Tehran Blues

More than two decades after their parents rose up against the Shah's excesses, increasing numbers of young Iranians are risking jail at the hands of religious paramilitaries roughly their own age, for things their counterparts in the West take for granted: wearing makeup, slow dancing at parties, holding hands with members of the opposite sex. Every day anxious parents queue at courthouses to bail out sons and daughters who have been detained for 'moral crimes'. Kaveh Basmenji, who spent his own youth amidst the turbulence of the Islamic Revolution, argues that Iran's youth are in near-open revolt for want of greater freedoms, in furious defiance of the mullahs and their brand of sombre religiosity. Through candid interviews with young people, and in a careful assessment of Iran today (including a special chapter on the implications of the recent election to the presidency of hardliner Mahmoud Ahmadinejad), Basmenji gets to the heart of the matter: What do Iran's youth want, and how far are their elders prepared to go to accommodate them? 'A detailed insider's view of Iran's recent history and its impact on the new generation that is both entertaining and thought provoking.' Jordan Times 'Fascinating and highly readable ... with his vivid style and eye for detail, [Basmenji] takes the reader right inside Iranian society.' Saudi Gazette 'An accurate account of Iranian society, history and culture...easy to read, and full of enlightening commentaries on personalities, events and trends.' Middle East Journal

In this ethnography of contemporary youth culture in Iran's capital, Shahram Khosravi examines the practices of everyday life through which young Tehranis demonstrate defiance against the official culture and the parental generation.

In Persian Blues, Psychoanalysis and Mourning, Gohar Homayounpour plays a theme and variations on loss, love, and family against the backdrop of Iran’s chaotic recent past. Homayounpour is simultaneously Shahrzad, the fearless storyteller, and Shahrzad’s analyst: subjecting fairy tales to fierce new insights, while weaving an indigo thread through her own devastation on the death of her father and the wonders and horrors of motherhood. A blue thread, or melody, runs though the separations and emigrations of her family and patients driven or broken apart by war, and likewise through the fraught world inhabited by Persian women. This book breaks new psychoanalytic ground, offering a radical rejection of traditional clichés about Iran, and Iranian women, but its unsparing elegance transcends any political agenda, bridging the ocean of a shared and tragic humanity. Persian Blues, Psychoanalysis and Mourning will be of great interest to psychoanalysts and psychoanalytically informed readers, as well as those interested in grief, Iran, and women’s experiences.

"Iran's Revolutionary Guards are one of the most important forces in the Middle East today, but remain poorly understood to outside observers. In Vanguard of the Imam, Afshon Ostovar has written the first comprehensive history of the organization. Situating the rise of the Guards in the contexts of Shiite Islam, Iranian history, and international affairs, Ostovar takes a multifaceted approach in demystifying the organization and detailing its evolution since 1979. The book documents the Guards transformation into a power-player and explores why the group matters now more than ever to regional and global affairs. It is simultaneously a history of modern Iran, and an engrossing entryway into the complex world of war, politics, and identity in the Middle East"--

Young people in the Middle East (15–29 years old) constitute about one-third of the region's population. Growth rates for this age group trail only sub-Saharan Africa. This presents the region with an historic opportunity to build a lasting foundation for prosperity by harnessing the full potential of its young population. Yet young people in the Middle East face severe economic and social exclusion due to substandard education, high unemployment, and poverty. Thus the inclusion of youth is the most critical development challenge facing the Middle East today. A Generation in Waiting portrays the plight of young people, urging greater investment designed to improve the lives of this critical group. It brings together perspectives from the Maghreb to the Levant. Each chapter addresses the complex challenges facing young people in many areas of their lives: access to decent education, opportunities for quality employment, availability of housing and credit, and transitioning to marriage and family formation. This volume presents policy implications and sets an agenda for economic development, creating a more hopeful future for this and future generations in the Middle East. Selected contributors include Ragui Assaad (University of Minnesota), Brahim Boudarbat (University of Montreal), Jad Chaaban (American University in Beirut), Nader Kabbani (Syria Trust for Development), Taher Kanaan (Jordan Center for Public Policy Research and Dialogue), Djavad Salehi-Isfahani (Wolfensohn Center for Development and Virginia Tech), and Edward Sayre (University of Southern Mississippi).

An examination of temporary marriage, or sigheh, in Iran through the representation of women within modern novels, short stories and cinema.

“A lovely tribute to the courage and creativity of Iran’s musicians . . . filled with hope and sadness—and the universal human desire for freedom.” —Joe Klein, Time Music was one of the first casualties of the Iranian Revolution. It was banned in 1979, but it quickly crept back into Iranian culture and politics. Now, more than forty years on, both the children of the revolution and their music have come of age. Soundtrack of the Revolution offers a striking account of Iranian culture, politics, and social change to provide an alternative history of the Islamic Republic. Drawing on over five years of research in Iran, including during the 2009 protests, Nahid Siamdoust introduces a full cast of characters, from musicians and audience members to state officials, and takes readers into concert halls and underground performances, as well as the state licensing and censorship offices. She closely follows the work of four musicians—a giant of Persian classical music, a government-supported pop star, a rebel rock-and-roller, and an underground rapper—each with markedly different political views and relations with the Iranian government. Taken together, these examinations of musicians and their music shed light on issues at the heart of debates in Iran—about its future and identity, changing notions of religious belief, and the quest for political freedom. Music will continue to offer an opening for debate and defiance. As the 2009 Green Uprising and the 1979 Revolution before it have proven, the invocation of a potent melody or musical verse can unite strangers into a powerful public. “Paints a vivid portrait of the struggles over popular music in the Islamic Republic.” —Mark LeVine, author of Heavy Metal Islam

"Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, [this four-volume set] explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran."--Page 4 of cover.