Tales Of A Severed Head

A brilliant retelling of the classic Arab tale of Scheherazade, set in the present day

Renowned philosopher and cultural theorist Kristeva (Powers of Horror: An Essay on Abjection) offers an extended consideration of artistic figurations of the severed head, the organizing theme to an exhibition she coordinated at the Louvre in 1998. Though she follows a single historical trajectory, moving from Paleolithic skull cults to antique Greek sculpture to the Surrealist drawings, Kristeva eschews the disciplinary constraints of art history, instead employing psychoanalysis to explore the intertwined problems of representation and mortality posed by the severed head. For Kristeva, the capacity to figure the life of the mind first requires a confrontation with this horrific object that stands at the boundary between life and death, registering not only the loss of corporeal form but also subjective interiority. Though this book does not engage with recent images of decapitation, it is not without contemporary political-cultural import; for Kristeva, these cruel artistic figurations offer us the capacity to contemplate the sacred within a technology-driven contemporary visual culture. Verdict While a challenging text, this beautifully written and richly layered meditation on mortality and representation will undoubtedly appeal to those readers interested in semiotic and psychoanalytically informed readings of art.-Jonathan Patkowski, CUNY Graduate Ctr.(c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

JB Priestley's adaptation of Iris Murdoch's A Severed Head.4 women, 3 men

Linnet begs his mates to cut off his head, so his children can carry it with them on the road. It's 1770 and Linnet lies dying beside the 'stinking ditch' he has helped to dig for miles. His last desperate wish is for his children to go home to his mother, whom they have never seen. But how are they to reach her safely, without money or knowing the way? His work-mates think it's fever-talk but still... A promise to a dying mate is a serious thing. So, when the children start their long walk, they carry their father's head with them, wrapped in his old work-shirt. But what use is a dead man's head when the children meet danger and difficulty? The head opens its eyes and tells stories. Stories have power. Almost as much power as a father's love. Susan Price has won the Carnegie medal and the Guardian prize and her many books have been sold around the world. She has a life-long love of folk-tale and legend and has published several collections of retellings.

Our history is littered with heads. Over the centuries, they have decorated our churches, festooned our city walls and filled our museums; they have been props for artists and specimens for laboratory scientists, trophies for soldiers and items of barter. Today, as videos of decapitations circulate online and cryonicists promise that our heads may one day live on without our bodies, the severed head is as contentious and compelling as ever. From shrunken heads to trophies of war; from memento mori to Damien Hirst's With Dead Head; from grave-robbing phrenologists to enterprising scientists, Larson explores the bizarre, often gruesome and confounding history of the severed head. Its story is our story.

A serious and seriously entertaining exploration of the dark and varied obsessions that the 'civilized West' has had with decapitated heads and skullsOur history is littered with heads. Over the centuries, they have decorated our churches, festooned our city walls and filled our museums; they have been props for artists and specimens for laboratory scientists, trophies for soldiers and items of barter. Today, as videos of decapitations circulate online and cryonicists promise that our heads may one day live on without our bodies, the severed head is as contentious and compelling as ever.From shrunken heads to trophies of war; from memento mori to Damien Hirst's With Dead Head; from grave-robbing phrenologists to enterprising scientists, Larson explores the bizarre, often gruesome and confounding history of the severed head. Its story is our story.

Whether hailing from the open Pennine hills or the close-knit neighbourhoods of industrial towns, West Yorkshire folk have always been fond of a good tale. This collection of stories from around the county is a tribute to their narrative vitality, and commemorates places and people who have left their mark on their communities. Here you will find legendary rocks, Robin Hood, tragic love affairs, thwarted villainy, witches, fairies, hidden treasure and much more. The intriguing stories, brought to life with illustrations from a local artist, will be enjoyed by readers time and again.

This book explores actual and literary depictions of beheadings in sixteenth-century Ireland and addresses how violence is transcribed into art.