Sweet Charity

In this era of eroding commitment to government sponsored welfare programs, voluntarism and private charity have become the popular, optimistic solutions to poverty and hunger. The resurgence of charity has to be a good thing, doesn't it? No, says sociologist Janet Poppendieck, not when stopgap charitable efforts replace consistent public policy, and poverty continues to grow.In Sweet Charity?, Poppendieck travels the country to work in soup kitchens and "gleaning" centers, reporting from the frontlines of America's hunger relief programs to assess the effectiveness of these homegrown efforts. We hear from the "clients" who receive meals too small to feed their families; from the enthusiastic volunteers; and from the directors, who wonder if their "successful" programs are in some way perpetuating the problem they are struggling to solve. Hailed as the most significant book on hunger to appear in decades, Sweet Charity? shows how the drive to end poverty has taken a wrong turn with thousands of well-meaning volunteers on board.

(Vocal Selections). Sweet Charity , based on Federico Fellini's screenplay for Nights of Cabiria , was directed and choreographed by Bob Fosse, with music by Cy Coleman, lyrics by Dorothy Fields, and book by Neil Simon. It opened on Broadway January 29, 1966, and was nominated for 12 Tony Awards. It's since gone on to many more performances around the world including multiple Broadway revivals. Our folio features 14 of its songs, including: Baby Dream Your Dream * Big Spender * A Good Impression * I Love to Cry at Weddings * If My Friends Could See Me Now * Sweet Charity * There's Gotta Be Something Better Than This * Too Many Tomorrows * Where Am I Going * You Should See Yourself * and more.

This book focuses on the ever-changing world of charities: the skills needed to manage, fundraise, run a successful lobbying campaign or attract new work and the way in which UK charities will increasingly operate in a European environment.

In this delightful short story, Monica McInerney, internationally bestselling author of The Alphabet Sisters, returns to one of her warmest, wisest, and most memorable characters: the irrepressible Lola Quinlan, quick with a smile and spot of tea, who always has a generous dose of mischief up her sleeve. Lola Quinlan’s small secondhand shop in the Clare Valley, Australia, is more than just a store—it’s a loving community, a place to feel at home. In her golden years but still young at heart, Lola is delighted when the local teenagers start dropping in, browsing for outfits and gossiping about the upcoming school dance. Yet amid the flurry of excitement, Lola overhears some troubling news: One boy is planning a mean-spirited prank on a group of girls, and Lola does not intend to let him get away with it. With her dear friends by her side, she whips up a plan that will have the whole school talking, and will prove that nice guys—and girls—can finish first.

A vivacious, undisciplined two year old named Charity has Shauna Alexander seriously questioning her calling as a child care provider. The toddler seems to thrive on wreaking havoc wherever she goes. Pastor Kent Chapman's heart is still raw from losing his wife. He knows he spoils his daughter, but he can't help but see his wife in her. Then during a computer repair mix-up, Kent finds himself distracted by Shauna. But when Shauna's and Kent's worlds collide over the rebellious toddler's behavior, both must learn to accept responsibility and work toward reconciliation. Will the Lord cause Kent to choose between his daughter and his heart? Or will love sweeten Charity and their future? Fall in love with this inspiring love story and our entire collection of Christian romance novels from Heartsong Presents!

All songs are channeled. sing my songs And you will see A light so lovely Your eyes will shine brightly

Bob Fosse (1927-1987) is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical. He also became the only star director of musicals of his era--a group that included Jerome Robbins, Gower Champion, Michael Kidd, and Harold Prince--to equal his Broadway success in films. Following his unprecedented triple crown of show business awards in 1973 (an Oscar for Cabaret, Emmy for Liza with a Z, and Tony for Pippin), Fosse assumed complete control of virtually every element of his projects. But when at last he had achieved complete autonomy, his final efforts, the film Star 80 and the musical Big Deal, written and directed by Fosse, were rejected by audiences and critics. A fascinating look at the evolution of Fosse as choreographer and director, Big Deal: Bob Fosse and Dance in the American Musical considers Fosse's career in the context of changes in the Broadway musical theater over four decades. It traces his early dance years and the importance of mentors George Abbott and Jerome Robbins on his work. It examines how each of the important women in his adult life--all dancers--impacted his career and influenced his dance aesthetic. Finally, the book investigates how his evolution as both artist and individual mirrored the social and political climate of his era and allowed him to comfortably ride a wave of cultural changes.