Tate

Accompanying our 2020-21 Haegue Yang exhibition at Tate St Ives, this beautiful exhibition book focuses on the context of the Cornish landscape and its ancient archaeological heritage as an important point of departure for Yang. A vital expansion of the ideas that punctuate the Tate St Ives exhibition, the exhibition catalogue brings together installation photography and new texts on the artist. Yang's work combines materials, theories and cultural references to make astute and surprising connections between local contexts and wider geographies and histories. Recurring themes of migration, postcolonial diasporas, political struggle and social mobility underpin Yang's research, culminating in a body of work that is an apposite comment on our own time. Born in South Korea in 1971, Haegue Yang is renowned for creating immersive environments from a diverse range of materials. Yang's sculptures and installations conjure abstract narratives which play with our sensory pre-conceptions of scent, sound, light and tactility. Often using recognisable household objects, her work liberates forms from their functional context and applies new connotations and meanings to them. Interweaving industrially made objects with labour intensive and craft-based processes, Yang articulates her interest in folk and pagan cultures, and their deep connection with seasonal rituals in relation to natural phenomena.

A long-overdue reassessment of one of the most important and influential woman artists working at midcentury Anni Albers (1899–1994) was a German textile designer, weaver, and printmaker, and among the leading pioneers of 20th-century modernism. Although she has heavily influenced generations of artists and designers, her contribution to modernist art history has been comparatively overlooked, especially in relation to that of her husband, Josef. In this groundbreaking and beautifully illustrated volume, Albers’s most important works are examined to fully explore and redefine her contribution to 20th-century art and design and highlight her significance as an artist in her own right. Featured works—from her early activity at the Bauhaus as well as from her time at Black Mountain College, and spanning her entire fruitful career—include wall hangings, designs for commercial use, drawings and studies, jewelry, and prints. Essays by international experts focus on key works and themes, relate aspects of Albers’s practice to her seminal texts On Designing and On Weaving, and identify broader contextual material, including examples of the Andean textiles that Albers collected and in which she found inspiration for her understanding of woven thread as a form of language. Illuminating Albers’s skill as a weaver, her material awareness, and her deep understanding of art and design, this publication celebrates an artist of enormous importance and showcases the timeless nature of her creativity.

Despite his celebrity and his fame, a series of literary feuds and the huge volume of sources have, until now, precluded a satisfying biography of Allen Tate. Anyone interested in the literature and history of the American South, or in modern letters, will be fascinated by his life. Poetry readers recognize Tate, whom T. S. Eliot once called the best poet writing in America, as the author of some of the twentieth century's most powerful modernist verse. Others know him as a founder of The Fugitive, the first significant poetry journal to emerge from the South. Tate joined William Faulkner and others in launching what came to be known as the Southern Literary Renaissance. In 1930, he became a leader of the Southern Agrarian movement, perhaps America's final potent critique of industrial capitalism. By 1938, Tate had departed politics and written The Fathers, a critically acclaimed novel about the dissolution of the antebellum South. He went on to earn almost every honor available to an American poet. His fatherly mentoring of younger poets, from Robert Penn Warren to Robert Lowell, and of southern novelists--including his first wife, Caroline Gordon--elicited as much rebellion as it did loyalty. Long-awaited and based on the author's unprecedented access to Tate's personal papers and surviving relatives, Orphan of the South brings Tate to 1938. It explores his attempt, first through politics and then through art, to reconcile his fierce talent and ambition with the painful history of his family and of the South. Tate was subjected to, and also perpetuated, fictional interpretations of his ancestry. He alternately abandoned and championed Southern culture. Viewing himself as an orphan from a region where family history is identity, he developed a curious blend of spiritual loneliness and ideological assuredness. His greatest challenge was transforming his troubled genealogy into a meaningful statement about himself and Southern culture as a whole. It was this problem that consumed Tate for the first half of his life, the years recorded here. This portrait of a man who both made and endured American literary history depicts the South through the story of one of its treasured, ambivalent, and sometimes wayward sons. Readers will gain a fertile understanding of the Southern upbringing, education, and literary battles that produced the brilliant poet who was Allen Tate.

