Technology And Gendered Genre Evolution In Latin America

Technology and Gendered Genre Evolution in Latin America: Writers, Bloggers, Activists, and Floggers analyzes the link between gender and technology to explain the mechanisms underlying the association of specific genders with literary genres. Kelly Suero argues that as the democratic effect of the internet affords one the potential to obtain a space of adequate representation, Latin American women—in particular, Argentine women—have come to use technology as a medium through which to obtain a voice through the genres of cyberliterature and cyberculture. Increasing numbers of Argentine women are making an impact on both the literary and virtual spheres as they take technology to new, unexplored areas, such as the flogger youth movement led by Agustina Vivero, and the Abuelas de Plaza de Mayo’s discovery of the ability of DNA mitochondrial analysis to help find missing grandchildren from Argentina’s last dictatorship. As technology continues to influence a free Argentine society, Argentinian women will keep utilizing the medium to become innovative voices in fields previously unavailable to them. Scholars of Latin American studies, media studies, gender and women’s studies, and cultural studies will find this book particularly useful.

DIVCollection of essays which compares the gendered aspects of state formation in Latin Ameri can nations and includes new material arising out of recent feminist work in history, political science and sociology./div

Early science fiction has often been associated almost exclusively with Northern industrialized nations. In this groundbreaking exploration of the science fiction written in Latin America prior to 1920, Rachel Haywood Ferreira argues that science fiction has always been a global genre. She traces how and why the genre quickly reached Latin America and analyzes how writers in Argentina, Brazil, and Mexico adapted science fiction to reflect their own realities. Among the texts discussed are one of the first defenses of Darwinism in Latin America, a tale of a time-traveling history book, and a Latin American Frankenstein. Latin American science fiction writers have long been active participants in the sf literary tradition, expanding the limits of the genre and deepening our perception of the role of science and technology in the Latin American imagination. The book includes a chronological bibliography of science fiction published from 1775 to 1920 in all Latin American countries.

This book is an interdisciplinary study that addresses the critical role that gender plays in the formation of national identities in Latin America that are negotiated and challenged within extreme struggles for power. This study, which traverses the national landscapes of Argentina, Cuba, Venezuela, and Guatemala and covers the time span between 1837 and 1946, is linked by the author's common strategy of employing gender codes in order to challenge overtly masculinist hegemonic political orders. One of the goals of this investigation is to explore the fissures that surface as a result of the ongoing fluctuations of gender codes, due in part to the diverse shifting of institutions of power during the late nineteenth and early twentieth century. By disturbing deleterious conceptualizations associated with femininity and masculinity, one can embark upon new and open-ended readings of these historical national texts, and appreciate the groundbreaking strides of early revolutionary Latin American writers. -- Publisher description.

Essays by intellectuals and specialists in Latin American cultural studies that provide a comprehensive view of the specific problems, topics, and methodologies of the field vis-a-vis British and U.S. cultural studies.

With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.

The result of a collaboration among eight women scholars, this collection examines the history of women’s participation in literary, journalistic, educational, and political activity in Latin American history, with special attention to the first half of this century.