Summary Of Timothy Brook S Vermeer S Hat

In one painting, a military officer in a Dutch sitting room flirts with a laughing girl. In another, a woman at a window weighs pieces of silver. Vermeer’s paintings haunt us with their beauty and mystery—what stories lay behind these stunningly rendered moments? As Timothy Brook shows us, these pictures, which seem so intimate, actually offer a remarkable view of a rapidly expanding world. The dashing officer’s hat is of beaver fur from Canada, while the pieces of silver, mined in Peru, might be used to purchase the Chinese porcelain seen in other Vermeer paintings. Moving outward from Vermeer’s studio, Brook traces the web of trade that was spreading across the globe in the seventeenth century. The wharves of Holland, wrote a French visitor, were “an inventory of the possible.” Vermeer’s Hat shows just how rich this inventory was, and how the urge to acquire such things was refashioning the world more powerfully than we have yet understood.

China is one of the oldest states in the world. It achieved its approximate current borders with the Ascendancy of the Yuan dynasty in the 13th century, and despite the passing of one Imperial dynasty to the next, it has maintained them for the eight centuries since. Even the European colonial powers at the height of their power could not move past coastal enclaves. Thus, China remained China through the Ming, the Qing, the Republic, the Occupation, and Communism. But, despite the desires of some of the most powerful people in the Great State through the ages, China has never been alone in the world. It has had to contend with invaders from the steppe and the challenges posed by foreign traders and imperialists. Indeed, its rulers for the majority of the last eight centuries have not been Chinese. Timothy Brook examines China's relationship with the world from the Yuan through to the present by following the stories of ordinary and extraordinary people navigating the spaces where China met and meets the world. Bureaucrats, horse traders, spiritual leaders, explorers, pirates, emperors, invaders, migrant workers, traitors, and visionaries: this is a history of China as no one has told it before.

Offers an understanding of Vermeer's paintings and of the era they portray.

From the author of the award-winning Vermeer's Hat, a historical detective story decoding a long-forgotten link between seventeenth century Europe and China. Timothy Brook's award-winning Vermeer's Hat unfolded the early history of globalization, using Vermeer's paintings to show how objects like beaver hats and porcelain bowls began to circulate around the world. Now he plumbs the mystery of a single artifact that offers new insights into global connections centuries old. In 2009, an extraordinary map of China was discovered in Oxford's Bodleian Library-where it had first been deposited 350 years before, then stowed and forgotten for nearly a century. Neither historians of China nor cartography experts had ever seen anything like it. It was so odd that experts would have declared it a fake-yet records confirmed it had been delivered to Oxford in 1659. The “Selden Map,” as it is known, was a puzzle that needing solving. Brook, a historian of China, set out to explore the riddle. His investigation will lead readers around this elegant, enigmatic work of art, and from the heart of China, via the Southern Ocean, to the court of King James II. In the story of Selden's map, he reveals for us the surprising links between an English scholar and merchants half a world away, and offers novel insights into the power and meaning that a single map can hold. Brook delivers the same anecdote-rich narrative, intriguing characters, and unexpected historical connections that made Vermeer's Hat an instant classic.

In Beijing in 1904, multiple murderer Wang Weiqin became one of the last to suffer the extreme punishment known as lingchi, called by Western observers “death by a thousand cuts.” This is the first book to explore the history, iconography, and legal contexts of Chinese tortures and executions from the 10th century until lingchi’s abolition in 1905.

In seventeenth- and eighteenth-century China, Buddhists and Confucians alike flooded local Buddhist monasteries with donations. As gentry numbers grew faster than the imperial bureaucracy, traditional Confucian careers were closed to many; but visible philanthropy could publicize elite status outside the state realm. Actively sought by fundraising abbots, such patronage affected institutional Buddhism. After exploring the relation of Buddhism to Ming Neo-Confucianism, the growth of tourism to Buddhist sites, and the mechanisms and motives for charitable donations, Timothy Brook studies three widely separated and economically dissimilar counties. He draws on rich data in monastic gazetteers to examine the patterns and social consequences of patronage.

Opium Regimes draws on a range of research to show that the opium trade was not purely a British operation, but involved Chinese merchants and state agents, and Japanese imperial agents as well.

The concept of civil society was borrowed from 18th-century Europe to provide a framework for understanding the transition to post-authoritarian regimes in Latin America and post-communist regimes elsewhere. This book asks whether this concept is useful for analyzing China.