Tale Of One Bad Rat 2nd Edition

Helen Potter lived a happy life until she got lost in a nightmare of sexual abuse. Now she's on a journey, a journey which takes her through urban and rural England along the same path that another Potter, Beatrix Potter, once took. Across the decades, two lives touch, and Helen discovers that the strength of two is far greater than one. Bryan Talbot constructs a very special story in The Tale of One Bad Rat which immediately endears the reader. The victim of child sexual abuse, Helen Potter becomes the armored knight before her own personal demons in this story of heroism and courage.

Helen Potter lived a happy life until she got lost in a nightmare of sexual abuse. Now she's on a journey, a journey which takes her through urban and rural England along the same path that another Potter, Beatrix Potter, once took. Across the decades, two lives touch, and Helen discovers that the strength of two is far greater than one. Bryan Talbot constructs a very special story in The Tale of One Bad Rat which immediately endears the reader. The victim of child sexual abuse, Helen Potter becomes the armored knight before her own personal demons in this story of heroism and courage.

The story of a victim of child abuse that makes reference to the works of Beatrix Potter.

Contributions by Paul Fisher Davies, Lisa DeTora, Yasemin J. Erden, Adam Gearey, Thomas Giddens, Peter Goodrich, Maggie Gray, Matthew J. A. Green, Vladislav Maksimov, Timothy D. Peters, Christopher Pizzino, Nicola Streeten, and Lydia Wysocki Recent decades have seen comics studies blossom, but within the ecosystems of this growth, dominant assumptions have taken root—assumptions around the particular methods used to approach the comics form, the ways we should read comics, how its “system” works, and the disciplinary relationships that surround this evolving area of study. But other perspectives have also begun to flourish. These approaches question the reliance on structural linguistics and the tools of English and cultural studies in the examination and understanding of comics. In this edited collection, scholars from a variety of disciplines examine comics by addressing materiality and form as well as the wider economic and political contexts of comics’ creation and reception. Through this lens, influenced by poststructuralist theories, contributors explore and elaborate other possibilities for working with comics as a critical resource, consolidating the emergence of these alternative modes of engagement in a single text. This opens comics studies to a wider array of resources, perspectives, and modes of engagement. Included in this volume are essays on a range of comics and illustrations as well as considerations of such popular comics as Deadpool, Daredevil, and V for Vendetta, and analyses of comics production, medical illustrations, and original comics. Some contributions even unfold in the form of comics panels.

Across a multitude of parallel universes, dark forces operate in the shadows, manipulating mankind’s histories throughout countless timelines. The agents of these Disruptors all work with a single purposethe recovery and activation of Firefrost, a longhidden doomsday device whose unspeakable power is capable of consuming the galaxy in all its incarnations. Standing in the way of the Disruptors is Luther Arkwright, a human anomaly who exists only in a single universe, a man of vast psychic powers and capable of travelling between the parallel realities to counter the Disruptor’s malign influence. But the Disruptors are aware of Arkwright and his abilities, and while Arkwright searches the myriad Earths for the location of Firefrost, the agents of darkness race to destroy Arkwright . . . and to ensure their unthinkable ends. In celebration of the 30th Anniversary of the first publication of The Adventures of Luther Arkwright, this new edition features entirely new scans from the original artwork that restore much of the lost detail from previous editions. Arkwright has never looked better! * Nominated for three Eisner Awards and five Eagle Awards.

In a future alternatereality Earthone existence in a swirling maelstrom of parallel worldsa vicious totalitarian British Empire reigns supreme. But in Rome, the dying Pope sets into motion a dark plan to place the throne of Britannica under papal controlby any means necessary. And while such temporal machinations threaten the world's political and social stability, a monstrous force is building across the multiverse, and a countdown begins to almost certain dimensional apocalypse! Luther Arkwright has saved a universe before, but with an infinity of universes threatened with annihilation, all of Arkwright's preternatural talents are needed. If only Arkwright weren't dead . . . * In celebration of the twentieth anniversary of the original publication of The Adventures of Luther Arkwright, Dark Horse is proud to release a new edition of Arkwright's mindblowing sequel.

In America, comics and comic books have often been associated with adolescent male fantasy--muscle-bound superheroes and scantily clad women. Nonetheless, comics have also been read and enjoyed by girls. While there have been many strong representations of women throughout their history, the comics of today have evolved and matured, becoming a potent medium in which to explore the female experience, particularly that of girlhood and adolescence. In Girls and Their Comics: Finding a Female Voice in Comic Book Narrative, Jacqueline Danziger-Russell contends that comics have a unique place in the representation of female characters. She discusses the overall history of the comic book, paying special attention to girls' comics, showing how such works relate to a female point of view. While examining the concept of visual literacy, Danziger-Russell asserts that comics are an excellent space in which the marginalized voices of girls may be expressed. This volume also includes a chapter on manga (Japanese comics), which explains the genesis of girls' comics in Japan and their popularity with girls in the United States. Including interviews with librarians, comic creators, and girls who read comics and manga, Girls and Their Comics is an important examination of the growing interest in comic books among young females and will appeal to a wide audience, including literary theorists, teachers, librarians, popular culture and women's studies scholars, and comic book historians.