Sympathy

“Packed with tension, pathos, and vitality . . . This is a potent first novel from a formidable talent.” — Minneapolis Star Tribune “The best fictional account I’ve read of the way the internet has shaped our inner lives.” — Guardian (UK) At twenty-three Alice Hare, a loner, arrives in New York with only the vaguest of plans: to find a city to call home. Instead she discovers the online profile of a Japanese writer called Mizuko Himura, whose stories blur the line between autobiography and fiction. Alice becomes infatuated with Mizuko from afar, convinced this stranger’s life holds a mirror to her own. Realities multiply as Alice closes in on her “internet twin,” staging a chance encounter and inserting herself into his orbit. When Mizuko disappears, Alice is alone and adrift again. Tortured by her silence, Alice uses the only tool at her disposal, writing herself back into Mizuko’s story, with disastrous consequences. “A smart and lyrical evocation of that murky emotional terrain between our online and offline selves.” — Vice (UK) “At once a riveting mystery and a literary tour de force, Sympathy had me spellbound from the first page to the last.” — Emily Gould, author of Friendship

Explores, at different levels, the social emotions of fellow-feeling, the sense of identity, love and hatred, and traces their relationship to one another and to the values with which they are associated. This book reviews the evaluations of love and sympathy in different historical periods and in different social and religious environments.

Taking Shakespeare as its starting point, this book examines why and how we read poetry, how we relate to fictional characters, and whether reading is good for you. It also focuses on key works by Browning, Auden, and Beckett, and concludes with a critique of contemporary ideas about art, sympathy, and community.

This polyphonic novel of an S.S. officer, his ailing wife, and a concentration camp survivor “marks a vital turn in Holocaust literature” (Publishers Weekly, starred review). Being appointed administrator of the Buchenwald work camp is a major advancement for SS Sturmbannführer Dietrich Hahn. But as the prison population begins to rise, his job becomes ever more consuming. His wife, Frau Greta Hahn, finds their new home even lovelier than their apartment in Munich. She enjoys life among the other officer’s wives, and the ease with which she can purchase nearly anything her heart desires. When Frau Hahn is forced into an unlikely alliance with one of Buchenwald’s prisoners, Dr. Lenard Weber, her naïve ignorance about what is going on so nearby is challenged. A decade earlier, Dr. Weber had invented a machine: the Sympathetic Vitaliser. At the time he believed that its subtle resonances might cure cancer. But does it really work? One way or another, it might yet save a life. A tour de force about the evils of obliviousness, Remote Sympathy compels us to question our continuing and willful ability to look the other way in a world that is once more in thrall to the idea that everything—even facts, truth and morals—is relative. Shortlisted for the 2021 Ockham New Zealand Book Awards

There is little doubt that sympathy plays a pivotal role in aesthetic as well as moral experience, yet also little agreement on how to describe this connection and its long history. This volume investigates the changes in the concept of sympathy as well as its rhetorical, poetical and ethical functions from antiquity to the threshold of Romanticism. The focus is on sympathy's development from a cosmological principle expressing the coherence, correspondence, and unity of all things into a theoretical key concept of intersubjectivity informing moral philosophy, criticism and literature. Thus, Sympathy in Transformation offers important insights into the many ways in which, when sympathy migrates into diverse discourses in Early Modernity, its ancient origins dwindle out of sight, while some of its central elements re-emerge in a surprising manner.

Focuses on the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." This book examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience.

In Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.

The origins of this book probably go back to Gordon Allport's seminar in social psychology at Harvard during the late 1940s and to the invitation from Gardner Lindzey, some years later, to contribute a section on "Sympathy and Empathy" to the International Encyclopedia of the Social Sciences (1968). Since those early beginnings, the book has been "in the process of becoming. " During that time I have benefited greatly from the knowledge and assistance of many colleagues, especially the following, who read and commented upon portions of the manuscript: Raymond Gastil, the late Joseph Katz, David McClelland, Jitendra Mohanty, Paul Mussen, Richard Solomon, and Bernard Weiner. To Kenneth Merrill for a close reading of the Hume material and to M. Brewster Smith for a careful reading of and suggestions on Chapters 7 and 8, I am especially indebted. Beverly Joyce withstood constant interruptions to provide much-needed library assistance, and Vivian Wheeler gave generously of her excellent editorial experience and knowledge. A fellowship at the Battelle Research Center in Seattle and an appointment as a visiting scholar at Harvard were of incalculable help, providing opportunity, stimulation, and freedom from teaching responsibilities. To all of the above I am deeply indebted. Just a few words about the organization of this book.