Talkin Guitar

Tells the story of Arthel "Doc" Watson, a blind country boy who found music in the sounds around him and learned to play that music on his guitar, eventually becoming a Grammy-winning musician.

In this lively collection of interviews, storied music writer Jas Obrecht presents a celebration of the world's most popular instrument as seen through the words, lives, and artistry of some of its most beloved players. Readers will read--and hear--accounts of the first guitarists on record, pioneering bluesmen, gospel greats, jazz innovators, country pickers, rocking rebels, psychedelic shape-shifters, singer-songwriters, and other movers and shakers. In their own words, these guitar players reveal how they found their inspirations, mastered their instruments, crafted classic songs, and created enduring solos. Highlights include Nick Lucas's recollections of waxing the first noteworthy guitar records; Ry Cooder's exploration of prewar blues musicians; Carole Kaye and Ricky Nelson on the early years of rock and roll; Stevie Ray Vaughan on Jimi Hendrix; Gregg Allman on his brother, Duane Allman; Carlos Santana, Eric Johnson, and Pops Staples on spirituality in music; Jerry Garcia, Neil Young, and Tom Petty on songwriting and creativity; and early interviews with Eddie Van Halen, Joe Satriani, and Ben Harper.

A picture-book biography of Sister Rosetta Tharpe, the woman who invented rock and roll—a warm, inspiring tale of a childhood filled with music, community, and a drive to succeed. "Music is the heart of our story," says Momma to young Rosetta, surprising her with her first guitar. Rosetta's strums sound like ker-plunks. But with practice and determination, she makes music, fingers hopping "like corn in a kettle," notes pouring over the church crowd "like summer rain washing the dust off a new day." In this stunning picture book, author and illustrator Charnelle Pinkney Barlow imagines the childhood of Sister Rosetta Tharpe, whose rural roots inspired the music we still hear today. Young readers will see a child's dream become reality through hard work and perseverance. And they'll learn the overlooked story of a pioneering Black artist, whose contribution to music history is only now being discovered.

Did you know that archeologists found statues and carvings of an instrument like the guitar in Iran that date back 3,500-4,000 years? People around the world love to play and listen to the guitar. This title is richly illustrated with large photographs, maps, and a STEM activity that provides simple instructions to help children make their own instrument. Guitars is a reading journey that inspires and stimulates learning exploration.

(Guitar Collection). This book provides a fun and easy way to learn to play your favorite songs today! It includes music notation, guitar tablature and performance notes for 35 rock 'n' roll hits, including: All Right Now * Born to Be Wild * Brown Eyed Girl * Hey Joe * Money for Nothing * Proud Mary * Rock and Roll All Nite * Rock This Town * Shattered * Smoke on the Water * Summer of '69 * Tush * Walk This Way * What I Like About You * Wild Thing * and more.

In this book, Guthrie's family and friends offer personal and often poignant recollections of his life. Noted writers shed new light on the Guthrie legacy, including an expanded appreciation of his impact on rock and roll.

2020 Blues Hall of Fame Classic of Blues Literature Jimi Hendrix called Earl Hooker “the master of the wah-wah pedal.” Buddy Guy slept with one of Hooker's slides beneath his pillow hoping to tap some of the elder bluesman's power. And B. B. King has said repeatedly that, for his money, Hooker was the best guitar player he ever met. Tragically, Earl Hooker died of tuberculosis in 1970 when he was on the verge of international success just as the Blues Revival of the late sixties and early seventies was reaching full volume. Second cousin to now-famous bluesman John Lee Hooker, Earl Hooker was born in Mississippi in 1929, and reared in black South Side Chicago where his parents settled in 1930. From the late 1940s on, he was recognized as the most creative electric blues guitarist of his generation. He was a “musician's musician,” defining the art of blues slide guitar and playing in sessions and shows with blues greats Muddy Waters, Junior Wells, and B. B. King. A favorite of black club and neighborhood bar audiences in the Midwest, and a seasoned entertainer in the rural states of the Deep South, Hooker spent over twenty-five years of his short existence burning up U.S. highways, making brilliant appearances wherever he played. Until the last year of his life, Hooker had only a few singles on obscure labels to show for all the hard work. The situation changed in his last few months when his following expanded dramatically. Droves of young whites were seeking American blues tunes and causing a blues album boom. When he died, his star's rise was extinguished. Known primarily as a guitarist rather than a vocalist, Hooker did not leave a songbook for his biographer to mine. Only his peers remained to praise his talent and pass on his legend. “Earl Hooker's life may tell us a lot about the blues,” biographer Sebastian Danchin says, “but it also tells us a great deal about his milieu. This book documents the culture of the ghetto through the example of a central character, someone who is to be regarded as a catalyst of the characteristic traits of his community.” Like the tales of so many other unheralded talents among bluesmen, Earl Hooker, Blues Master, Hooker's life story, has all the elements of a great blues song—late nights, long roads, poverty, trouble, and a soul-felt pining for what could have been.