Tales Of The Elders Of Ireland

Tales of the Elders of Irelandis the first complete translation of the late Middle-IrishAcallam na Sen rach, the largest literary text surviving from twelfth-century Ireland. It contains the earliest and most comprehensive collection of Fenian stories and poetry, intermingling the contemporary Christian world of Saint Patrick with his scribes; clerics; occasional angels and souls rescued from Hell; the earlier pagan world of the ancient, giant Fenians and Irish kings; and the parallel, timeless Otherworld (peopled by ever-young, shape-shifting fairies). This readable, lucid new translation is based on existing manuscript sources and is richly annotated, complete with an Introduction discussing the place of theAcallamin Irish tradition and the impact of the Fenian or Ossianic tradition on English and European literature. About the Series:For over 100 yearsOxford World's Classicshas made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Thomas Hahn’s work laid the foundations for medieval romance studies to embrace the study of alterity and hybridity within Middle English literature. His contributions to scholarship brought Robin Hood studies into the critical mainstream, normalized the study of historically marginalized literature and peoples, and encouraged scholars to view medieval readers as actively encountering others and exploring themselves. This volume employs his methodologies – careful attention to texts and their contexts, cross-cultural readings, and theoretically-informed analysis – to highlight the literary culture of late medieval England afresh. Addressing long-established canonical works such as Chaucer, Christine de Pizan, and Malory alongside understudied traditions and manuscripts, this book will be of interest to literary scholars of the later Middle Ages who, like Hahn, work across boundaries of genre, tradition, and chronology.

A sweeping history of Ireland's native gods, from Iron Age cult and medieval saga to the Celtic Revival and contemporary fiction Ireland’s Immortals tells the story of one of the world’s great mythologies. The first account of the gods of Irish myth to take in the whole sweep of Irish literature in both the nation’s languages, the book describes how Ireland’s pagan divinities were transformed into literary characters in the medieval Christian era—and how they were recast again during the Celtic Revival of the late nineteenth and early twentieth centuries. A lively narrative of supernatural beings and their fascinating and sometimes bizarre stories, Mark Williams’s comprehensive history traces how these gods—known as the Túatha Dé Danann—have shifted shape across the centuries. We meet the Morrígan, crow goddess of battle; the fire goddess Brigit, who moonlights as a Christian saint; the fairies who inspired J.R.R. Tolkien’s elves; and many others. Ireland’s Immortals illuminates why these mythical beings have loomed so large in the world’s imagination for so long.

First written down in the eighth century AD, these early Irish stories depict a far older world - part myth, part legend and part history. Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

Chronicles the adventures of the King of Ireland's eldest and wildest son, describing how he encounters an enchanter's daughter, the king of the cats, Gilly of the goat-skin, and numerous others.

Celtic mythology is a rich and intricate diverse world, a captivating realm where deities and humans interact amidst mystical environments and celestial conflicts. Rooted predominantly in the ancient cultures of Ireland and Wales, this mythology serves as a compendium of stories, a cultural and spiritual mirror reflecting the Celtic people's values, traditions, and laws. By delving into the extensive range of Celtic myths, particularly the mythological, Ulster, and Fenian cycles in Ireland and the Mabinogion in Wales, we can uncover the profound influence these myths have had on European literary and cultural development. The primary method of transmitting these stories was oral, posing a significant challenge to studying Celtic myths. The religious perspectives of the scribes, particularly Christian monks, have left a significant imprint on these texts, but they remain crucial for our understanding. Irish literature draws from significant sources such as 'The Book of Invasions' and 'The Book of Leinster,' while Welsh literature relies on an important source known as 'Mabinogion.' Roman historians provide additional external narratives that contribute to understanding the Celts in a wider context of ancient European history. Unravelling these sources requires a nuanced approach to differentiate the authentic pagan elements from the Christian additions. The Celtic pantheon features diverse deities who govern various aspects of existence and the natural realm. In Irish mythology, the Dagda embodies paternal dominion and jurisdiction over the cycles of life and death, whereas Morrigan signifies the supremacy and inevitability of warfare. According to Welsh mythology, Arawn is the sovereign of the Otherworld, and Bran the Blessed is a colossal king with deep ties to the land and its well-being. The Celts' gods frequently engage with humans, often directly intervening in their destinies, highlighting the Celts' perception of the cosmos as a profoundly interconnected domain. The Mythological Cycle in Ireland narrates the tales of ancient deities and their conflicts, including the Tuatha Dé Danann, celestial beings who eventually assimilate into Irish civilisation as the forefathers of the contemporary Irish people after being conquered by the Milesians. The purpose of this cycle is twofold: to document Ireland's legendary history and to assert a divine entitlement to the land and its governance.