Tell A Tale Of Royalty In Disguise

Uncover the fairy tale secrets that made the Grimms famous. In fairy tales, a young woman can have impossibly long hair, a man can turn into a lion during the day, and a simple spindle can change a kingdom's history. There are few limits on characters we can create or the stories we tell. Our characters don’t necessarily have to look or act a certain way, and fairy tale magic can delight readers in fresh new ways. In Lessons from Grimm, you’ll do a deep dive into how the Grimms masterfully handle key elements of genre, character, setting, plot, fairy tale magic, and theme. Lessons from Grimm is perfect for teenage writers and up. While beginning authors will learn basic storytelling techniques, more advanced storytellers will hone in on specific tips for writing fairy tale magic and themes. By studying examples of well-known and more obscure tales, you'll come away with a fresh perspective on Grimms' fairy tales and lots of ideas for writing your own stories. * quickly brainstorm ideas * streamline the creative process * create endearing fairy tale characters * build on time-tested plots and themes * write a better fairy tale Bonus! The appendix includes comprehensive lists of characters, settings, plots, romance tropes, magic objects and more, saving you hours of research time. Get Lessons from Grimm today and get started writing your own magical tale.

"In part 1, Alexander-Frizer investigates the relationship between folk literature and group identity via the stories' connection to Hebrew canonical sources, their historical connection to the land of origin, their treatment of prominent family members and historical events, and their connection to the surrounding culture in the lands of the Spanish Diaspora. Part 2 contains an analysis of several important genres and subgenres present in the folktales, including legends, ethical tales, fairy tales, novellas, and humorous tales. Finally, in part 3, Alexander-Frizer discusses the art of storytelling, introducing the theatrical and rhetorical aspects of Sephardic folktales, such as the storyteller, the audience, and the circumstances of time and place."--BOOK JACKET.

Storytelling, as oral tradition and in writing, has long played a central role in Jewish society. Family, educators, and clergy employ stories to transmit Jewish culture, traditions, and values. This comprehensive bibliography identifies 668 Jewish folktales by title and subject, summarizing plot lines for easy access to the right story for any occasion. Some centuries old and others freshly imagined, the tales include animal fables, supernatural yarns, and anecdotes for festivals and holidays. Themes include justice, community, cause and effect, and mitzvahs, or good deeds. This second edition nearly doubles the number of stories and expands the guide's global reach, with new pieces from Turkey, Morocco, Libya, Tunisia, and Chile. Subject cross-references and a glossary complete the volume, a living tool for understanding the ever-evolving world of Jewish folklore.

The magical fourth book in the Wide-Awake Princess series, by the author of The Frog Princess. With the help of family and friends, Annie and Liam's wedding day looks as if it's going to be perfect, until everything starts to go wrong. Liam's father doesn't show up, nor do the magic-wielding guests. Members of the wedding party come down with strange afflictions, Annie's gown is ruined, a storm floods the castle grounds, and an unknown king lays seige to the castle. Queen Karolina decides that they need the help of her fairy godmother, Moonbeam, but a pea-soup fog keeps the messengers from leaving. Only Annie and Liam can get past the magical fog to find Moonbeam, but even after they find her, it's up to them to discover who cast the spells that ruined the wedding, and why the unknown king wants to conquer Treecrest. Don't miss the rest of the Wide-Awake Princess series by E. D. Baker: The Wide-Awake Princess Unlocking the Spell The Bravest Princess Princess in Disguise Princess between Worlds The Princess and the Pearl Princess before Dawn And these other magical series: Tales of the Frog Princess The Fairy-Tale Matchmaker More Than a Princess Magic Animal Rescue and more!

Thanks to these generous donors for making the publication of the books in this series possible: Lloyd E. Cotsen; The Maurice Amado Foundation; National Endowment for the Humanities; and the National Foundation for Jewish Culture Tales from Arab Lands presents tales from North Africa, Yemen, Lebanon, Syria, and Iraq in the latest volume of the most important collection of Jewish folktales ever published. This is the third book in the multi-volume series in the tradition of Louis Ginzberg?s timeless classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives (IFA), named in Honor of Dov Noy, at The University of Haifa, a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This series is a monument to a rich but vanishing oral tradition. This series is a monument to a rich but vanishing oral tradition.

To save her love she must remain hidden...to save her kingdom she must reveal herselfOleah has learned from books since infancy and swears she has a library instead of a brain. Why a farmer's daughter needs all this learning escapes her, until fate sets her on a collision course with Anitolia's plan to obtain absolute power.Anitolia is ruthless, so Oleah fears for the ones she loves, especially Stephan who loves her unconditionally. Stephan has suffered much under Anitolia's obsession. However, it will be Oleah who breaks his heart if she is forced to marry Anitolia's son.

Major themes explored are narratives of the disguised prince, and the reinvention of stories for different tastes and periods. These studies cover a wide chronological range and familiar and unfamiliar texts and topics. The disguised prince is a theme linking several articles, from early Anglo-Norman romances through later English ones, like King Edward and the Shepherd, to a late 16th-century recasting of the Havelok story as a Tudor celebration of Gloriana. 'Translation' in its widest sense, the way romance can reinvent stories for different tastes and periods, is anotherrunning theme; the opening introductory article considers the topic of translation theoretically, concerned to stimulate further research on how insular romances were transferred between vernaculars and literary systems, while other essays consider Lovelich's Merlin (a poem translating its Arthurian material to the poet's contemporary London milieu), Chaucer, and Breton lays in England. Contributors: JUDITH WEISS, IVANA DJORDJEVIC, ROSALIND FIELD, MORGAN DICKSON, ELIZABETH ARCHIBALD, AMANDA HOPKINS, ARLYN DIAMOND, PAUL PRICE, W.A. DAVENPORT, RACHEL SNELL, ROGER DALRYMPLE, HELEN COOPER. Selected studies, 'Romance in Medieval England' conference.