Tell Me It S Real

Do you believe in love at first sight? Paul Auster doesn't. Paul doesn't believe in much at all. He's thirty, slightly overweight, and his best features are his acerbic wit and the color commentary he provides as life passes him by. His closest friends are a two-legged dog named Wheels and a quasibipolar drag queen named Helena Handbasket. He works a dead-end job in a soul-sucking cubicle, and if his grandmother's homophobic parrot insults him one more time, Paul is going to wring its stupid neck. Enter Vince Taylor. Vince is everything Paul isn't: sexy, confident, and dumber than the proverbial box of rocks. And for some reason, Vince pursues Paul relentlessly. Vince must be messing with him, because there is no way Vince could want someone like Paul. But when Paul hits Vince with his car--in a completely unintentional if-he-died-it'd-only-be-manslaughter kind of way--he's forced to see Vince in a whole new light. The only thing stopping Paul from believing in Vince is himself--and that is one obstacle Paul can't quite seem to overcome. But when tragedy strikes Vince's family, Paul must put aside any notions he has about himself and stand next to the man who thinks he's perfect the way he is.

Three sisters struggle with the bonds that hold their family together as they face a darkness settling over their lives in this “one of a kind” (Kirkus Reviews, starred review) debut novel that’s a finalist for the William C. Morris Award. There are three beautiful blond Babcock sisters: gorgeous and foul-mouthed Adrienne, observant and shy Vanessa, and the youngest and best-loved, Marie. Their mother is ill with leukemia and the girls spend a lot of time with her at a Mexican clinic across the border from their San Diego home so she can receive alternative treatments. Vanessa is the middle child, a talented pianist who is trying to hold her family together despite the painful loss that they all know is inevitable. As she and her sisters navigate first loves and college dreams, they are completely unaware that an illness far more insidious than cancer poisons their home. Their world is about to shatter under the weight of an incomprehensible betrayal…

May is a few years out of a bad relationship and thinks she will never find butterflies in her stomach, belly somersaulting and heart-fluttering real love. For years May has believed she was never good enough for someone else to love her as much as she loves them. Can one night out in East London with her girls change all that when she meets a handsome Northern Irish guy? Will she find the love of her life in her local? Will it be another missed opportunity? Or will love always be too good to be true? As May’s best friend Anna brutally but truthfully says, “You, my darling, aren’t going to find your sex god, love of your life, on your sofa, so get the bloody hell up and out of your flat and find yourself, your Donny.”

Until the End By: Katie Barker In the near future, two sisters, Alaina and Hayley Mitchell, are forced to flee their home during a conflict with a neighboring community, and everything they thought they knew in their lives changes. Follow their journey as they face hardships, separate, and grow into young adults, taking very different paths in life, only to reunite in conflict—at odds over politics and their love for a very special boy in their lives. One sister had a manipulatable gene that made her extremely desirable to the powers that be. Until the End is about hope, and during the times we live in, the best we can do is have hope. The author hopes readers take away an awareness of the effects of love, both positive and negative, and that there is hope as long as you look for it in the right places.

From the creator of the popular website Ask a Manager and New York’s work-advice columnist comes a witty, practical guide to 200 difficult professional conversations—featuring all-new advice! There’s a reason Alison Green has been called “the Dear Abby of the work world.” Ten years as a workplace-advice columnist have taught her that people avoid awkward conversations in the office because they simply don’t know what to say. Thankfully, Green does—and in this incredibly helpful book, she tackles the tough discussions you may need to have during your career. You’ll learn what to say when • coworkers push their work on you—then take credit for it • you accidentally trash-talk someone in an email then hit “reply all” • you’re being micromanaged—or not being managed at all • you catch a colleague in a lie • your boss seems unhappy with your work • your cubemate’s loud speakerphone is making you homicidal • you got drunk at the holiday party Praise for Ask a Manager “A must-read for anyone who works . . . [Alison Green’s] advice boils down to the idea that you should be professional (even when others are not) and that communicating in a straightforward manner with candor and kindness will get you far, no matter where you work.”—Booklist (starred review) “The author’s friendly, warm, no-nonsense writing is a pleasure to read, and her advice can be widely applied to relationships in all areas of readers’ lives. Ideal for anyone new to the job market or new to management, or anyone hoping to improve their work experience.”—Library Journal (starred review) “I am a huge fan of Alison Green’s Ask a Manager column. This book is even better. It teaches us how to deal with many of the most vexing big and little problems in our workplaces—and to do so with grace, confidence, and a sense of humor.”—Robert Sutton, Stanford professor and author of The No Asshole Rule and The Asshole Survival Guide “Ask a Manager is the ultimate playbook for navigating the traditional workforce in a diplomatic but firm way.”—Erin Lowry, author of Broke Millennial: Stop Scraping By and Get Your Financial Life Together

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

Riley Vasquez is haunted by the brutal murder of the couple she was babysitting for. Max Cross is suffering under the shadow of a life-altering diagnosis he doesn't dare reveal. The last thing either of them wants is to spend a weekend away at a therapy camp alongside five other teens with "issues." But that's exactly where they are when three masked men burst in to take the group hostage. The building has no windows. The exits are sealed shut. Their phones are gone. And their captors are on a killing spree. Riley and Max know that if they can't get out, they'll be next--but they're about to discover that even escape doesn't equal freedom.

If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...