Throw yourself into British art with this zany book of activities based on artworks by some of Britain's most exciting artists. There are fascinating facts about the artists dotted throughout the book and when you're ready to take a break from creating, delve into an Op Art maze inspired by Bridget Riley or take your pencil on a Word Walk like Richard Long. The Tate Kids British Art Activity Book explains the key concepts behind historical, modern and contemporary artworks in a succinct and fun way. Art activities and games encourage a deeper understanding of each artist's ideas and introduce children to artworks in a variety of media including photography, mixed media, sculpture, conceptual art, installation art, and painting. Featured artworks: Gillian Wearing's I'm desperate 1992 - 3 Bridget Riley's Blaze 1964 * Chris Ofili's No Woman, No Cry 1998 * Cornelia Parker's Thirty Pieces of Silver 1988 - 9 * Richard Long's Two Straight Twelve Mile Walks on Dartmoor, England 1980 1980 * Damien Hirst's Mother and Child Divided 1993 * Barbara Hepworth's Tides I 1946 * Sonia Boyce's From Tarzan to Rambo 1987 * L.S. Lowry's Coming Out of School 1927 * J.M.W. Turner's The Scarlet Sunset c.1830 - 40.

A REESE’S BOOK CLUB PICK * NEW YORK TIMES BESTSELLER The refreshingly original and “startlingly hopeful” (Lisa Taddeo) debut memoir of an over-achieving young lawyer who reluctantly agrees to group therapy and gets psychologically and emotionally naked in a room of six complete strangers—and finds human connection, and herself. Christie Tate had just been named the top student in her law school class and finally had her eating disorder under control. Why then was she driving through Chicago fantasizing about her own death? Why was she envisioning putting an end to the isolation and sadness that still plagued her despite her achievements? Enter Dr. Rosen, a therapist who calmly assures her that if she joins one of his psychotherapy groups, he can transform her life. All she has to do is show up and be honest. About everything—her eating habits, childhood, sexual history, etc. Christie is skeptical, insisting that that she is defective, beyond cure. But Dr. Rosen issues a nine-word prescription that will change everything: “You don’t need a cure. You need a witness.” So begins her entry into the strange, terrifying, and ultimately life-changing world of group therapy. Christie is initially put off by Dr. Rosen’s outlandish directives, but as her defenses break down and she comes to trust Dr. Rosen and to depend on the sessions and the prescribed nightly phone calls with various group members, she begins to understand what it means to connect. “Often hilarious, and ultimately very touching” (People), Group is “a wild ride” (The Boston Globe), and with Christie as our guide, we are given a front row seat to the daring, exhilarating, painful, and hilarious journey that is group therapy—an under-explored process that breaks you down, and then reassembles you so that all the pieces finally fit.

You'll be amazed, surprised, and maybe even confused by some of the modern artworks you'll find in this book. There's a lobster telephone, a painting made of food, a giant snail and even an old toilet! Find out more about what the artists were thinking and have a go at creating your own off-beat artworks.

Fame can be deadly. Out of the wreckage of environmental collapse, the country of Delicatum emerged. Its most popular celebrities are the Famoux, uniquely beautiful stars of a reality TV show called the Fishbowl. In a world still recovering from catastrophe, they provide a 24/7 distraction. Sixteen-year-old Emilee Laurence is obsessed with the Famoux—they provide a refuge from her troubled home life and the bullies at school. When she receives an unimaginable offer to become a member herself, she takes it. Leaving behind everything she’s ever known, Emilee enters a world of high glamour and even higher stakes. Because behind their perfect image lies an ugly truth—an anonymous stalker has been dictating the Famoux’s every move, and being popular really is a matter of life or death.

Surrealism Beyond Borders challenges conventional narratives of a revolutionary artistic, literary, and philosophical movement. Tracing Surrealism's influence and legacy from the 1920s to the late 1970s in places as geographically diverse as Colombia, Czechoslovakia, Egypt, Japan, Korea, Mexico, the Philippines, Romania, Syria, Thailand, and Turkey, this publication includes more than 300 works of art in a variety of media by well-known figures—including Dalí, Ernst, Kahlo, Magritte, and Miró—as well as numerous artists who are less widely known. Contributions from more than forty distinguished international scholars explore the network of Surrealist exchange and collaboration, artists' responses to the challenges of social and political unrest, and the experience of displacement and exile in the twentieth century. The multiple narratives addressed in this expansive book move beyond the borders of history, geography, and nationality to provocatively redraw the map of Surrealism.