Technologies Of Feminist Speculative Fiction

Technologies of Feminist Speculative Fiction: Gender, Artificial Life, and the Politics of Reproduction explores how much technology has reshaped feminist conversations in the decades since Donna Haraway’s influential “Cyborg Manifesto” was published. With sections exploring reproductive technologies, new ways of imagining femininity and motherhood via artificial means, queer readings of gender as a social technology, and posthuman visions of a world beyond gender, this book demonstrates how feminist speculative fiction offers an urgently needed response to the intersections of women’s bodies and technology. This collection brings together authors from Europe, Japan, the US and the UK to consider speculative films and texts, reproductive technologies and food futures, and opportunities to rethink family, aging, gender and sexuality, and community through feminist speculative fiction, a social technology for building better futures.

Archaeologists and anthropologists discover other civilizations; science fiction writers invent them. In this collection of her major essays, Marleen Barr argues that feminist science fiction writers contribute to postmodern literary canons with radical alternatives to mainstream patriarchal society. Because feminist science fiction challenges male-centered social imperatives, it has been marginalized and dismissed from the canon--thus, lost in space. Moving beyond feminist science fiction itself, Barr goes on to examine other literary genres from the perspective of 'feminist fabulation'--a term she has coined to encompass science fiction, fantasy, utopian literature, and mainstream literature that critiques patriarchal fictions. Discussing the works of such writers as Margaret Atwood, Joanna Russ, Salman Rushdie, Paul Theroux, Ursula Le Guin, Herman Melville, Saul Bellow, Edgar Allan Poe, and Marge Piercy, Barr illuminates feminist science fiction's connections to other literary traditions and contemporary canons. Her critical analysis yields a new and expanded understanding of feminist creativity.

Questioning essentialist forms of feminist discourse, this work develops an innovative approach to gender and feminist theory by drawing together the work of key feminist and gender theorists, such as Judith Butler and Donna Haraway, and the biopolitical philosophy of Giorgio Agamben and Gilles Deleuze. By analysing representations of the female cyborg figure, the gynoid, in science fiction literature, television, film and videogames, the work acknowledges its normative and subversive properties while also calling for a new feminist politics of selfhood and autonomy implied by the posthuman qualities of the female machine.

Science and the Construction of Womenis a multi-disciplinary exploration of the major questions currently challenging feminist scholars of science. The authors ask key questions: What constitutes science? How have feminists investigated it? How does science ‘construct’ women? How can we create a feminist discourse of science? Are the current developments to women’s advantage or disadvantage? Their answers draw on material from a wide range of natural scientific, humanities and social science sources, critically examining theoretical approaches from the postmodern to the materialist to the cyborgian. A key argument of the book is that there are strong intellectual and pragmatic reasons – the rapid development of information technology, advances in fertility treatment and genetic engineering, feminist concern for environmental issues – why feminism must rigorously engage with issues of a scientific and technological nature. Science and the Construction of Womenprovides an important contribution to the opening-up and broadening of debate in the field. This book will be an important text for students of gender and women’s studies, and science studies. It is also designed to be read by feminists both inside and outside the academy and to appeal to all those with interests in the sociology of knowledge and the history of ideas.

Sisters of the Revolution gathers a highly curated selection of feminist speculative fiction (science fiction, fantasy, horror, and more) chosen by one of the most respected editorial teams in speculative literature today, the award-winning Ann and Jeff VanderMeer. Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas. From the literary heft of Angela Carter to the searing power of Octavia Butler, Sisters of the Revolution gathers daring examples of speculative fiction’s engagement with feminism. Dark, satirical stories such as Eileen Gunn’s “Stable Strategies for Middle Management” and the disturbing horror of James Tiptree Jr.’s “The Screwfly Solution” reveal the charged intensity at work in the field. Including new, emerging voices like Nnedi Okorafor and featuring international contributions from Angelica Gorodischer and many more, Sisters of the Revolution seeks to expand the ideas of both contemporary fiction and feminism to new fronts. Moving from the fantastic to the futuristic, the subtle to the surreal, these stories will provoke thoughts and emotions about feminism like no other book available today. Contributors include: Angela Carter, Angelica Gorodischer, Anne Richter, Carol Emshwiller, Catherynne M. Valente, Eileen Gunn, Eleanor Arnason, Elizabeth Vonarburg, Hiromi Goto, James Tiptree Jr., Joanna Russ, Karin Tidbeck, Kelley Eskridge, Kelly Barnhill, Kit Reed, L. Timmel Duchamp, Leena Krohn, Leonora Carrington, Nalo Hopkinson, Nnedi Okorafor, Octavia Butler, Pamela Sargent, Pat Murphy, Rachel Swirsky, Rose Lemberg, Susan Palwick, Tanith Lee, Ursula K. Le Guin, and Vandana Singh.

Alternative Masculinities in Feminist Speculative Fiction: A New Man traces efforts within American feminist utopias to imagine healthier conceptions of manhood. As this analysis illuminates, feminist works envisioning the improved society and its attending masculinities constitute an overlooked site for mining new masculinities. During the years in which such utopias gained popularity —the early 1970s to the mid-2010s—these novels grew more complex, challenging essentialist conceptions of masculinity and female experience. These texts vary in their focus but share an interest in replacing patriarchal masculinities with an alternative informed by second wave and intersectional feminism. This book analyzes the centrality of alternative masculinities to these ideal societies and the ways feminist writers present new conceptions of manhood pivotal to discussions surrounding the ongoing crisis of American masculinity.