Telesio And Morato On The Meaning Of Colours Renaissance Colour Symbolism Ii

'Telesio and Morato on the Meaning of Colours' brings together the original texts with original English translations of two closely related primary sources on Renaissance colour symbolism. The first is the 'Libellus de coloribus' (Booklet on colours), the most extensive lexicon of colour terminology of its time, published in Venice in 1528 by Antonio Telesio (1482-1534), who latinised his name as Antonius Thylesius. The second is 'Del significato de' colori' (On the signification of colours), the most extensive digest of current and classical colour meanings of its time, published in Venice in 1535 by Fulvio Pellegrino Morato (c. 1483-1548). They were the third and fourth books on colour to be printed in Europe. Roy Osborne is an artist, educator and historian, and author of books on colour. He was awarded the Turner Medal of the Colour Group (Great Britain) in 2003, and the Colour in Art, Design and Environment Medal of the International Colour Association in 2019.

'Sicily Herald and the Blazon of Colours' brings together the original texts with original English translations of two closely related primary sources on Renaissance colour symbolism. 'Le Blason de toutes armes et scutz' (The blazon of all arms and shields) was completed about 1420 by Jean Courtois (c. 1375-1436), the Sicily Herald, and printed in Paris in 1495. The second, 'Le Blason des couleurs en armes, livr es, et devises' (The blazon of colours in arms, liveries and devices), by Gilles Corrozet (1510-68), was published in Paris in 1527 by Pierre Le Brodeur. They were first two books on colour to be printed in Europe, and are now available in English for the first time in five centuries. Roy Osborne is an artist, educator and historian, and author of books on colour. He was awarded the Turner Medal of the Colour Group (Great Britain) in 2003, and the Colour in Art, Design and Environment Medal of the International Colour Association in 2019.

"Renaissance Colour Symbolism brings together texts and translations of the four earliest printed books on the meaning of colours: Le Blason de toutes armes et éscutz [The Blazon of All Arms and Escutcheons] (1495) by Jean Courtois, the Sicily Herald; Le Blason des couleurs en armes, livrées et devises [The Blazon of Colours in Arms, Liveries and Devices] (1527) by Gilles Corrozet; Libellus de coloribus [Booklet on Colours] (1528) by Antonio Telesio (Thylesius); and Del significato de' colori [On the Signification of Colours] (1535) by Fulvio Pellegrino Morato. Parts of three other early books are included, from The Accedens of Armory (1562) by Gerard Legh; Trattato dell'arte della pittura, scoltura, et archittetura [Treatise on the Arts of Painting, Sculpture, and Architecture] (1584) by Giovanni Paolo Lomazzo; and A Tracte Containing the Artes of Curious Paintinge, Carvinge and Buildinge (1598) by Richard Haydocke"--Provided by publisher.

Updated to 2020, BOOKS ON COLOUR 1495-2015 offers quick and easy reference to 2,500 authors and editors and over 3,000 titles published by them. Following a concise historical survey of colour literature, authors are listed in an A-Z directory, together with titles, dates and places of publication, and translations for non-English titles. Biographical references are included where known. Chronological indexes of authors precede the bibliographical listing and alphabetical indexes of authors follow it. Publications are categorised under 27 general headings: Architecture, Chemistry, Classification, Colorants, Computing & Television, Decoration, Design, Dress & Cosmetics, Dyeing, Flora & Fauna, Food, Glass, History, Lighting, Metrology, Music, Optics, Painting, Perception, Philosophy, Photography & Cinema, Printing, Psychology, Symbolism, Terminology, Therapy, and Vision.

'Roy Osborne: Abstract Colour Paintings' presents an annotated survey of the author's artworks 2008-2020. An accomplished colourist, colour theorist and historian, his previous publications include 'Lights and Pigments: Colour Principles for Artists', 'Color Influencing Form: A Color Coursebook', 'Books on Colour 1495-2020: History and Bibliography', and 'Renaissance Colour Symbolism'. Roy Osborne was awarded the Turner Medal of the Colour Group (Great Britain) in 2003, and the Colour in Art, Design and Environment Medal of the International Colour Association in 2019.

For years Southern minister Francis X. Walter was silent about the injustices of Jim Crow, blinded by the status quo, until the violent killing of a fellow priest during the civil rights movement. From Preaching to Meddling is the story of how Walter turned from passive objector to outspoken agitator, marked with Walter's humor and personal recollections of the most formative period of modern American history. In a fascinating, funny, sometimes searing memoir, retired Episcopal priest Francis X. Walter shares his journey from the days of the Great Depression in Mobile, Alabama, across decades of Deep South segregation, and into the interracial struggles for racial justice and freedom in Alabama. The founder of the Selma Inter-religious Project, Walter’s story includes growing up in multi-ethnic, segregated Mobile and learning life lessons at theology schools in Sewanee and New York. Returning to Alabama, Walter spent years as an Episcopal priest navigating how to serve white parishes in Alabama while challenging the racism that most congregants believed was a God-given right. After the tragic murder of seminarian Jonathan Daniels shortly after the Selma to Montgomery March in 1965, Walter moved from pastoring segregationists to agitating against them as he became a committed supporter of the struggles for civil rights and racial justice in George Wallace’s Alabama. From Preaching to Meddling is a personal chronicle of some of the nation’s civil rights struggles in Alabama and of the memoirist’s own struggles with faith and fault. While recounting the people and communities he joined in fighting against the white South’s racial order in rural Alabama, Walter candidly shares questions, dilemmas, and perceptions of his own shortcomings. His is an engaging portrait of momentous times and of himself as both conflicted priest and crusading white Southerner.

A team of specialists addresses a foundational concept as central to early modern thinking as to our own: that the past is always an important part of the present.