Tangled Up In The Bible

Gilmour suggests the various ways in which Dylan uses scripture both in an explicit and an implicit manner.

Bob Dylan has had a profound influence on the shape of modern pop music (folk, rock, blues) and as a modern literary figure. He has also attracted enormous attention from both professional and amateur "interpreters". In this book Gilmour offers a thorough study of Dylan's reading of scriptures. He explores the ways in which Dylan transforms biblical images and concepts when he incorporates them into his literary world; it is an attempt to listen to the echoes of scripture in his published works. Gilmour closely reads Dylan's poems and songs and provides commentaries on several themes found in Dylan's work: the Sermon on the Mount and Jesus; apocalypse, justice and judgement; oppressive religion and religious irony. Through these readings, Gilmour calls attention to the various ways Dylan uses scripture both in an explicit and an implicit manner.

This resource enables biblical studies instructors to facilitate engaging classroom experiences by drawing on the arts and popular culture. It offers brief overviews of hundreds of easily accessible examples of art, film, literature, music, and other media and outlines strategies for incorporating them effectively and concisely in the classroom. Although designed primarily for college and seminary courses on the Bible, the ideas can easily be adapted for classes such as “Theology and Literature” or “Religion and Art” as well as for nonacademic settings. This compilation is an invaluable resource for anyone who teaches the Bible.

From the language of Shakespeare to the US presidential campaign trail, the Bible’s influence is all around us. It is the most-printed book of all time, yet, upon reading it, we are met not by one work but by many: a complex mix of history and parable, law and prophecy. In this authoritative and impartial introduction, Paula Gooder ably guides the reader in how to approach this multifaceted text, and explores its enduring influence on Western culture, from Renaissance art to Mel Gibson’s The Passion of the Christ. Featuring textboxes focussing on key details, Gooder provides an illuminating framework for understanding the Bible and shares her infectious enthusiasm for the topic. Covering its origins, content and interpretation, this wide-ranging primer will be of invaluable benefit to those of any and no faith alike.

This book introduces readers to the diverse field of feminist studies on the Hebrew Bible. Not organized as a traditional introduction to the "Old Testament," the manuscript does not follow a biblical book-by-book structure, but provides an introductory survey of the history and issues as they relate to feminist readings and readers of the Hebrew Bible. Accordingly, feminist scholars of the Bible, their career struggles, and biblical texts, characters, and themes stand in the forefront of this introduction. The volume is biased toward "Western" feminist scholarship because of the historical developments of feminist scholarship in general and biblical studies in particular. Yet, the chapters also include African, Asian, and Latin American perspectives on feminist studies of the Hebrew Bible. In short, the book offers an overview on the historical, social, and academic developments of reading the Hebrew Bible as the "Women's Hebrew Bible."

In popular culture, the Bible is generally associated with films: The Passion of the Christ, The Ten Commandments, Jesus of Montreal, and many others. Less attention has been given to the relationship between the Bible and other popular media such as hip-hop, reggae, rock, and country and western music; popular and graphic novels; animated television series; and apocalyptic fantasy. This collection of essays explores a range of media and the way the Bible features in them, applying various hermeneutical approaches, engaging with critical theory, and providing conceptual resources and examples of how the Bible reads popular culture—and how popular culture reads the Bible. This useful resource will be of interest for both biblical and cultural studies. The contributors are Elaine M. Wainwright, Michael Gilmour, Mark McEntire, Dan W. Clanton Jr., Philip Culbertson, Jim Perkinson, Noel Leo Erskine, Tex Sample, Roland Boer, Terry Ray Clark, Steve Taylor, Tina Pippin, Laura Copier, Jaap Kooijman, Caroline Vander Stichele, and Erin Runions.

For centuries scholars have been developing ways of studying the bible, through exegesis, historical critique, literary critique, form criticism, and narrative analysis. During the last half century new theoretical approaches have come to the fore. Psychological Hermeneutics takes as its starting point the text itself, and its context - the dynamics of the human document created, the person(s) who authored the text, the original audience for which it was intended, the subsequent audiences to which it spoke, and the factors that were at play behind, in, and in front of the text. The contributions to this volume examine the growth of Psychological Hermeneutics as a discipline within biblical studies. The book is structured in two parts. The first assesses the approach taken by Wayne G. Rollins, one of the pioneers of this field. The second provides applications of Rollins' approach. The result is a book which presents a state-of-the-art survey of the discipline and development of Psychological Hermeneutics over the last thirty years.