Tanika Gupta Historical Plays

Four ground-breaking plays that explore the complex relationship between England and India over more than a century, weaving together personal and political narratives. The Waiting Room: Priya Banerjee is dead, but her life is far from over. She has just three days left to roam the earth before she can go on to the 'Waiting Room' of spirits. As she reluctantly watches and listens to her family, Priya is guided by a droll and increasingly impatient immortal soul in the guise of her Bollywood idol, Dilip Kumar. Great Expectations: Relocating Pip's extraordinary journey to nineteenth-century India, this coming-of-age story, evoking some of Dickens' most colourful characters, is faithful to the period of the book and the richness of Dickens' language – a vivid theatrical retelling of a universally loved masterpiece. The Empress: It is the Jubilee! Queen Victoria's Golden Jubilee, 1887. At Tilbury Docks, Rani and Abdul step ashore after the long voyage from India. One has to battle a society who deems her a second-class citizen, the other forges an astonishing entanglement with the ageing Queen who finds herself enchanted by stories of an India she rules but has never seen. Lions and Tigers: Based on the true story of Tanika Gupta's great uncle and freedom fighter Dinesh Gupta, the play charts the Dinesh's emotional and political awakening as this extraordinary 19-year-old pits himself against the British Raj. Winner of the James Tait Black Award in 2018.

The first collection of plays by acclaimed British dramatist Tanika Gupta includes Sugar Mummies, White Boy, Sanctuary and Gladiator Games. Refusing to be pigeonholed as an ‘Asian playwright’, Gupta has a fresh perspective on race relations, generational divide and sexual politics. A National Youth Theatre production, White Boy attempts to make sense of school-age stabbings and the nature of inner city white identity, in an increasingly complex racial landscape. In Sugar Mummies, the gender politics of the sex trade are inverted as wealthy white women flock to the Carribean to take advantage of the native toy-boys. But who is exploiting who? On the eve of his release from Feltham Young Offenders Institution, Zahib Mubarek was attacked and killed by his racist cellmate. Gladiator Games is a verbatim drama that documents the Mubarek family's pursuit of the truth and the incompetence of the official response. In Sanctuary a London churchyard becomes a haven for the gardener Kabir. When a photo of an African church appears in this little Eden, a complex drama of morality and conscience unfolds.

The first collection of plays by acclaimed British dramatist Tanika Gupta includes Sugar Mummies, White Boy, Sanctuary and Gladiator Games. Refusing to be pigeonholed as an ‘Asian playwright’, Gupta has a fresh perspective on race relations, generational divide and sexual politics. A National Youth Theatre production, White Boy attempts to make sense of school-age stabbings and the nature of inner city white identity, in an increasingly complex racial landscape. In Sugar Mummies, the gender politics of the sex trade are inverted as wealthy white women flock to the Carribean to take advantage of the native toy-boys. But who is exploiting who? On the eve of his release from Feltham Young Offenders Institution, Zahib Mubarek was attacked and killed by his racist cellmate. Gladiator Games is a verbatim drama that documents the Mubarek family's pursuit of the truth and the incompetence of the official response. In Sanctuary a London churchyard becomes a haven for the gardener Kabir. When a photo of an African church appears in this little Eden, a complex drama of morality and conscience unfolds.

Queen Victoria's Golden Jubilee, 1887. At East London's Tilbury Docks, Rani Das and Abdul Karim step ashore after the long voyage from India. One has to battle a society who deems her a second-class citizen; the other forges an astonishing entanglement with the ageing Queen Victoria who finds herself enchanted by stories of an India over which she rules, but has never seen. Through narrative, music and song, The Empress blends the true story of Queen Victoria's controversial relationship with her Indian servant and 'Munshi' (teacher), Abdul Karim, with the experiences of Indian ayahs who came to Britain during the 19th century. With private romance being mapped onto world history, the action cuts between the ship and different royal residences, offering bright contrasts as well as surprising affinities. In doing so, the play uncovers remarkable unknown stories of 19th-century Britain and charts the growth of Indian nationalism and the romantic proclivities of one of Britain's most surprising monarchs. This revised edition was published to coincide with the revival at the RSC in summer 2023.

Niru is a young Bengali woman married to an English colonial bureaucrat – Tom. Tom loves Niru, exoticising her as a frivolous plaything to be admired and kept; but Niru has a long-kept secret, and just as she thinks she is almost free of it, it threatens to bring her life crashing down around her. Tanika Gupta re-imagines Ibsen's classic play of gender politics through the lens of British colonialism, offering a bold, female perspective exploring themes of ownership and race. This edition is published for the first time in Methuen Drama's Plays For Young People series, aimed specifically at students aged 16-18 to perform and study.

In 2014 local historian Catherine Corless made a discovery of baby bones and skeletons in the grounds of a mother and baby home in Tuam, County Galway, Ireland. Built on the grounds of an old workhouse that operated between 1921 and 1961 the discovery threw up questions about the goings-on across this and similar institutions across Ireland. Tanika Gupta's powerful drama is loosely based on these recent and historical events, drawing inspiration from Corless' discovery. Told through the eyes of Grace and her grandchildren, Bones is a play about loss, punishment of unmarried mothers and the legacy of the demonisation of women by Church and State, where the human and reproductive rights of women are undermined. Bones premiered at the Royal Central School of Speech and Drama in 2019. Bones is published in Methuen Drama's Plays For Young People Age 16+ series which offers suitable plays for young performers at schools, youth groups and youth theatres that have each had premiere productions by young performers in the UK.

This new version of William Wycherley 's most famous classic, The Country Wife has been adapted by Tanika Gupta, one of the country 's leading playwrights. This contemporary farce tells the story of twenty-something friends and rivals on their journey through love and liberation. Following Hardeep 's return to London he begins broadcasting his newly invented celibate state in a bid to attract women keen to reignite his passion for them. With this deception more than successful his endeavours turn to the naive country wife, Preethi, Alok's virgin bride to settle unfinished business between old friends. A fast paced comedy laced with deception, disguise and lustful behaviour brought about by double standards, adultery and promiscuous living. Country Wife was performed at the Watford Palace theatre in October 2004

A witty and exhiliarating romantic comedy by award-winning playwright, Tanika Gupta.