Tale Of The Future

AS you are aware I am an artist. My profession has brought me into close contact with nature in all its grandeur, in all its beauty, and in all its purity. I have spent months and months in solitudes, far, far away from what is called civilisation, yes, far away from cities, towns and villages. Ah! these were indeed days of pleasure. It was in these solitudes that I was able to grasp, if but in a small degree, the goodness of the Creator and the beauty of His works. While I saw the grand effects of landscape; while I saw the flitting gleams of beauty caused by a dash of sunshine breaking through the clouds; while I saw the vast mountains raising their mighty heads above me; while I saw the mirror-like lake below me; while I saw the plants, the mosses, the lichens, all full of silent beauty; while I heard the skylark's charming note enchanting my ears with sweet melody as he floated warbling above his nest; while I saw the bees all busy gleaning their winter's stores; while I saw the butterflies decked with all their radiant beauty, I could not help thinking how different was this ever varying scene of love, harmony, and contentment, with the city-created dens of iniquity,—the great haven and boasted creation of so-called civilized man. After many years of pleasure and activity in pursuit of my profession, I bethought me that I was not doing my duty to my fellows in avoiding city life I felt that I was living in selfishness, if I did not endeavour to do something for the advantage of mankind, and, knowing as I did the degraded life that the majority of city people lived, I determined to try my powers of reforming. Being of an enthusiastic nature, I set to work in this vast city of ours, labouring early and late, spending all the time I could spare in this work of attempted reform. At first my enthusiasm led me to think I was making progress, but alas! all I was able to do amounted to very little indeed. I redoubled my efforts, but while undoubtedly some good had come out of my work there was so much to do, and I was so earnest, that I overtasked my strength. I became weak and excitable, and at last I had to give way to nature. My strength failed me; I took ill; and was confined to the house for months. Getting rather better I was foolish enough to enter into an election contest, supporting the faction I thought best. Of the hard work I went through during this contest I remember very little.

“A revolution is happening in speculative fiction, and Annalee Newitz is leading the vanguard."--Wil Wheaton From Annalee Newitz, founding editor of io9, comes a story of time travel, murder, and the lengths we'll go to protect the ones we love. 1992: After a confrontation at a riot grrl concert, seventeen-year-old Beth finds herself in a car with her friend's abusive boyfriend dead in the backseat, agreeing to help her friends hide the body. This murder sets Beth and her friends on a path of escalating violence and vengeance as they realize many other young women in the world need protecting too. 2022: Determined to use time travel to create a safer future, Tess has dedicated her life to visiting key moments in history and fighting for change. But rewriting the timeline isn’t as simple as editing one person or event. And just when Tess believes she's found a way to make an edit that actually sticks, she encounters a group of dangerous travelers bent on stopping her at any cost. Tess and Beth’s lives intertwine as war breaks out across the timeline--a war that threatens to destroy time travel and leave only a small group of elites with the power to shape the past, present, and future. Against the vast and intricate forces of history and humanity, is it possible for a single person’s actions to echo throughout the timeline? Praise for The Future of Another Timeline: "An intelligent, gut-wrenching glimpse of how tiny actions, both courageous and venal, can have large consequences. Smart and profound on every level.”—Publishers Weekly (starred review) "You close the book reeling with questions about your own life and your part in changing the future."—Amy Acker, actress (Angel and Person of Interest) At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.

DigiCat Publishing presents to you this special edition of "The Once and Future King" by T. H. White. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

The "Tales from the Future" collection consists of several true stories, which are yet to come to pass, each representing a specific projection of the world's future. The tales were taken from chapters in the "Ringing Cedars of Russia" book series by Vladimir Megre. The collection's chapters speak to us of the power of man's dreams, of love, of the perfection of man, and of the wonderful future which is possible for everyone. These are not ordinary stories: the amazingly striking images that the storyteller has embedded in this given picture of a future life contain an all-mighty healing power that inspires the reader to dream, to change himself, and to transform the world around him. What lies at the foundation of the stories is the idea of "family homesteads," which is capable of returning man to the promised land around him, of reanimating creativity and dreams, and of giving new meaning to one's everyday life. The collection includes tales from the following chapters: Vladimir Megre, the book "Co-creation" chapter "School, or Lesson of the Gods" Vladimir Megre, the book "Who Are We?" chapters "May There Be Good on Earth," "The Disarmament Race" Vladimir Megre, the book "Who Are We?" chapter "Horsewoman from the Future" Vladimir Megre, the book "Who Are We?" chapter "City on the Neva" Vladimir Megre, the book "The Energy of Life" chapter "Give Children a Homeland" Vladimir Megre, the book "The New Civilization" chapter "I Will Give Birth to You, My Angel" Vladimir Megre, the book "The New Civilization" chapter "A Love That Creates Worlds" Vladimir Megre, the book "The New Civilization" chapter "The Billionaire" Vladimir Megre, the book "The New Civilization II - Rites of Love" chapter "A Meeting Millennia Later"

Before it was written, this book was spoken. For ten winter days in 1977, the orator Paul John—widely respected as a dean of Yup’ik elders, and recognized for his tireless advocacy of Yup’ik language and traditions—held an audience of Yup’ik students rapt at Nelson Island High School, in southwest Alaska. Hour after hour he spoke to the young people, sharing life experiences and Yup’ik narratives, never repeating a tale. Now, more than a quarter-century after Paul John’s extraordinary performance, Sophie Shield’s translations and Ann Fienup-Riordan’s editing have brought his words back to life, and to a new audience. This book records one elder’s attempt to create a moral universe for future generations through stories about the special knowledge of the Yup’ik people. Tales both authentically Yup’ik and marked by Paul John’s own unique innovations are presented in a bilingual edition, with Yup’ik and English text presented in facing pages. As Paul John says, "In this whole world, whoever we are, if people speak using their own language, they will be presenting their identity and it will be their strength."