Superfan How Pop Culture Broke My Heart

A TODAY Show Recommended Read, this beautifully intimate memoir-in-pieces uses one woman's life-long love affair with pop culture as a revelatory lens to explore family, identity, belonging, grief, and the power of female rage. Named a most anticipated book of the year by the Globe and Mail and the Toronto Star, and a best book of the year so far by Apple Books and Audible.ca. For most of Jen Sookfong Lee's life, pop culture was an escape from family tragedy and a means of fitting in with the larger culture around her. Anne of Green Gables promised her that, despite losing her father at the age of twelve, one day she might still have the loving family of her dreams. Princess Diana was proof that maybe there was more to being a good girl after all. And yet as Jen grew up, she began to recognize the ways in which pop culture was not made for someone like her—the child of Chinese immigrant parents who looked for safety in the invisibility afforded by embracing model minority myths. Ranging from the unattainable perfection of Gwyneth Paltrow and the father-figure familiarity of Bob Ross, to the long shadow cast by The Joy Luck Club and the life lessons she has learned from Rihanna, Jen weaves together key moments in pop culture with stories of her own failings, longings, and struggles as she navigates the minefields that come with carving her own path as an Asian woman, single mother, and writer. And with great wit, bracing honesty, and a deep appreciation for the ways culture shapes us, she draws direct lines between the spectacle of the popular, the intimacy of our personal bonds, and the social foundations of our collective obsessions.

A moving portrait of three generations of the Chan family living in Vancouver’s Chinatown Sammy Chan was sure she’d escaped her family obligations when she fled Vancouver six years ago, but with her sister’s upcoming marriage, her turn has come to care for their aging mother. Abandoned by all four of her older sisters, jobless and stuck in a city she resents, Sammy finds herself cobbling together a makeshift family history and delving into stories that began in 1913, when her grandfather, Seid Quan, then eighteen years old, first stepped on Canadian soil. The End of East weaves in and out of the past and the present, picking up the threads of the Chan family’s stories: Seid Quan, whose loneliness in this foreign country is profound even as he joins the Chinatown community; Shew Lin, whose hopes for her family are threatened by her own misguided actions; Pon Man, who struggles with obligation and desire; and Siu Sang, who tries to be the caregiver everyone expects, even as she feels herself unravelling. And in the background, five little girls grow up under the weight of family expectations. As the past unfolds around her, Sammy finds herself embroiled in a volatile mixture of a dangerous love affair, a difficult and duty-filled relationship with her mother, and the still-fresh memories of her father’s long illness. An exquisite and evocative debut from one of Canada’s bright new literary stars, The End of East sets family conflicts against the backdrop of Vancouver’s Chinatown – a city within a city where dreams are shattered as quickly as they’re built, and where history repeats itself through the generations.

"Meet Danny Lim. He spends his days working as a wedding photographer and his nights cruising Stanley Park, far from the family home in East Vancouver that he once fled, and where his parents and sister still live. When he rediscovers a green silk belt he had hidden years earlier, he remembers a fleeting but powerful connection he formed with a burlesque dancer named Miss Val, a.k.a. the Siamese Kitten. On that day in 1958, in an alley behind a nightclub in Chinatown, Miss Val offered eight-year-old Danny an understanding kindness and easy acceptance he had never before experienced. As the memory triggered by Miss Val's belt washes over him, Danny decides he must find her"--Jacket flap.

A Bram Stoker Award nominee “Some of the best survival horror we’ve read in years, with a uniquely menacing adversary at its heart.” —Vulture, The Best Horror Novels of 2022 “Epic.” —Esquire, The 22 Best Horror Books of 2022 Something deadly and mysterious stalks the members of an isolated polar expedition in this haunting and spellbinding historical horror novel, perfect for fans of Dan Simmons’s The Terror and Alma Katsu’s The Hunger. In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers. When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn maps of the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them. In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape… As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.

