Tape S Rolling Take One

Adrian Kerridge has been part of the British recording industry for the past 50 years. His revolutionary and often forthright approach within the music industry has put him at the centre of the recording world for half a century. As owner of the eminent Lansdowne Studios - birth place of the Dave Clark Five, and home to numerous household name artists and session stories as well as the cofounding father of the CADAC console brand - he witnessed first-hand the technological changes of an industry transitioning from analogue tape to multi-track to digital recording and editing in the 80s and forwards; was a forerunner in the 60s of the then experimental practice of direct injection – now widely employed by sound engineers and laid the foundations for a more modern upfront sound that was lacking in the 50s and early 60s. Renown for creating unique sonic signature for bands and other recording artists, Adrian's approach to recording was unlike anything the industry had seen in the years previous. He recorded "hot" while his contemporaries were more conservative in their approach. This book traces his personal journey from war time Britain to the swinging 60s taking in the technical and social changes that were to shape the way music was recorded. It tells the story of a choir boy from West London who fell in love with Jazz and landed a job at a music shop. A chance invitation to sit in on a studio recording of the Sydney Lipton band sparked in Adrian an interest that was to put him on a path from choir boy to the foremost "Ears" in the business. Adrian describes how his first job at IBC London, one of the UK's largest independent recording studios at the time, led him to work with the legendary and sometimes volatile Joe Meek. Working with Joe gave Adrian crucial insights into the talented engineer's innovative techniques, which he describes in technical and personal detail, After a brief stint of National Service, Adrian returned to the recording industry but instead of resuming his old job at IBC he was offered a job alongside Joe Meek at a completely new London studio – Lansdowne Recording Studios – with producer Denis Preston, who ran his own Record Supervision jazz label. Adrian describes his experience of working with Joe and Denis, becoming responsible for his own sessions, and the studios' prolific output. He paints the picture of Joe's complex character, as well as his ground breaking and highly successful recording techniques. Joe's premature departure from Lansdowne meant Adrian suddenly found himself catapulted into the job of senior engineer and solely responsible for running the studios. It was during this time that Adrian, along with the Dave Clark Five, led the British "invasion" of the U.S. music scene in the 1960s pioneering new audio techniques using equipment considered primitive by today's standards. Adrian relates how in the early 1960s, the Dave Clark Five first came into the studio, and how his contribution to the band's development helped create their signature "Tottenham Sound". He provides unique insights into the recording of numerous hits such as "Glad All Over" which resulted in huge success for the band knocking the Beatles' song "I want to hold your hand" off the top of the U.K. charts in January 1964, going on to sell 2.5M copies. Nowadays you can get a number one with 10-20,000 copies. He describes his intriguing experiences in Germany and Belgium, recording material for the KPM Music Library and other music libraries.

Adrian Kerridge was part of the British recording industry for the past 50 years. His revolutionary and often forthright approach within the music industry put him at the centre of the recording world for half a century. As owner of the eminent Lansdowne Studios - birth place of the Dave Clark Five, and home to numerous household name artists and session stories as well as the cofounding father of the CADAC console brand - he witnessed first-hand the technological changes of an industry transitioning from analogue tape to multi-track to digital recording and editing in the 80s and forwards; was a forerunner in the 60s of the then experimental practice of direct injection - now widely employed by sound engineers and laid the foundations for a more modern upfront sound that was lacking in the 50s and early 60s. Renowned for creating unique sonic signatures for bands and other recording artists, Adrian's approach to recording was unlike anything the industry had seen in the years previous. He recorded "hot," clean and gutsy while his contemporaries were more conservative in their approach. This book traces his personal and professional journey from war time Britain to the swinging 60s. Imparting his professional knowledge through his explanations and diagrams intertwined with the remarkable story of his life Adrian Kerridge 1938 - 2016

Documentary Storytelling has reached filmmakers and filmgoers worldwide with its unique focus on the key ingredient for success in the growing global documentary marketplace: storytelling. This practical guide reveals how today’s top filmmakers bring the tools of narrative cinema to the world of nonfiction film and video without sacrificing the rigor and truthfulness that give documentaries their power. The book offers practical advice for producers, directors, editors, cinematographers, writers and others seeking to make ethical and effective films that merge the strengths of visual and aural media with the power of narrative storytelling. In this new, updated edition, Emmy Award-winning author Sheila Curran Bernard offers: New strategies for analyzing documentary work New conversations with filmmakers including Stanley Nelson (The Black Panthers), Kazuhiro Soda (Mental), Orlando von Einsiedel (Virunga), and Cara Mertes (JustFilms) Discussions previously held with Susan Kim (Imaginary Witness), Deborah Scranton (The War Tapes), Alex Gibney (Taxi to the Dark Side), and James Marsh (Man on Wire).

The greatest albums of all time . . . and how they happened. Organised chronologically and spanning seven decades, The MOJO Collection presents an authoritative and engaging guide to the history of the pop album via hundreds of long-playing masterpieces, from the much-loved to the little known. From The Beatles to The Verve, from Duke Ellington to King Tubby and from Peggy Lee to Sly Stone, hundreds of albums are covered in detail with chart histories, full track and personnel listings and further listening suggestions. There's also exhaustive coverage of the soundtrack and hit collections that every home should have. Like all collections, there are records you listen to constantly, albums you've forgotten, albums you hardly play, albums you love guiltily and albums you thought you were alone in treasuring, proving The MOJO Collection to be an essential purchase for those who love and live music.

The 1995 International Cryogenic Materials Conference (lCMC) was held at the Greater Columbus Convention Center in Columbus, Ohio, in conjunction with the Cryogenic Engineering Conference (CEC) on July 17-21. The interdependent subjects of the two conferences attracted more than eight hundred participants, who came to share the latest advances in low-temperature materials science and technology. They also came for the important by products of the conferences: identification of new research areas, of collaborative research possibilities, and the establishment and renewal of exploration professional relationships. Ted Collings (Ohio State University), as Chairmen of the 1995 ICMC; Ted Hartwig (Texas A&M University), as Program Chairman; and twenty-one other Program Committee members expertly arranged the ICMC technical sessions and related activities. The contributions of the CEC board and its Conference Chairman James B. Peeples of CVI, Inc., were central to the success of the eleventh CEC/ICMC. Jeff Bergen of Lake Shore Cryogenics served as Exhibits Chairman. Local arrangements and conference management were expertly handled under the guidance of Centennial Conferences, Inc. Skillful assistance with editing and preparation ofthese proceedings was provided by Ms. Vicky Bardos ofSynchrony, Inc.