Temperance Ballads

This book presents old-time Michigan, its songs and their tunes, collected and edited by Emelyn E. Gardner, a folklorist of wide experience, the author of Folklore from the Schoharie Hills, with the aid of Geraldine Jencks Chickering. Michigan's early settlers, coming from the older eastern states, both north and south, with many from England, Scotland, and the British North American possessions, brought with them their songs, which they sang happily at work and play, handing them down from generation to generation, and often adapting centuries-old ballads to their new environment. Many worked for a time in the woods and picked up the mournful, or jolly, ballads that were circulated through the camps by lumberjacks drifting in from the Maine and Canadian forests. There are old folks still alive who treasure these ancient songs, and young people who have learned them from their parents and grandparents—or even from the radio. Ballads and Songs of Southern Michigan collects and preserves these cherished possessions of the old frontier. With scholarly accuracy their history is recounted; the names of those who sang them are reported. The tunes of many are reproduced; there are ample indices and bibliography. Wilfred B. Shaw's ink drawings add much to the charm of the book. It is a worthy addition both to the literature of folklore and balladry, and to that of pioneer American history.

Before the Civil War, the public lives of American men and women intersected most frequently in the arena of religious activism. Bruce Dorsey broadens the field of gender studies, incorporating an analysis of masculinity into the history of early American religion and reform. His is a holistic account that reveals the contested meanings of manhood and womanhood among antebellum Americans, both black and white, middle class and working class.Urban poverty, drink, slavery, and Irish Catholic immigration--for each of these social problems that engrossed Northern reformers, Dorsey examines the often competing views held by male and female activists and shows how their perspectives were further complicated by differences in class, race, and generation. His primary focus is Philadelphia, birthplace of nearly every kind of benevolent and reform society and emblematic of changes occurring throughout the North. With an especially rich history of African-American activism, the city is ideal for Dorsey's exploration of race and reform.Combining stories of both ordinary individuals and major reformers with an insightful analysis of contemporary songs, plays, fiction, and polemics, Dorsey exposes the ways race, class, and ethnicity influenced the meanings of manhood and womanhood in nineteenth-century America. By linking his gendered history of religious activism with the transformations characterizing antebellum society, he contributes to a larger quest: to engender all of American history.

This book focuses on the near total attrition of African American students from school music programmes and the travesty of democratic education that it symbolizes. Gustafson shows how understanding this history makes a space for change without resorting to the simplistic conclusion that the schools and teachers are racist.

This much-needed book provides valuable insights into themes and genres in popular song in the period c. 1600-1900. In particular it is a study of popular ballads as they appeared on printed sheets and as they were recorded by folk song collectors. Vic Gammon displays his interest in the way song articulates aspects of popular mentality and he relates the discourse of the songs to social history. Gammon discusses the themes and narratives that run through genres of song material and how these are repeated and reworked through time. He argues that in spite of important social and economic changes, the period 1600-1850 had a significant cultural consistency and characteristic forms of popular musical and cultural expression. These only changed radically under the impact of industrialization and urbanization in the nineteenth century. The book will appeal to those interested in folk song, historical popular music (including church music), ballad literature, popular literature, popular culture, social history, anthropology and sociology.

Masquerading as a man, seeking adventure, going to war or to sea for love and glory, the transvestite heroine flourished in all kinds of literature, especially ballads, from the Renaissance to the Victorian age. Warrior Women and Popular Balladry, 1650-1850 identifies this heroine and her significance as a figure in folklore, and as a representative of popular culture, prompting important reevaluations of gender and sexuality. Dugaw has uncovered a fascination with women cross-dressers in the popular literature of early modern Europe and America. Surveying a wide range of Anglo-American texts from popular ballads and chapbook life histories to the comedies and tragedies of aristocratic literature, she demonstrates the extent to which gender and sexuality are enacted as constructs of history.