Suzy Led Zeppelin And Me

New novel from the cult author of 'The Good Faires of New York' and 'Milk, Sulphate and Alby Starvation'. Glasgow, 1972: All the coolest kids, rockstar angels and mystical creatures in town are queuing up to see the greatest rock band in the world. Meanwhile over-imaginative Martin and Greg compete for the attention of Suzy, who dates the hippest guy in school. With Led Zeppelin on their way, anything can happen. 'Brixton's answer to Kurt Vonnegut' - The Guardian 'One of the most valuable presences on the British literary scene' - Mail on Sunday

"Merece juntar-se ao restrito panteão dos grandes romances de rock." ( The Times ) Glasgow, 1972. Todos os garotos legais da cidade estão na fila para comprar ingressos para o show do Led Zeppelin. No céu, um zepelim vai se aproximando. Os seus passageiros – Jimi Hendrix, Janis Joplin e Hank Williams – acreditam que vale a pena deixar o paraíso para assistir a um show da maior banda de rock do mundo. Até as fadas são fãs. Enquanto isso, os jovens (e nerds) Martin e Greg têm uma imaginação fértil. Quando não estão combatendo as Monstruosas Hordas de Xotha, estão competindo pela atenção da popular (leia-se: inalcançável) Suzy. Mas ela não vai abrir mão de Zed, o garoto mais cobiçado da escola, para ficar com algum dos dois nerds, não é mesmo? Mesmo assim, com o Led Zeppelin a caminho, a sensação é de que tudo pode acontecer. Este é um livro que vai conquistar todos que já foram adolescentes um dia, e que já enfrentaram o dilema de se verem apaixonados pela garota inatingível. Mais do que isso, é um livro de memórias que consegue transmitir, de modo emocionante, a sensação de assistir ao show da sua banda favorita. Sabe aquele show inesquecível, o melhor da vida? Os sentimentos misturados – ansiedade, alívio, satisfação plena... Impossível não se relacionar com isso. Martin Millar acertou em cheio! Suzy, Led Zeppelin e Eu leva os leitores a uma viagem pela angustiante e atrapalhada juventude de Martin, quando o Led Zeppelin foi tocar em Glasgow e abalou as estruturas do mundo de Millar; mas também passeia pela sua vida adulta, não menos angustiante e atrapalhada, quando ele aprende algo que não pode ser questionado: o amor pode machucar o seu coração, mas o Led Zeppelin nunca vai decepcioná-lo. ........................ "Sou fã do seu trabalho há quase 20 anos." ( Neil Gaiman ) "O escritor britânico mais divertido dos dias atuais." ( Revista GQ ) "Millar é um Nick Hornby mais temperado e dono de um humor gentil." ( Fabio Massari ) "Captura perfeitamente a verdadeira essência de um show de rock'n'roll." (Kerrang! ) "Tão gratificante quanto um disco clássico de 35 minutos." ( The Times )

Led Zeppelin, who bestrode the world of rock like a colossus, have continually grown in popularity and influence since their official winding up in 1980. They exasperated critics and eluded classification, synthesizing blues, rock, folk, rockabilly, funk, classical, country, Indian, and Arabic techniques. They performed the alchemical trick of transmuting base led into gold—and platinum—and diamond. They did what they would, finding wisdom through personal excess and artistic self-discipline. “Not a coda to Zeppelin’s legacy, but a blast of metaphysical graffiti as relevant today as the first time we heard the opening chords of ‘Stairway to Heaven’. From Kant to ‘Kashmir’, from Freud to ‘Fool in the Rain’, Calef and company explore Zeppelin’s music in an introspective, suggestive manner worthy of both a blistering Page solo and a bawdy Bonham stomp.” —BRANDON W. FORBES, co-editor of Radiohead and Philosophy “Led Zeppelin’s albums, personalities, live performances, art work, myths, influences, and more, all come under the microscope. Compelling insights and observations add more depth to a subject that continues to thrill and inspire. Each chapter is driven by an unquenchable thirst for Zeppelin knowledge and pulls the reader deeper into the world of Led Zeppelin . . .” —DAVE LEWIS, editor, Tight But Loose

Between 1968 - 1980 Led Zeppelin performed over 500 concerts in every corner of the world, establishing themselves as the most popular live rock attraction of their era. This book explores in great detail the in-concert history of one of the most successful bands of all time.

