T S Eliot Salvador Espriu

Este libro estudia detalladamente las obras de dos poetas modernos prototípicos: T. S. Eliot y Salvador Espriu. Su imaginario es comparable, puesto que se proyectaba desde su experiencia y cosmovisión personal así como desde su profundo conocimiento de la tradición literaria. Ambos revelan los paralelismos entre los contextos históricos y culturales en los que se crearon sus poemas y ejemplifican su propósito como poetas a la hora de preservar la tradición formada por sus predecesores y a la hora de suscribirse de un modo significativo a ella. El estudio de Dídac Llorens Cubedo lleva al lector a través de un viaje desde el árido desierto o la sórdida ciudad moderna hasta la paz imprecisa de un jardín ideal, desde las restricciones de lo secular hasta el todo sin trabas e intemporal imaginado por Eliot y Espriu, dos gigantes de la poesía.

"At last, a translation that does long overdue justice to the noble poetry of Salvador Espriu, one of this century's great lyric elegists." --William Arrowsmith

Two standpoints govern the approach taken to the poetry of Salvador Espriu in this extended study of his work. First, the author explores the structural implications of symmetry and numerology, in a chronological rather than thematic survey of the poetry - a procedure that involves a consideration of how each book attains its distinctive character while having common preoccupations and stylistic traits. Secondly, he examines the tension implicit in Espriu's poetry between involvement and detachment or between the civic and the lyric.

Acculturating refers to the interchange of patterns of behaviour, perceptions and ideas between groups of individuals who have different cultural backgrounds. This book, which is the result of collaboration between specialists from different disciplines from around the world, allows the comparison of systems of dependency, mediation skills, empathy and social understanding and cultural attitudes towards people who experience the stages of aging.

This edited volume rethinks Masculinity Studies by breaking away from the notion of the perpetual crisis of masculinity. It argues that not enough has been done to distinguish patriarchy from masculinity and proposes to detox masculinity by offering a collection of positive representations of men in fictional and non-fictional texts. The editors show how ideas of hegemonic and toxic masculinity have been too fixed on the exploration of dominance and subservience, and too little on the men (and the male characters in fiction) who behave following other ethical, personal and socially accepted patterns. Bringing together research from different periods and genres, this collection provides broad, multidisciplinary insights into alternative representations of masculinity.

Artistic creativity is fuelled by the permanent interaction among artistic forms, cultures, societies, and eventually different individuals, in the form of an all-inclusive intertextuality. The dialogues between the past and the present help the artist examine his own art, making him conscious of his position in the field, whether through self-evaluation, renewal or experiment with new textualities. This book explores how the strategies reflecting the exchanges between past and present modes of artistic production become active agents of intervention in creating the various spaces of dialogue and confrontation when establishing the identities and cultural specificity of a certain society or community.

Whitman wanted to bolster the American democratic spirit by creating a democratic literature through his Leaves of Grass, he also wanted to create something epic, so he crafted a new form, the lyric-epic. Pablo Neruda wrote Canto general as a foundational text for communism in Latin America. In both books, these poets want to politicize the reader, Whitman for democracy and Neruda for communism, both of which have become foundational poets for their countries over time.