Tempesta S Dream

Tempesta's Dream is the story of an aspiring opera singer coming of age in Milan; a tender and moving love story; a testament to the bonds of friendship; and at its core, a tribute to the beauty, majesty and miracle of opera.

This volume investigates how Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773, in rhetorical and emblematic treatises, theoretical debates, and embedded in various instances where Jesuit authors and artists implicitely explored the status and functions of images.

Organized chronologically from early Renaissance precursors to the Mannerist movement, from Giotto to Titian, Key Monuments of the Italian Renaissance describes and analyzes in depth from various points of view major works and major artists, from the fourteenth to the sixteenth centuries. Artists included are Cimabue, Duccio, Giotto, Lorenzetti, Gh

This book offers a new reading of early modern romance in the light of historically contemporary accounts of mind, and specifically the medical tradition of love-melancholy. The book argues that the medical profile of the melancholic lover provides an essential context for understanding the characteristic patterns of romance: narrative deferral, epistemological uncertainty, and the endless quest for a quasi-phantasmic beloved. Unlike many recent studies of romance, this book establishes a detailed historical basis for investigating the psychological structure of romance. Wells begins by tracing the development of the medical disorder first known in the Latin west as amor hereos (lovesickness) from its earliest roots in Greek and Arabic medicine to its translation into the Latin medical tradition. Drawing on this detailed historical material, the book considers three important early modern romances: Ariosto's Orlando Furioso, Tasso's Gerusalemme Liberata, and Spenser's The Faerie Queene, concluding with a brief consideration of the significance of this literary and medical legacy for Romanticism. Most broadly, the interdisciplinary nature of this study allows the author to investigate the central critical problem of early modern subjectivity in substantially new ways.

An Italian septuagenarian recounts his life before and after World War I in this novel from the author of Paris in the Present Tense. For Alessandro Giullani, the young son of a prosperous Roman lawyer, golden trees shimmer in the sun beneath a sky of perfect blue. At night, the moon is amber and the city of Rome seethes with light. He races horses across the country to the sea, and in the Alps, he practices the precise and sublime art of mountain climbing. At the ancient university in Bologna he is a student of painting and the science of beauty. And he falls in love. His is a world of adventure and dreams, of music, storm, and the spirit. Then the Great War intervenes. Half a century later, in August of 1964, Alessandro, a white-haired professor, still tall and proud, finds himself unexpectedly on the road with an illiterate young factory worker. As they walk toward Monte Prato, a village seventy kilometers distant, the old man tells the story of his life. How he became a soldier. A hero. A prisoner. A deserter. A wanderer in the hell that claimed Europe. And how he tragically lost one family and gained another. The boy is dazzled by the action and envious of the richness and color of the story, and realizes that the old man's magnificent tale of love and war is more than a tale: it is the recapitulation of his life, his reckoning with mortality, and above all, a love song for his family. “[A] testimony to the indomitable human spirit. Highly recommended.”—Library Journal

A personally compelling introduction to Leonardo's genius, a classic monograph of Leonardo's art and his development.