Tales From Buffalo Land

This is undoubtedly a remarkable book on a period of American history about which much has been written - the period of the Indian wars in the Northwest, from the close of the Civil War until the Custer disaster on the Little Big Horn. It presents in graphic detail and on a vast canvas the great events and the small which reached a decisive crescendo in Custer’s fate. Here is no savage battle incident presented in isolation from other events, but a sweeping panorama of a whole ere-inept, hesitant, and tragic. To insure comprehensiveness, the author describes the pertinent facts of the Grant administration, the embitterment of the Great Plains tribes, and the deteriorating Civil War army. The book is the record not only of the dashing Seventh Cavalry and its leader but also of the Grant-Custer feud, Sitting Bull, the Belknap scandal, Rain-in-the-Face, the battle strategy of the Indians, and Custer’s military rivals. Particular note is taken of the effect on history of Custer’s recklessness and glory-seeking and of the superstitions and fatalistic determination of the Sioux and the Cheyennes. The Battle of the Little Big Horn, reconstructed in this account largely on Indian eyewitness testimony, climaxed the long-developing tragedy and provided a "smashing crescendo to the vacillating policy of the United States government...towards the Indians of the Great Plains." A four color reproduction of an oil painting by John Hauser, entitled "The Challenge," has been selected for the cover of Custer’s Luck. The original canvas is in the collection of the Thomas Gilcrease Institute of American History and Art, Tulsa, Oklahoma, and the publishers gratefully acknowledge the cooperation of that organization in making this reproduction possible.

“Education is the new buffalo” is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, “Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?” Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Métis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nêhiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Métis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of “Métis futurism” explore Indigenous existence and resistance through the specific lens of being Métis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.

The Everett D. Graff Collection of Western Americana consists of some 10,000 books, manuscripts, maps, pamphlets, broadsides, broadsheets, and photographs, of which about half are described in the present catalogue. The Graff Collection displays the remarkable breadth of interest, knowledge, and taste of a great bibliophile and student of Western American history. From this rich collection, now in The Newberry Library, Chicago, its former Curator, Colton Storm, has compiled a discriminating and representative Catalogue of the rarer and more unusual materials. Collectors, bibliographers, librarians, historians, and book dealers specializing in Americana will find the Graff Catalogue an interesting and essential tool. Detailed collations and binding descriptions are cited, and many of the more important works have been annotated by Mr. Graff and Mr. Storm. An extensive index of persons and subjects makes the book useful to the scholar as well as to the collector and dealer. The book is not a bibliography but rather a guide to rare or unique source materials now enriching The Newberry Library's outstanding holdings in American history.

Color illustration on front cover of a wagon train in two circles.

Includes maps of the U.S. Congressional districts.

"A long time ago, Our People came from the Northern Woodlands to the Great Plains looking for food," Grandfather said. "They saw that the Buffalo lived in harmony with Mother Earth the same as Our People did." Through the Creator, the buffalo gave themselves as a gift for the sustenance and survival of the Plains Cree people. The largest land animal in North America once thundered across the Great Plains in numbers of 30 to 50 million. They provided shelter, food, clothing, tools, hunting gear, ceremonial objects and many other necessities for those who lived on the Plains. But by 1889, just over a thousand buffalo remained, and the lives of the Plains Cree people changed. The buffalo is honoured to this day, a reminder of life in harmony with nature as it was once lived. This is the story of how the buffalo came to share themselves so freely.