Sybille Bedford

The first biography of the universally acclaimed British writer, Sybille Bedford, by the celebrated author of books about Nancy Mitford and Evelyn Waugh. Passionate, liberated, fiercely independent, Sybille Bedford was a writer and a journalist, the author of ten books, including a biography of Aldous Huxley, and four novels, all of which fictionalized her extraordinary life. Born in Berlin, she grew up in Baden, first with her distant, aristocratic father, and then in France with her intellectual, narcissistic, morphine-addicted mother and her lover. She was a child with a German Jewish background who survived two world wars and went on to spend her adult life in exile in France, Italy, New York, and Los Angeles, before finally settling in England. Bedford was ahead of her time in many ways, with great enthusiasm for life and all its sensual pleasures, including friendships with bold faced names in the worlds of literature and food as well as a literary network of high-powered lesbians. Aldous Huxley became a mentor, and Martha Gellhorn encouraged her to write her first novel, A Legacy; in 1989, her novel Jigsaw was shortlisted for the Booker Prize. In the 1960s, she wrote for magazines and newspapers, covering nearly 100 trials, including those of Auschwitz officials accused of Nazi war crimes and Jack Ruby, on trial for the murder of Lee Harvey Oswald. Brenda Wineapple has called Bedford "one of the finest stylists of the 20th century, bar none." In this major biography, Selina Hastings has brilliantly captured the fierce intelligence, wit, curiosity, and compassion of the woman and the writer in all the richness of her character and achievements.

'Hastings is one of our greatest living biographers' Simon Heffer, Daily Telegraph Sybille Bedford's life contained all the grand feeling and seismic events of the twentieth century: war and peace, love and trauma, friendship and death. Her father died when she was just fourteen and her mother, a great socialite and litterateur, fell victim to a debilitating morphine addiction. A bon viveur, she roamed from country to country in search of fresh experience, with ear and eye attuned to her surroundings, typewriter at the ready. Full of intense friendships (Aldous Huxley, Martha Gellhorn and Elizabeth Jane Howard among them), a fierce commitment to the craft of writing, as well as an insatiable appetite for love and sex, Sybille Bedford blazed her own path in her life and her art. 'Selina Hastings' wonderful, gossipy biography is a gem, revealing not just the shy writer, but also the colourful, turbulent 20th-century literary world in which she lived' Sunday Times, Books of the Year 'A wonderful biography' Sara Wheeler, Spectator 'An extraordinary story' The Times 'A richly entertaining biography' Daily Mail, Books of the Year

Beginning in 1956 with the publication of A Legacy, Sybille Bedford has narrated - in fiction and non-fiction - what has been by turns her sensuous, harrowing, altogether remarkable life. In this magnificent memoir, she moves from Berlin during the Great War to the artists' set on the Côte d'Azur of the 1920s, through lovers, mentors, seducers and friends, and from genteel yet shabby poverty to relative comfort in London's Chelsea. Whether evoking the simple sumptuousness of a home-cooked meal or tracing the heart-rending outline of an intimate betrayal, she offers spellbinding reflections on how history imprints itself on private lives.

This affectionate study of the Mexican temper is ''one of the most charming travel books ever written.'' - The Atlantic Monthly Before returning to the Old World after World War II, Sybille Bedford resolved to see something more of the New. ''I had a great longing to move,'' she said, ''to hear another language, eat new food, to be in a country with a long nasty history in the past and as little present history as possible.'' And so she set out for Mexico - and, incidentally, to write what Bruce Chatwin called the best travel book of the twentieth century, ''a book of marvels, to be read again and again and again.''

Shortlisted for the Booker Prize, Bedford's autobiographical novel paints a vivid picture of life in 1920s Europe between the wars. Sybille Bedford placed the ambiguous and inescapable stuff of her own life at the center of her fiction, and in Jigsaw—her fourth and final novel, which was shortlisted for the 1989 Booker Prize—she did it with particular artistry. “What I had in mind,” she was later to say, “was to build a novel out of the events and people who had made up, and marked, my early youth...Truth here was an artistic, not moral, requirement...It involved...writing about myself, my feelings, my actions.” And so she assembled the puzzle pieces of her singular past into a picture of her “unsentimental education.” We learn of a childhood spent alone with her father, “a stranded man of the world” living a life of “ungenteel poverty in quite grand surroundings,” a château, that is, deep in the German countryside, with wine but little else for him and his young daughter to hold body and soul together. We learn of her return to Italy and her mother, “the one character I wished to keep minor and knew all along that it could not be done,” and the dark secret consuming her mother’s life. Finally, she tells us how she lived with and learned from Aldous and Maria Huxley on the French Riviera, developing the sense of purpose and determination that made her the great writer she would become.

One autumn in the late 1920s, Constanza boards a train in Italy en route to Brussels and a new marriage. With her is her young daughter Flavia. Through an odd incident Constanza makes a casual decision that changes both their lives.

'Going to law courts is a good education for a novelist. It provides you with the most extravagant material, and it teaches the near impossibility of reaching the truth.' Sybille Bedford, Paris Review (1993) For The Faces of Justice (1961) Sybille Bedford journeyed through Europe to sit in the press box of the courts of law - high courts, low courts, police courts. In England, Germany, Austria, Switzerland, France, she watched the prisoners at the bar, the accusing community arrayed against them, the advocates, the jurors, the judges on the bench. She saw justice being attempted under the law - the best we can do, the worst we can do - varying in subtle yet astonishing ways from country to country. The result is a story about justice, humanity and the individual - moving, dramatic, superbly observed, splendidly told.

The first full-scale literary trial in Britain's history - re-counted by the ever-charming and inimitable Sybille Bedford.