From the author of The Latehomecomer, a powerful memoir of her father, a Hmong song poet who sacrificed his gift for his children's future in America In the Hmong tradition, the song poet recounts the story of his people, their history and tragedies, joys and losses; extemporizing or drawing on folk tales, he keeps the past alive, invokes the spirits and the homeland, and records courtships, births, weddings, and wishes. Following her award-winning book The Latehomecomer, Kao Kalia Yang now retells the life of her father Bee Yang, the song poet, a Hmong refugee in Minnesota, driven from the mountains of Laos by American's Secret War. Bee lost his father as a young boy and keenly felt his orphanhood. He would wander from one neighbor to the next, collecting the things they said to each other, whispering the words to himself at night until, one day, a song was born. Bee sings the life of his people through the war-torn jungle and a Thai refugee camp. But the songs fall away in the cold, bitter world of a Minneapolis housing project and on the factory floor until, with the death of Bee's mother, the songs leave him for good. But before they do, Bee, with his poetry, has polished a life of poverty for his children, burnished their grim reality so that they might shine. Written with the exquisite beauty for which Kao Kalia Yang is renowned, The Song Poet is a love story -- of a daughter for her father, a father for his children, a people for their land, their traditions, and all that they have lost.

Thirteen glittering, surprising, and darkly funny stories of people testing the boundaries of their lives, from two-time Scotiabank Giller Prize finalist Alix Ohlin. In the mordantly funny “Money, Geography, Youth,” Vanessa arrives home from a gap year volunteering in Ghana to find that her father is engaged to her childhood best friend. Unable to reconcile the girl she went to dances with in the eighth grade and the woman in her father’s bed, Vanessa turns to a different old friendship for her own, unique diversion. In the subversive “The Brooks Brothers Guru,” Amanda drives to upstate New York to rescue her gawky cousin from a cult, only to discover clean-cut, well-dressed men living in a beautiful home, discussing the classics and drinking cocktails, moving her to wonder what freedoms she might be willing to trade for a life of such elegant comfort. And in “The Universal Particular,” Tamar welcomes her husband’s young stepcousin into her home, only to find her cool suburban life knocked askew in ways she cannot quite understand. Populated with imperfect families, burned potential, and inescapable old flames, the stories in We Want What We Want are, each one, diamond-sharp — sparkling with pain, humour, and beauty.

The experience of motherhood is fundamental, yet rarely discussed in connection with literary or creative life. How do we navigate the twin devotions of love and art? How does motherhood disrupt the creative process? How does it enhance it? Good Mom on Paper is a collection of essays that goes beyond the clichés to explore the fraught, beautiful and complicated relationship between motherhood and creativity. These texts disclose the often-invisible challenges of a literary life with little ones: the manuscript written with a baby sleeping in a carrier, missing a book launch for a bedtime, crafting a promotional tour around childcare. But they also celebrate the systems that nurture writers who are mothers; the successes; the intricate, interconnected joys of these roles. Honest and intimate, critical and hopeful, this collection offers solace and joy to creative mothers, and asks how we can better support their work. Mothers have long been telling each other these vital stories in private. Good Mom on Paper makes them available to everyone who needs them. With contributions by Carrie Snyder, Meaghan Strimas, Jael Richardson, Sofia Mostaghimi, Rachel Giese, Lorri Neilsen Glenn, Erin Wunker, Jonina Kirton, Jennifer Whiteford, Teresa Wong, Nikkya Hargrove, Lesley Buxton, Amber Riaz, Adelle Purdham, Harriet Alida Lye, Kelle Ngan, Heather O'Neill, Alison Pick, and Lee Maracle. A portion of each sale will be donated to Mothers Matter: a not for profit dedicated to empowering isolated, at risk mothers.

From the acclaimed author of BOYFRIEND MATERIAL comes a deeply emotional romance about heartbreak, hope, and learning to love against all the odds. Once the golden boy of the English literary scene, now a clinically depressed writer of pulp crime fiction, Ash Winters has given up on hope, happiness, and—most of all—himself. He lives his life between the cycles of his illness, haunted by the ghosts of other people's expectations. Then a chance encounter throws him into the path of Essex-born Darian Taylor. Flashy and loud, radiant and full of life, Darian couldn't be more different...and yet he makes Ash laugh, reminding him of what it's like to step beyond the boundaries of his anxiety. But Ash has been living in his own shadow for so long that he can no longer see a way out. Can a man who doesn't trust himself ever trust in happiness? And how can someone who doesn't believe in happiness ever fight for his own? Alexis Hall's iconic Glitterland has been revised and expanded, with extensive bonus content and a stunning new cover by Elizabeth Turner Stokes. Bonus content includes: Author Annotations: Alexis Hall's insights and commentary threaded through the novel Shadowland: a brand new scene exploring Niall and Max's complex relationship The Glass Menagerie: an entertaining look at an in-universe Rik Glass novel A Letter from the Author discussing the experience of writing Glitterland Darian's Nanny Dot's Cottage Pie and Aftermath, brought together from the original release