Though the narrator's life is peppered with myth, demons, werewolves, god and goddesses, the only thing stronger and more sustaining is his friendship with Ruby. "From now on," Ruby says to her friend, the narrator, "We’re going on the Stone Age diet. It means we only eat the sort of healthy things our ancestors would have eaten. Raw grains and fruits and stuff like that. That’s what our bodies are made for." An admirable plan, but Ruby never eats, and the narrator’s attention span doesn’t lend itself to routine. He’s too busy pining for his ex-girlfriend Cis, who broke up with him and left him with self-pity and a plant: an Aphrodite Cactus that, when it flowers, is supposed to seal the love of the giver to the receiver, according to Ruby. Ruby, who never wears any shoes (even in the dead of winter). Though lovelorn and lonely, the narrator’s life is rich with myth, demons, werewolves, gods and goddesses; everything is imbued with a spirit. There’s Helena, goddess of electric guitar players; Ascanazl, an ancient and powerful Inca spirit who looks after lonely people; Shumash the sun god; the war and sexuality goddess Astarte; the muse Clio. In fact the only thing stronger and more sustaining than the narrator’s fantasy life is his friendship with Ruby—the kind of friendship a body is made for.

There is something about Lux. He’s a thief and a liar; he is selfish and self-absorbed and hopelessly vain. But while he looks like Lana Turner and romances like a true Casanova, Lux is actually more like a bumbling, oblivious Mary Tyler Moore. Amid shouting mobs, police shields, and the hurled bricks of the ’80s Brixton riots, Lux is searching for Pearl—the love of his life. Her home has been burned down by a stray petrol bomb, and she’s searching for sanctuary along with her friend Nicky. Nicky is traumatized after having killed her computer—her best friend—and is herself being followed by Happy Science PLC. It is their plan to breed a superior next generation by implanting the sperm of genius men inside beautiful women. She knows too much about the plan. Lux is helped in his quest by Kalia, a castaway of Heaven attempting to get back in God’s good graces by performing one million good deeds over countless lifetimes. There’s also a thrash metal band, a riot-party, past lives, and KY. Lots of KY.

Fantasy Scroll Magazine is an online, bi-monthly publication featuring science fiction, fantasy, horror, and paranormal short-fiction. The magazine’s mission is to publish high-quality, entertaining, and thought-provoking speculative fiction. With a mixture of short stories, flash fiction, and micro-fiction, Fantasy Scroll Magazine aims to appeal to a wide audience. Issue #8 includes 10 short stories and one graphic story: "The Light Comes" by TONY PEAK "Minor Disasters" by ELISE R. HOPKINS "White Horse" by KATE O'CONNOR "ReMemories" by NANCY S.M. WALDMAN "The Gunman on the Wall" by ALEKSANDER VOLKMAR "The Magister’s Clock" by SIMON KEWIN "From Mutsumi" by KJ KABZA "Making Ends Meet" by JAROD K. ANDERSON "Haze" by K.S. DEARSLEY "For the Heart I Never Had" by RALUCA BALASA "Shamrock – Part 3 – Fury Uncaged" by JOSH BROWN & ALBERTO HERNANDEZ In the non-fiction section, this issue features: Interview with Author Martin Millar Interview with Author Fran Wilde Artist Spotlight: Chris Drysdale Science Corner: A Whirlwind Tour of the Human Genome Book Review: The Goddess of Buttercups and Daisies (Martin Millar) Movie Review: Time Lapse (Bradley King) The magazine is open to most sub-genres of science fiction, including hard SF, military, apocalyptic & post-apocalyptic, space opera, time travel, cyberpunk, steampunk, and humorous. Similarly for fantasy, we accept most sub-genres, including alternate world, dark fantasy, heroic, high or epic, historical, medieval, mythic, sword & sorcery, urban fantasy, and humorous. The magazine also publishes horror and paranormal short fiction.

Elfish’s friends live hand to mouth in a bleak section of London, squatting, seeing local bands, getting high, and feeling bitter over lost ambitions. Except Elfish, who pursues exactly what she wants with demonic single-mindedness. Elfish rarely eats, never washes, and is devoted to Queen Mab — both the Shakespearian fairy, “deliverer of dreams,” and her thrash metal band, formed with her attractive but dimwitted lover, Mo. When Mo jilts her and calls his new band Queen Mab, Elfish is determined to keep the name for her own band and sets about getting revenge. To stop Mo, Elfish is obliged to steal, cheat, and lie to everyone around her. Happily, Elfish is a compulsive liar, and quite fond of cheating and stealing. On the night Mo’s band is to play, he and his friends laugh cruelly around her. The people she has deceived turn on her viciously. It is up to Elfish whether to give up hope or to rally, proving to all the power of her will. A fearless stage diver and shameless purveyor of bad sex, Elfish stands alone. Surrounded by people who have given up hope, only she will not put down her guitar. Only she refuses to stop dreaming.