Take This Man

Named one of Kirkus Reviews Best Nonfiction Books of 2014 One of NBC News’s 10 Best Latino Books of 2014 “A West Coast version of Augusten Burroughs’s Running With Scissors...A funny, shocking, generous-hearted book” (Entertainment Weekly) about a boy, his five stepfathers, and the mother who was determined to give her son everything but the truth. When he was three years old, Brando Kelly Ulloa was abandoned by his immigrant father. His mother, Maria, dreaming of a more exciting life, saw no reason for her son to live as a Mexican American just because he was born one. With the help of Maria’s ruthless imagination and a hastily penned jailhouse correspondence, the life of “Brando Skyhorse,” the Native American son of an incarcerated political activist, was about to begin. Through a series of letters to Paul Skyhorse Johnson, a stranger in prison for armed robbery, Maria reinvents herself and her young son as American Indians in the colorful Mexican-American neighborhood of Echo Park, California, where Brando and his mother live with his acerbic grandmother and a rotating cast of surrogate fathers. It will be thirty years before Brando begins to untangle the truth, when a surprise discovery leads him to his biological father at last. From this PEN/Hemingway Award–winning novelist comes an extraordinary literary memoir capturing a mother-son story unlike any other and a boy’s single-minded search for a father, wherever he can find one.

With a flick of his locks and a lash of his tongue, Boy George waltzed into musical stardom in 1982 with his smash hit "Do You Really Want to Hurt Me?" As the quintessential pop star of the 1980s, Boy George was constantly in the public eye, with a string of platinum Culture Club hits, sensational personal appearances, camp behavior, and gender-bending dress fueling the media's infatuation. A Grammy Award for "Karma Chameleon" sealed Boy George's pop-icon status as the avant-garde star whose beguiling melodies and impertinent one-liners seduced an unsuspecting public. But after he reached the pinnacle of success, his life took a devastating turn. Culture Club went into eclipse, his hushed-up relationship with drummer Jon Moss fell apart, and Boy George found a new and dangerous obsession: drugs. In this electrifying memoir, Boy George tells the story of the crazy highs and desperate lows; the family struggles; the friends and lovers—gay, straight, and transvestite; the obsessive media infatuation; and the agony, shame, and despair of withdrawal. Filled with confession, revelation, and inspiration, Take It Like a Man is the mesmerizing account of how George achieved the nearly impossible—coming back from addiction and achieving health, sobriety, and a new horizon of musical success.

"Alice is about to marry Mad. Alice is white. Mad is black. Alice is French; Mad, though he has studied and lived in France for years, is not. They have been friends since childhood and never been romantically involved. But now Mad is being threatened with deportation and marrying Alice strikes both friends as the best solution to their problems. On the eve of her wedding, Alice reflects on their years of friendship--from their childhood together to the first time she ever heard racial slurs being directed at her friend to the victory of Jean-Marie Le Pen in the presidential primaries in 2002"--Publishers website, viewed September 30, 2011.

An outrageous concoction of wild, warm, and lightning-paced hilarity that is perfect for the entire family.

"Do You Take This Man has one of the steamiest, most addictive, most satisfyingly hard-earned happily-ever-after I’ve read in ages!"—Ali Hazelwood, New York Times bestselling author of Love on the Brain A wedding officiant who doesn't believe in love and an event planner who's been burned agree to say "I do" to being enemies with benefits. Divorce attorney RJ would never describe herself as romantic. But when she ends up officiating an unplanned wedding for a newly engaged couple in a park, her life is turned upside down. The video of the ceremony goes viral, and she finds herself in the unlikely position of being a sought-after local wedding officiant. Spending her free time overseeing “I dos” isn’t her most strategic career move, but she enjoys it, except for the type A dude-bro wedding planner she’s forced to work with. Former pro-football event manager Lear is a people person, but after his longtime girlfriend betrayed him, he isn’t looking for love. He knows how to execute events and likes being in control, so working with an opinionated and inflexible officiant who can’t stand him is not high on his list. He’s never had trouble winning people over, but RJ seems immune to his charms. Surrounded by love at every turn, their physical attraction pulls them together despite their best efforts to stay an arm’s length apart. Lear refuses to get hurt again. RJ refuses to let herself be vulnerable to anyone. But when it comes to happily ever after, their clients might not be the only ones saying “I do.”

