Superfluous Women

Superfluous Women tells the unique story of a generation of artists, feminists, and queer activists who emerged in Ukraine after the collapse of the Soviet Union. With a focus on new media, Zychowicz demonstrates how contemporary artist collectives in Ukraine have contested Soviet and Western connotations of feminism to draw attention to a range of human rights issues with global impact. In the book, Zychowicz summarizes and engages with more recent critical scholarship on the role of digital media and virtual environments in concepts of the public sphere. Mapping out several key changes in newly independent Ukraine, she traces the discursive links between distinct eras, marked by mass gatherings on Kyiv’s main square, in order to investigate the deeper shifts driving feminist protest and politics today.

In England in the late 1920s, The Honourable Daisy Dalrymple Fletcher, on a convalescent trip to the countryside, goes to visit three old school friends in the area. The three, all unmarried, have recently bought a house together. They are a part of the generation of "superfluous women"—brought up expecting marriage and a family, but left without any prospects after more than 700,000 British men were killed in the Great War. Daisy and her husband Alec—Detective Chief Inspector Alec Fletcher, of Scotland Yard —go for a Sunday lunch with Daisy's friends, where one of the women mentions a wine cellar below their house, which remains curiously locked, no key to be found. Alec offers to pick the lock, but when he opens the door, what greets them is not a cache of wine, but the stench of a long-dead body. And with that, what was a pleasant Sunday lunch has taken an unexpected turn. Now Daisy's three friends are the most obvious suspects in a murder and her husband Alec is a witness, so he can't officially take over the investigation. So before the local detective, Superintendent Underwood, can officially bring charges against her friends, Daisy is determined to use all her resources (Alec) and skills to solve the mystery behind this perplexing locked-room crime.

Aristocratic Jessamine Halliday, suffering a “splenetic seizure” brought on by high breeding, is prescribed a therapeutic break in the Scottish Highlands. While there, she falls in love with handsome crofter Colin Macgillvray and makes an indecent proposal by offering him the “unconditional surrender” of her body but refusing to give her hand in marriage. A Superfluous Woman is an audacious exploration of the fin-de-siècle preoccupation with race, class, and the sexual double standard. Unsurprisingly, Brooke’s novel caused outrage among critics. Campaigner W. T. Stead denounced it as “an immoral tale,” and The Times lamented its distinctly feminist message. This reaction, and Brooke’s boldness, ensured that it became one of the best-selling New Woman novels of the 1890s.

The first book of its kind to study this period, Gerry Holloway's essential student resource works chronologically from the early 1840s to the end of the twentieth century and examines over 150 years of women’s employment history. With suggestions for research topics, an annotated bibliography to aid further research, and a chronology of important events which places the subject in a broader historical context, Gerry Holloway considers how factors such as class, age, marital status, race and locality, along with wider economic and political issues, have affected women’s job opportunities and status. Key themes and issues that run through the book include: continuity and change the sexual division of labour women as a cheap labour force women’s perceived primary role of motherhood women and trade unions equality and difference education and training. Students of women’s studies, gender studies and history will find this a fascinating and invaluable addition to their reading material.

The object of this essay is to explain as clearly as I am able, the grounds of an opinion which I have held from the very earliest period when I had formed any opinions at all on social or political matters, and which, instead of being weakened or modified, has been constantly growing stronger by the progress of reflection and the experience of life: That the principle which regulates the existing social relations between the two sexes- the legal subordination of one sex to the other- is wrong in itself, and now one of the chief hindrances to human improvement ; and that is ought to be replaced by a principle of perfect equality, admitting no power or privilege on the one side, nor disability on the other.

We know that millions of soldiers were scarred by their experiences in the First World War trenches, but what happened after they returned home? ??Suzie Grogan reveals the First World War's disturbing legacy for soldiers and their families. How did a nation of broken men, and 'spare' women cope? ??In 1922 the British Parliament published a report into the situation of thousands of 'service patients', or mentally ill ex-soldiers still in hospital. What happened to these men? Were they cured? What treatments were on offer? And what was the reception from their families and society? ??Drawing on a huge mass of original sources, Suzie Grogan answers all those questions, combining individual case studies with a narrative on wider events. Unpublished material from the archives shows the true extent of the trauma experienced by the survivors. This is a fresh perspective on the history of the post-war period, and the plight of a traumatised nation.