Sunday With Seurat

Two new board books in this very successful series feature beautiful paintings by Renoir and Seurat. The rhyming text links the paintings together in two imaginative stories. Sharing with Renoir celebrates the special times between parents and children, siblings and friends. Sunday with Seurat leads children through a wonderful day that begins at the park, moves to the beach and ends at the circus.

Painted in 1884, La Grande Jatte ushered in the age of the Neo-Impressionists and stands as one of the grand examples of pointillism. Seurat filled his large-scale work with numerous hidden messages and you can use this pocket-sized notebook to jot down your own big ideas, important appointments, phone numbers, and more. Includes 64 blank pages.

Ages 8 to 12 years. Based on Victorian era peep shows, this unique book has die-cut layers attached to accordion sides which expand to let the viewer see George Pierre Seurat's 1884 masterpiece, A Sunday on La Grande Jatte, from a whole new perspective -- three-dimensionally.

"This collection of the most influential of Herbert's writings on Seurat, long out of print, bear out the praise he has received for "his ability to mix a deep knowledge of paintings and drawings as physical objects with an acute awareness of the way they embody ideas and can be understood as social documents". This book will appeal both to the general reader and to the student of French nineteenth-century art."--BOOK JACKET.

An analysis of the noted painting "Sunday on La Grande Jette, 1884" by French painter Georges Seurat. The discussion includes information on technique and meaning of the painting.

This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.

Once described as "the most beautiful painter's drawings in existence," Georges Seurat's mysterious and luminous works on paper played a crucial role in his short, vibrant career. This comprehensive publication surveys the artist's entire oeuvre, from his academic training and the emergence of his unique methods to the studies made for his monumental canvases. Accompanying the first exhibition in almost 25 years to focus exclusively on Seurat's drawings, this volume presents approximately 130 works, primarily the artist's incomparable cont drawings along with a small selection of oil sketches and paintings. In an effort to bridge the seemingly opposite goals of description and evocation, Seurat masses dark and light tones to abstract figures, exploits medium and paper to amplify radiating light, and engages with the Parisian metropolis, revealing urban types, the industrial suburbs and nineteenth-century entertainment. Though Seurat is perhaps best known as the inventor of Pointillism, this volume demonstrates his tremendous achievement as a draftsman and his fundamental importance to the art of the twentieth century. It includes carefully selected details of the work, as well as reproductions from pages of Seurat's sketchbooks, which have never before been published. Texts by Jodi Hauptman, Karl Buchberg, Hubert Damisch, Bridget Riley, Richard Shiff and Richard Thomson address specific aspects of Seurat's techniques, materials, and subject matter. They are rounded out by a chronology, a selected bibliography and a detailed checklist.

An anthology of essays exploring the work of Georges Seurat (1859-1891). Sections are devoted to technique and theory, Seurat's engagement with social issues, irony regarding the paintings' content, aesthetic effects, and the relation of his work to literary symbolism.