summoned Gotti and Ruggiero to his home on West Fingerboard Road in Staten Island, down the hill from Castellano’s mansion on Todt Hill. #4 I had decided I wanted to be a federal prosecutor five years earlier, during the first couple of months of my clerkship. The civil side of the job was interesting enough, but the criminal cases were on a different plane altogether.

“Riveting…an electrifying true crime story of the Mafia-smitten eighties and nineties. Suspenseful and multifaceted, The Gotti Wars can’t be missed.” —Esquire, The Best Nonfiction Books of the Year A “meticulous chronicle of good triumphing over evil” (The Washington Post) from the determined young prosecutor who, in two of America’s most celebrated trials, managed to convict famed mob boss John Gotti—and ultimately took down the Mafia altogether. John Gotti was without a doubt the flashiest and most feared Mafioso in American history. He became the boss of the Gambino Crime Family in spectacular fashion—with the brazen and very public murder of Paul Castellano in front of Sparks Steakhouse in midtown Manhattan in 1985. Not one to stay below law enforcement’s radar, Gotti instead became the first celebrity crime boss. His penchant for eye-catching apparel earned him the nickname “The Dapper Don;” his ability to beat criminal charges led to another: “The Teflon Don.” This is the captivating story of Gotti’s meteoric rise to power and his equally dramatic downfall. Every step of the way, Gotti’s legal adversary—John Gleeson, an Assistant US Attorney in Brooklyn—was watching. When Gotti finally faced two federal racketeering prosecutions, Gleeson prosecuted both. As the junior lawyer in the first case—a bitter seven-month battle that ended in Gotti’s acquittal—Gleeson found himself in Gotti’s crosshairs, falsely accused of serious crimes by a defense witness Gotti intimidated into committing perjury. Five years later, Gleeson was in charge of the second racketeering investigation and trial. Armed with the FBI’s secret recordings of Gotti’s conversations with his underboss and consigliere in the apartment above Gotti’s Little Italy hangout, Gleeson indicted all three. He “flipped” underboss Sammy the Bull Gravano, killer of nineteen men, who became history’s highest-ranking mob turncoat—resulting in Gotti’s murder conviction. Gleeson ended not just Gotti’s reign, but eventually that of the entire mob. A spellbinding, page-turning courtroom drama, The Gotti Wars “tells us in electrifying detail how the good guys finally won, how justice triumphed over evil, and how Gleeson himself was transformed by his long war” (Nelson DeMille).

Celluloid Mischief examines the portrayal of wrongdoing and “deviant” behavior in film. The premise is that films are material products of both individual and collective imagination that reflect the values and norms of the society that produce them. On this basis, it is possible to perceive how society understands and classifies particular kinds of behavior and assigns or designates classes of people and actions as “good” or “bad.” So-called “wrongdoing” in movies, then, tells us about real-life norms, the violation of those norms, and the efforts to punish and control the perpetrators of those violators. Motion pictures embody information about the social world; they constitute a universe of raw particulars that await excavation and analysis. By applying the appropriate approach, what happens on the screen can guide us to an understanding of society and culture. Films are commercial products; the people who make them are members of a society, influenced by that society, who attempt to appeal to lots of other members of that society by producing something that they want to see. A society's films tell us a great deal about the taste and proclivities of the society that produce and consume them. Using postwar and contemporary Hollywood cinema as case studies, this book demonstrates the complex and evolving nature of modern America's social, economic, and political values.

He was a little-known wiseguy out of Howard Beach, Queens, who blasted his way into the public eye with the assassination of Gambino Family boss Paul Castellano in December 1985, a rubout that’s the stuff of Mafia legend. Ruthless, cunning, and tougher than the streets that produced him, John Gotti seized control of the nation’s most powerful crime family, beat the law on rap after rap, and became an American legend. First published in 1988 and fully revised and updated for this edition, Mob Star traced John Gotti’s spectacular rise and eventual downfall after the betrayal of his closest ally, Salvatore “Sammy Bull” Gravano. At his death, ten years after he was jailed for life and four years after he began battling cancer, John Gotti was still the biggest name in today’s Mafia.

He was the most famous and infamous mobster since Al Capone. A stylish, expensively groomed Godfather who beat rap after rap to become a legendary figure to the public, and a nightmare to the forces of law and order. John Gotti was the original New York Untouchable -- a Godfather who laughed at the law. He rose from the streets of Queens to head America's most powerful crime family -- and his path there was littered with bodies. This title offers account of the brutal story of John Gotti.

One of the most feared Chicago mobsters Sam Giancana clawed his way to the top of the Mafia hierarchy by starting as a hit man for Al Capone. He was known as one of the best vehicle escape artists, a tenacious business man, and a ruthless killer. He partied with major stars such as Frank Sinatra and Marilyn Monroe and did business with agents ranging from the CIA to the Vatican to the shah of Iran. When politician Joe Kennedy gave Giancana the chance to use mob muscle to get his son John elected, Giancana jumped at the task. But the Kennedy brothers double-crossed him, waging full-out war on organized crime throughout the United States. And Giancana went after them. Written with suspense and conviction, we learn about how the CIA asked Giancana to assassinate Fidel Castro. The book includes Giancana's testimony about the truth of his involvement in the deaths of Monroe and others, among others. Chuck Giancana, Sam's brother, contributes a unique perspective of the mobs relationship with the Bay of Pigs and many other pivotal events of the 60's and beyond. Double Cross is an eye-opening account of the interworking of the government and the mob and how this relationship has impacted American history.

The Dapper Don A cocky kid from the streets of East New York, he rose to become one of the most feared men in the nation. Establishing a power base through brilliant politicking and blood-chilling ruthlessness, at 45 he took control of America's richest, most powerful crime family following the gangland-style execution of his predecessor. Though the target of almost contionous FBI and police surveillance, he has spent little time in prison . . . and has never been convicted of racketeering, drug-trafficking or murder. Prize-winning journalists John Cummings and Ernest Volkman's shocking true account of the brutal and meteoric rise of John "Johhny Boy" Gotti from Brooklyn "bone-breaker" to lord of the Gambino Family -- a riveting exploration into the the bloody machinery of La Cosa Nostra operating on the dark side of the American dream.