Television Goes To The Movies

Television and film have always been connected, but recent years have seen them overlapping, collaborating, and moving towards each other in ever more ways. Set amidst this moment of unprecedented synergy, this book examines how television and film culture interact in the 21st century. Both media appear side by side in many platforms or venues, stories and storytellers cross between them, they regularly have common owners, and they discuss each other constantly. Jonathan Gray and Derek Johnson examine what happens at these points of interaction, studying the imaginary borderlands between each medium, the boundary maintenance that quickly envelops much discussion of interaction, and ultimately what we allow or require television and film to be. Offering separate chapters on television exhibition at movie theaters, cinematic representations of television, television-to-film and film-to-television adaptations, and television producers crossing over to film, the book explores how each zone of interaction invokes fervid debate of the roles that producers, audiences, and critics want and need each medium to play. From Game of Thrones to The TV Set, Bewitched to the Marvel Cinematic Universe, hundreds of TV shows and films are discussed. Television Goes to the Movies will be of interest to students and scholars of television studies, film studies, media studies, popular culture, adaptation studies, production studies, and media industries.

Television and film have always been connected, but recent years have seen them overlapping, collaborating, and moving towards each other in ever more ways. Set amidst this moment of unprecedented synergy, this book examines how television and film culture interact in the 21st century. Both media appear side by side in many platforms or venues, stories and storytellers cross between them, they regularly have common owners, and they discuss each other constantly. Jonathan Gray and Derek Johnson examine what happens at these points of interaction, studying the imaginary borderlands between each medium, the boundary maintenance that quickly envelops much discussion of interaction, and ultimately what we allow or require television and film to be. Offering separate chapters on television exhibition at movie theaters, cinematic representations of television, television-to-film and film-to-television adaptations, and television producers crossing over to film, the book explores how each zone of interaction invokes fervid debate of the roles that producers, audiences, and critics want and need each medium to play. From Game of Thrones to The TV Set, Bewitched to the Marvel Cinematic Universe, hundreds of TV shows and films are discussed. Television Goes to the Movies will be of interest to students and scholars of television studies, film studies, media studies, popular culture, adaptation studies, production studies, and media industries.

Investigating the boundaries between media in an age of convergence, Cinematic TV constructs a new model for exploring how contemporary serial dramas quote, copy, and appropriate American cinema.

The leading journal devoted to all aspects of popular culture and cult media, "Headpress 25 "turns its attention to the Dream, or Flicker, machine. On this subject, it features interviews with William Burroughs-following a chance meeting at a bus stop by writers Johnny Strike and Gregory Daurer-and Paul Bowles. The cover is a striking oil painting of Burroughs in Tangiers. "Headpress 25 "also includes a detailed look at the neglected life and career of the late Luis de Jesus, a "star" of diminutive stature whose film appearances range from sadistic sidekick in the cult 1976 feature, "Blood Sucking Freaks," to numerous hardcore porn features, of which the most notorious is "The Anal Dwarf,"

Roger Rabbit is sure that Clark Gable has not only stolen the role of Rhett Butler in the soon-to-be-shot Gone With the Wind, but he has also stolen the heart of Jessica. Investigating the affair, Eddie Valiant, Toon protector, finds himself up to his fedora in murder and Hollywood corruption. Who P-P-Plugged Roger Rabbit? will appeal to movie buffs, mystery fans, and Rabbit devotees alike.