Now a major Amazon film directed by George Clooney and starring Ben Affleck, Tye Sheridan, Lily Rabe, and Christopher Lloyd, a raucous, poignant, luminously written memoir about a boy striving to become a man, and his romance with a bar, in the tradition of This Boy’s Life and The Liar’s Club—with a new Afterword. J.R. Moehringer grew up captivated by a voice. It was the voice of his father, a New York City disc jockey who vanished before J.R. spoke his first word. Sitting on the stoop, pressing an ear to the radio, J.R. would strain to hear in that plummy baritone the secrets of masculinity and identity. Though J.R.'s mother was his world, his rock, he craved something more, something faintly and hauntingly audible only in The Voice. At eight years old, suddenly unable to find The Voice on the radio, J.R. turned in desperation to the bar on the corner, where he found a rousing chorus of new voices. The alphas along the bar—including J.R.'s Uncle Charlie, a Humphrey Bogart look-alike; Colt, a Yogi Bear sound-alike; and Joey D, a softhearted brawler—took J.R. to the beach, to ballgames, and ultimately into their circle. They taught J.R., tended him, and provided a kind of fathering-by-committee. Torn between the stirring example of his mother and the lurid romance of the bar, J.R. tried to forge a self somewhere in the center. But when it was time for J.R. to leave home, the bar became an increasingly seductive sanctuary, a place to return and regroup during his picaresque journeys. Time and again the bar offered shelter from failure, rejection, heartbreak—and eventually from reality. In the grand tradition of landmark memoirs, The Tender Bar is suspenseful, wrenching, and achingly funny. A classic American story of self-invention and escape, of the fierce love between a single mother and an only son, it's also a moving portrait of one boy's struggle to become a man, and an unforgettable depiction of how men remain, at heart, lost boys. Named a best book of the year by The New York Times, Esquire, The Los Angeles Times Book Review, Entertainment Weekly, USA Today, NPR's "Fresh Air," and New York Magazine A New York Times, Los Angeles Times, Wall Street Journal, San Francisco Chronicle, USA Today, Booksense, and Library Journal Bestseller Booksense Pick Borders New Voices Finalist Winner of the Books for a Better Life First Book Award

We all tell white lies to others and, even worse, to ourselves. We do something wrong and instead of acknowledging it, learning from it, and moving on, we lie, saying it was due to circumstances outside ourselves. Each one should test his own actions. Then he can take pride in himself, without comparing himself to somebody else, for each one should carry his own load. Gal. 6:45 NIV Genesis 3:12 NIV, The man said, The woman you put here with meshe gave me some fruit from the tree, and I ate it. As long as there has been a record of man, humans have chosen to blame someone else for their wrongdoings. For you and me, it does not have to be that way. We can change and take responsibilities for our own actions.

When Dominic Gill set out from Alaska on his bicycle, it was to be no ordinary ride. His goal was to reach Ushuaia, the southernmost city in South America, and he was starting off far from confident and with barely enough food to last a week. But Dominic had a secret weapon: the spare seat. His bicycle was a tandem and he would invite strangers to join him on his long journey. Over 26 months, Dominic covered 18,449 miles down the west coast of the Americas, passed through 15 countries, was looked after by countless strangers, crashed into a banana truck and was attacked by a man with a rusty machete. But Dominic's journey wasn't just an endurance challenge full of derring-do. While sharing his bicycle with 270 strangers who wanted to help him on his way, Dominic discovered a world that differed dramatically from the scare stories and the sensationalist press reports that had shaped his preconceptions about life in the Americas. What started as a physically demanding road trip turned into the inspirational adventure of a lifetime.